Oryx and Crake (MaddAddam, #1)

Zeb is silent. Will this be a painful story? It’s likely: most stories about the past have an element of pain in them, now that the past has been ruptured so violently, so irreparably.

But not, surely, for the first time in human history. How many others have stood in this place? Left behind, with all gone, all swept away. The dead bodies evaporating like slow smoke; their loved and carefully tended homes crumbling away like deserted anthills. Their bones reverting to calcium; night predators hunting their dispersed flesh, transformed now into grasshoppers and mice.

There’s a moon now, almost full. Good luck for owls; bad luck for rabbits, who often choose to cavort riskily but sexily in the moonlight, their brains buzzing with pheromones. There’s a couple of them down there now, jumping about in the meadow, glowing with a faint greenish light. Some used to think there was a giant rabbit up there on the moon: they could clearly make out its ears. Others thought there was a smiling face, yet others an old woman with a basket. What will the Crakers decide about that when they get around to astrology, in a hundred years, or ten, or one? As they will, or will not.

But is the moon waxing or waning? Her moontime sense isn’t as sharp as it used to be in the days of the Gardeners. How many times had she watched over Vigils when the moon was full? Wondering, from time to time, why there was an Adam One but no Eve One, nor ever any mention of such. Now she’ll find out.

“Picture it,” says Zeb. “Adam and me were on the sealed bullet train together for three days. I’d only seen him twice since we cleared out the Rev’s bank account and went our separate ways: in the Happicuppa joint, in the back room at Scales. No time to dig down. So naturally I asked him stuff.”


Zeb had to sacrifice his face waffle, of which he’d become moderately fond despite the meticulous upkeep, what with those stubbly mini-squares to sculpt. He clear-cut the thing with a shaver: all that remained of it was a goatee. He had some new head growth – an unconvincing Mo’Hair glue-on from the early days of that Corp – in a shade of glossy pimp-oil brown.

Luckily he could cover up some of the more fraudulent effects with the dorky hat that was part of the CryoJeenyus outfit for the position that would have once been called “undertaker’s assistant,” though CryoJeenyus used the label Temporary Inertness Caretaker instead. The hat was a modified turban, referencing both magicians and genies. It was reddish in colour and had a flame design on the front.

“Ever-burning flame of life, right?” says Zeb. “When they showed that third-rate magic-show headrag to me, I said, ‘You can’t be fucking serious! I’m not wearing a boiled tomato on my head!’ But then I saw the beauty of it. With it, and with the rest of the ensemble – a purple thing like pyjamas, or maybe a karate concept, with the CryoJeenyus logo plastered across the front – no one could mistake me for anything but an overgrown dim bulb who couldn’t get any other job. Frasketsitting on a train – how pathetic was that? ‘If you’re where no one expects you to be,’ old Slaight of Hand used to say, ‘you’re invisible.’ ”

Adam had the same uniform, and he looked even stupider in it than Zeb did. So that was some comfort. Anyway, who was going to see them? They were locked into the special CryoJeenyus car with the Frasket plugged into its own separate generator to keep it subzero inside. CryoJeenyus prided itself on being extra secure: DNA theft, not to mention the pilfering of other, larger body parts, was a worry among those who were in love with their own carbon structures: in those circles, the theft of Einstein’s brain had not been forgotten.

Thus an armed guard travelled with all Frasket-sitters, riding shotgun near the door. On bona fide CryoJeenyus missions, this individual would have been a member of the consolidated and ever-expanding CorpSeCorps and would have been armed with a spraygun. But since everything about this particular caper was bogus, the role was played by a Scales manager named Mordis. He looked the part: tough, bright eyes like a shiny black beetle, smile impartial as a falling rock.

His weaponry wasn’t real, however: the cryptic team could imitate clothing, but they couldn’t reproduce that kind of triple-security moving-part tech. So the spraygun was a cunning plastic and painted-foam imitation, which wouldn’t matter at all unless someone got close enough to be hit with a fist.

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