Minya had just said. Did she live this, then, over and over? Was she always, always trying to save them, and always, always failing? Sarai couldn’t bring the dead back to life, and she couldn’t go back in time, but couldn’t she let Minya win this, at least once?
She took over the dream. It was what she did, easy as breathing. She closed the nursery door, the one Minya kept glancing at. She closed it so no one could get in. And then she opened another door, out through the other side where no door had ever been. It led to the sky, and an airship was docked, a version of the silk sleigh, but bigger, with patchwork pontoons, and tassels and pom-pom garlands draped over the rails, and instead of a motor, it had a flock of geese in harness, all formed up in a V and ready to pull them away to safety. They had only to take the children and load them onto it, and Sarai could help with that, too. She could just will them there. They didn’t need to be herded and chased. She told Minya, “We can escape,” and pointed to the doorway.
But Minya flinched at the sight, and when Sarai looked back, she saw men in it, in the doorway she’d just made, and one of the men was her father, and he had a knife in his hand.
She willed him gone, but as soon as she did he appeared in the other door, open again as though she’d never closed it. And again, and again, and he came back every time. No sooner would she change the dream than it overcame her change. It was like trying to divert a river using only her bare hands. And always the Godslayer was there, grim-faced, with his knife, and his mission.
“It won’t work,” said Minya, her face slick with tears. “Do you think I haven’t tried everything?”
And Sarai knew that the pushback, the dream’s intransigence, was Minya’s pushback, her own intransigence, born of a trauma so profound that she could not dream herself out of it, or even let Sarai do it for her. She was trapped here with the babies she had been unable to save.
“Come out!” She was crying, trying to pull a little boy out from under a cot. “Come with me! We have to go.” But he was terrified and scrambled away, and she managed, finally, to get a different little boy who Sarai thought must be Feral, and to hoist two swaddled babies in her arm: Ruby and Sparrow. They were crying. Sarai wondered at Minya being able to hold them. She was so small herself. And she had really done it, and carried them all the way down the corridor to the heart of the citadel, where she’d pushed them through another crack and kept them safe. How had she had the strength? And then Minya stunned Sarai. She grabbed her hand, and started to drag her with them. “Hush,” she said to the babies, harsh. Sarai’s hand and Feral’s were crushed together in a grip impossibly strong. Minya’s fingers were slippery; she had to grab so tight to keep hold of them. It hurt. Sarai tried to pull away, but Minya whirled on her and demanded, in a savage snarl of a voice, “Do you want to die, too? Do you?”
And that was the moment it all became real. Those words were a pry bar slipped into a crack, and twisted to break it all open. Sarai had heard them before, fifteen years ago, right here in this spot. Blinding terror seized her. She felt now what she had then. The words hit her like a threat. Minya dragged her, and Feral, too. Their little feet tangled together. They wanted to stay in the only place they knew. Something bad was outside the door. But Minya wouldn’t let go.
To reach the door and any hope of escape, they had to scramble over an obstacle sprawled across the floor. Here was the anomaly, the breath-fogged glass, the skip in the dream. Sarai hadn’t been able to see what was here, but now she did. It was the Ellens, and she felt the give of their soft bodies as she clambered over them. They were slippery and her hands got red, and Minya’s hand was all red, too. That’s why it was so slick. She’d thought it was sweat, but it was blood.
And finally it was just too much. Sarai snatched her hand back. She snatched it back in the dream and also in the room where she sat by Minya’s sleeping self. She did what Minya could not: She escaped from the nightmare. Lazlo was waiting, his arms already around her, his breath and voice soft on her ear. “It’s all right,” he murmured. “It’s just a dream. I’ve got you. It’s all right.”
But it wasn’t just a dream, and nothing was all right. It was a memory, and Minya was still in it, trapped, as she had been all these years.
Chapter 23
Minya’s Red Hand
It took Sarai a while to stop shaking, and she wasn’t ready to talk about it yet, so instead she sent Lazlo to the rain room for some water and a cloth, and then she very gently washed Minya’s face and neck, her shoulders and arms, much the way she had washed her own body only hours earlier. She even held Minya’s head in her lap, the way she had held her own. And she smoothed back her hair, and fed tiny spoonfuls of water between her lips, into which she had diluted another drop of Letha’s sleeping draught—because, as much as she hated to keep Minya trapped in that room and in that day, she couldn’t let her out to rule over her and threaten Weep. She had to leave her there, for now.
She had to find some way to help her.
The sun rose, and she woke Sparrow to take over the watch. “How did it go?” Sparrow asked, but Sarai just shook her head and said, “Later.”
She went back up the dexter arm, with Lazlo, to her room. He closed the door behind them, and asked, “What can I do?” It devastated him to see her so shaken and not be able to do anything.
“You can sleep,” she said.
“I want to help you.”
“So help me.” She drew him back toward the tucked-away nook. “You need rest, and I need your dreams. Sleep, and I’ll meet you there.”
He could do that. He wanted nothing more. It didn’t matter that the sun was up. Sarai’s gift had shaken off those limits. Her moths had been nocturnal, but they were gone, and she suspected she would miss them, but not right now. This was better: skin to skin. So much better. She vanished her slip and her smallclothes and lay down on the bed.
Lazlo stood there and looked at her. There was a roaring in his ears. Her hair was fanned out in sunset spirals. Her skin was cobalt, her moon and stars silver. Her lips and nipples were rose. His mind danced over the colors of her because it could hardly fathom the whole. Her beauty annihilated him. How could she be for him? Her need called out to him—to him and him alone. Almost, his own skin felt magnetized to hers, like a force pulling him off balance. He stripped off his shirt and pushed down his breeches, and this was something new, to kick them off and stand naked before her, and climb onto the bed and lay down with her, and feel her curve against him, finding out how they best fit together. He was careful with her. This wasn’t a time for wildfires. She wanted his dreams and he wanted to draw her into such safety and splendor as only he could make for her, not in the world, but out of it, in their world. He closed his eyes and lay on his back as she tucked herself against his side and curled her leg through his own, resting her cheek on his hearts. She felt their tempo radiate through her. He let the feel of her skin ripple over his like music, and it was lucky that he was very tired, because she felt so good.
After a time—a surreal velvet-silk-silver-sky time of soft exhalations and the startling tickle of eyelashes and the smallest movements setting off explosions of sensation—they settled into stillness and sank into sleep, where they met again in the little room down in Weep where Sarai had first found Lazlo sleeping: a stranger with a broken nose. Her moths had perched here, and the two of them had defeated Skathis at this window. This was where they’d landed when they fell out of the stars. Lazlo knew Sarai felt safe here. She’d chosen it herself on the last night of her life.
“Where would you like to go?” he asked. He knew there was so much she wanted to see, both real things and imagined. Dragons and airships, leviathans and oceans. She’d never seen the sea.
“Here’s good,” said Sarai, stepping toward him. “Right here. Here’s perfect.”