Before I shower, before I eat, before I crawl into bed and sleep off my fourteen-month nightmare, I call a cab. I have him pull into my garage, then I stand next to his window and check him out. Small guy, early twenties, bald by choice. I can see the shadows of where his hair should be. He’s fighting that receding hairline with a shaved head. Defiant and a little ballsy, because we can all see why he’s doing it. His eyes are wide and shifty; either the news vans freaked him out, or he’s having withdrawals. He’ll do, I think.
I climb into the front seat. “Do you mind?” I ask. But I don’t really care if he says no. I buckle my seatbelt. “Take me to one of those stores with the lumber and the tools.”
He spits out a couple options and I shrug. “Whatever.”
We pull past the news vans and I smile at them. I don’t know why except that it’s kind of funny. I used to be famous for my books, now I’m famous for something else. It kind of constipates your mind; being famous for something that someone else did to you.
I make my cabbie wait while I run into the home fix-it store he chose. The building is expansive. I walk quickly past the lighting and the doorknobs until I find what I am looking for. I am there for thirty-five minutes while two employees see to my order. I have no purse or credit cards, just the wad of hundred dollar bills I shoved into my back pocket before I left the house. I kept them in an old cookie tin in my pantry for one day; a rainy day, a needy day, a day I just felt like blowing a wad of cash. Now there were only a few days left, so I figured it was time to spend. I toss three of the bills at the cashier and wheel my purchases out to the cab. I won’t let him help me. I stack everything in the trunk, and climb back into the front seat.
My legs bounce all the way back. Flashes, doors, questions hurled up my driveway. Once again, I have him pull into the garage. He helps me this time, stacking everything just inside the door that leads into the foyer. I hand him the rest of the wad from my cookie tin.
“For one day,” I say. His eyes bulge. He thinks I’m crazy, but hey, I’m handing him lots of money. He leaves before I can change my mind. I watch him pull out and quickly close the garage door. I grab an armload of my purchases and nudge the stereo with my toe as I walk past it. The first song Isaac ever gave me kicks on. It’s loud. I make it louder until it’s pounding through the house. I’m sure they can hear it outside: a one-man party.
I carry everything to the white room and pry off the lids of the cans with a butter knife: crimson, yellow, cobalt, bubblegum pink, deep purple—like a bruise—and three different greens to match the summer leaves. I stick my hand in the red paint first, and rub my fingertips together. It falls heavy, spilling on my clothes and the floor where I am kneeling. I scoop up more, ‘til my hands are brimming. Then I throw it—a handful of red paint at my white, white wall. Color explodes. It spreads. It runs. I take more—I take all of the colors—and I stain my white room. I stain it with all the colors of Isaac, as Florence Welch sings me her song.
It’s then that my phone rings. I don’t pick it up, but when I listen to the message later that night, Detective soft s Garrison informs me that Saphira is dead. Dead by her own hand. Good, I think at first, but then my chest aches. He doesn’t tell me how she did it but something tells me she opened her own veins. Bled out. She liked her patients to bleed out their thoughts and feelings; she would have chosen to go that way. Saphira and her god-complex would never have tolerated being tried in a court of law. She thought people were stupid. It would have been beneath her to be judged. I call him the next morning. There would be no trial. He sounds disappointed when he tells me, but I feel relieved. It’s an end to the nightmare. I couldn’t have handled months and months of a trial. Wasting my last days seeking human justice. I think I forgive her for believing she was God, I’m not sure God will.
Garrison informs me that there is an ongoing investigation into Saphira’s accomplices. “Everyone we have questioned is shocked. She was well respected in the mental health community. No family in the country. No friends. She seems to have just snapped, lost touch with reality.”
Who has time for friends when you’re performing human experiments? I think.
“What about the blood on the books?” I ask. “Was it human?”
There is a long pause.
“The lab test indicated that it was animal blood. A ram or a goat, we can’t be a hundred percent sure. We found your books in her home, along with your case file from-”
“I figured,” I say quickly.
“There was something else,” he says. “We found the footage of your time in the house.”
I squeeze my eyes closed. “What are you going to do with it?”
“It’ll go into evidence,” he says.
“Good. No one will see it?”
“Not the media, if that’s what you’re asking.”
“Okay.”
“There is one more thing…”
How many more things could there be?
“Saphira had an apartment in Anchorage. We think that’s how she got to you so quickly when Isaac was sick. She had been watching a recording of you and Doctor Asterholder. She was only able to see what was happening in the house when the power was on, and there was only sound in certain rooms. So there are gaps in the recordings. But, it was paused. I was hoping you’d be able to tell me something about the context of what I was seeing.”
“What was it paused on?” I am breathless…sick. It never occurred to me that there were multiple cameras set up around the house.
“You holding a knife to Doctor Asterholder’s chest.”
I lick my lips. “He was holding a knife to his own chest,” I say. My mind is ripping through what exactly Saphira was trying to tell me.
“It was the moment I changed,” I say. “It was the reason she did what she did.”