I’ve never been part of a conversation like this, where my heart is jelly and my brain is in my shoes. I should be pissed at his boyish antics, but right now should is miles away.
On the radio, the broadcasters discuss an impending rain delay. Blissfully engaged, Walt digs into his fries; Beck is already halfway done with his burger. I roll my eyes, sigh in my most overly dramatic tone, and offer my hand across Walt’s back. “Fine, I’ll go first.” Beck takes a bite while shaking it, and if I thought his look was stunning, his touch is downright majestic. “I’m Mary Iris Malone . . . but only my mother gets to call me Mary.”
I’m in deep before I know it. With a few carefully omitted details (the BREAKING NEWS, my war paint, my solar retinopathy—God, freak show, anyone?), I proceed to unload on Beck. I tell him about the divorce and the move and the conversation I overheard in the principal’s office. I tell him about Mom’s mystery disease in Cleveland and the series of letters I flushed down the bus toilet, my only proof of Kathy’s awfulness. I tell him about the bus accident and Arlene and Walt and Caleb and our perilous rooftop episode, which landed us at the police station. It’s that scene in the movie where the nervous girl just keeps talking and talking, but unlike the douchebags in those movies, Beck actually seems interested in what I’m saying. And I hate admitting this—probably because I don’t like being the most predictable character in my own film—but I’d be lying if I said I wasn’t wearing my cute face the entire time. (I know my cute face when I feel it.) Once done, I come up for air. “Wait, where’re we going?”
“North,” says Beck, merging onto the highway. “You said Cleveland, right?”
I vaguely recall him starting up the engine during my soliloquy. “What, you’re gonna drive us?”
“How else you plan on getting there?” He hands over my food. “And here. I officially lift the embargo.”
I’m not above eating fries while being indignant. If anything, indignation is bolstered by fries. “Umm, these are amazing. And—lest you forget, Uncle Phil belongs to me. I bought him with my cash-monies. That’s how we plan on getting to Cleveland.”
“Umm, yes they are. And lest you forget, I’m the one with the license.”
“Just because I don’t have a license—God, seriously, how good were these when they were warm? Never mind, I don’t wanna know. Anyway, I know how to drive.”
“I’m sure you do. But really, it’s no problem. I’m sort of passing through, anyway.”
“You’re passing through Cleveland. On your way to what, Lake Erie?”
He gives another one of those half smiles. “Canada, actually. Or—Vermont.”
Before I have a chance to point out that Cleveland really isn’t on the way to Canada or Vermont, the skies open up. It’s a heavy rain, each drop bursting like a water balloon on the windshield. After a few minutes of squinting and leaning over the steering wheel, Beck gives up, and pulls to the side of the highway to wait it out. In the new stillness of the truck, the warbled radio mixes with the pounding rain to create an odd sort of half silence. Broadcasters are going through stats now, filling time during the rain delay. Walt has his hat pulled down over his face, but other than that, he hasn’t budged.
“So you’re from Cleveland, then?” says Beck, sipping his soda.
I shake my head and unwrap the burger. “After things went to shit, Mom sort of relocated there. It’s where she always wanted to be anyway. I grew up in Ashland, about an hour outside Cleveland.”
“And she’s in the hospital for this . . . disease, right? Your mom, I mean.”
Reaching between my feet, I unzip my backpack and hand over the envelope with my mom’s PO Box address. “For two months, I received a letter a week. Then three weeks ago, they stopped. This was the last one I got, and the only one since the move.”
“You think your stepmom, Cassie—”
“Kathy.”
“Right, Kathy.” He hands back the envelope. “You think she’s been hiding letters from you?”
“She always gets to the mailbox first. She tried to get me to quit calling so much. It’s obvious she doesn’t want us to communicate. Plus”—I pull out Kathy’s sixth letter—“here—this is the letter from Mom to Kathy, the only one I didn’t flush. I’m pretty sure Mom asked if I could visit, to which Kathy said no, to which Mom replied . . .”
“Think of what’s best for her,” says Beck.
“Bingo.”
Beck holds it for a minute, slurps his drink. “It’s got an error.”
“I know.”
“Think of whats best for her.” He holds up the note as if I haven’t read it a hundred times. “She forgot the apostrophe.”
“I know.”
He looks down at it again. “Hmm.”
“What now, a dangling modifier?”
He smiles, hands back the crumpled letter. “It’s probably nothing.”
“Well, if it’s probably nothing, then it might be something. What is it?”
“Nothing.”