Killing Commendatore (Kishidancho Goroshi #1-2)

After that, I drove my dusty old Corolla station wagon down the mountain to the shopping plaza. I went to the supermarket, where I toured the aisles with the neighborhood housewives. From the looks on their faces, they weren’t thrilled by their morning shopping. Not a whole lot of excitement in their lives. No ferryboat rides in the Land of Metaphor, that’s for sure.

I tossed what I needed—meat, fish, vegetables, milk, tofu, the whole lot—into my shopping cart and paid at the register. I saved five yen by bringing my own bag. Then I went to a discount liquor store and bought a twenty-four pack of Sapporo. Back home, I arranged most of what I had purchased in the fridge, including six cans of beer. I wrapped what needed to be frozen in plastic and stuck it in the freezer. I set a big pot of water on the stove and parboiled the asparagus and broccoli for salads. I boiled a few eggs, too. In the process, I managed to kill most of the morning. Nevertheless, there was still time to spare. I considered following Menshiki’s example and washing my car, then realized it would get dirty again in no time flat, and tossed the idea. Parboiling vegetables was much more productive.



* * *





I called Yuzu’s architectural firm shortly after noon. Actually, I wanted to wait until my feelings had settled down before talking to her, but at the same time I didn’t want to delay acting on what I had decided in the darkness of the pit, even for a single day. Otherwise, something might cause my feelings to change. Yet the receiver weighed a ton in my hand. A cheerful-sounding young woman answered. I gave her my name, and asked to talk to Yuzu.

“Are you her husband?” she chirped.

Yes, I replied. To be precise I wasn’t, of course, but there was no reason to go into details over the phone.

“Please hold on,” she said.

I waited for quite a long time. I had nothing in particular to do, so I stood there leaning on the kitchen counter, receiver to my ear, biding my time until Yuzu came to the phone. A big black crow passed right in front of the window. Its glossy feathers gleamed in the sunlight.

“Hello,” said Yuzu.

We exchanged a simple greeting. I had no idea how a just-divorced couple was supposed to address each other, how much distance was appropriate. So I kept it as brief and conventional as possible. How have you been? I’ve been fine. And you? Like a summer shower, our words were sucked up the moment they struck the parched soil of reality.

I mustered my courage. “I thought we should get together and talk about a number of things face-to-face,” I said.

“What sorts of things are you talking about?” Yuzu asked. I hadn’t expected that response (why hadn’t I?), so I was at a loss for words. What did I mean by “things”?

“I…I haven’t thought it through that far,” I stammered.

“But you want to talk about a number of things, correct?”

“That’s right. It occurred to me that we ended up like this without ever having talked.”

She thought for a moment. “To tell the truth,” she said, “I’m pregnant. I’m happy to see you, but don’t be shocked to see how big my belly’s grown.”

“I know. Masahiko told me. He said you asked him to.”

“That I did,” she said.

“I don’t know how big you’ve gotten, but I’d like to see you in any case. If it’s not too much of an imposition.”

“Can you wait a moment?” she asked.

I waited. She appeared to be leafing through her appointment book. Meanwhile, I tried hard to remember what kind of songs the Go-Go’s sang. I doubted they were as good as Masahiko had claimed, but then maybe he was right, and my view was perverse.

“Next Monday evening is good for me,” Yuzu said.

I did the calculation in my head. Today was Wednesday. So Monday was five days away. The day Menshiki took his empty bottles and cans to the pickup spot. A day I didn’t have to teach drawing in town. That meant I was free—no need to check my schedule. What did Menshiki wear when he took out his garbage, I wondered.

“It’s good for me too,” I said. “Just give me a time and place and I’ll be there.”

She named a coffee shop not far from the Shinjuku Gyoen-mae Station. The name brought back memories. It was not far from her office, and we had met there often when we were still living together as a married couple. After she finished work, usually before we went out someplace for dinner. There was a little oyster bar a short distance away, which offered fresh oysters at a reasonable price. She loved eating their small oysters loaded with horseradish, and washed down with chilled Chablis. Was the restaurant still in the same spot?

“Can we meet there shortly after six?”

I said that’d be fine.

“I’ll try not to be late.”

“That’s all right. I’ll wait.”

“Okay, see you then,” she said, and hung up.

I stared at the receiver in my hand for a moment. So I would see Yuzu again. My estranged wife, soon to bear another man’s child. The place and time had been set. Our conversation had gone without a hitch. Yet had I done the right thing? I wasn’t at all sure. The receiver still weighed heavy in my hand. Like a phone built back in the Stone Age.

When it came down to it, though, could anything be completely correct, or completely incorrect? We lived in a world where rain might fall thirty percent, or seventy percent, of the time. Truth was probably no different. There could be thirty percent or seventy percent truth. Crows had it a lot easier. For them, it was either raining or not raining, one or the other. Percentages never crossed their minds.

Talking to Yuzu had left me at loose ends. I sat in the dining room for an hour, mostly looking at the clock on the wall. I would see her on Monday and we would talk about “a number of things.” We hadn’t seen each other since March. It had been a chilly Sunday afternoon then, rain quietly falling. Now she was seven months pregnant. A major change in her life. I, on the other hand, was still just me. True, I had drunk the water of the Land of Metaphor only a few days earlier, and had crossed the river that divided presence and absence, but I wasn’t sure if the experience had changed me or not.



* * *





Finally, I called Shoko again. But no one came to the phone. Instead it switched to the answering machine. I gave up and sat down on the sofa. I had made all my calls, and nothing more needed to be done. I hadn’t set foot in the studio in what felt like ages, and part of me wanted to get back to my easel, but I couldn’t think of anything in particular that I wanted to paint.

I put Bruce Springsteen’s The River on the turntable. Then I lay on the sofa, closed my eyes, and listened. When the A side of the first LP had finished, I turned it over and listened to the B side. Albums like The River have to be heard in this fashion. After “Independence Day” wraps up the A side, you take the record in both hands, turn it over, and carefully lower the stylus. “Hungry Heart” fills the room. What was the point of listening to The River any other way? In my personal opinion, when CDs strung together the sides of records like The River, they spoiled the experience. The same was true of Rubber Soul and Pet Sounds. Great music should be presented in its proper form. And listened to in a proper manner.

Whatever the case, the E Street Band’s performance was a knockout. The band revved up the singer, and the singer inspired the band. As I zoned in on the music, I could feel my worries fading.

I was lifting the needle from the first record when I realized that, perhaps, I should give Menshiki a call. We hadn’t spoken since the day before, when he had rescued me from the pit. Yet somehow I didn’t really feel like it. This happened on occasion. He was a fascinating guy, but there were times I really didn’t want to talk to him. The gap between us was vast. Why should that be? At any rate, I didn’t feel like hearing his voice at that particular moment.

So I gave up. I’d call him later. After all, the day had just begun. I put the second record of The River on the stereo. But just when I was settling back to listen to “Cadillac Ranch” (“All gonna meet down at the Cadillac Ranch”), the telephone rang. I lifted the needle and went into the dining room to answer it. I figured it was Menshiki. As it turned out, it was Shoko.