He went to his desk. At its precise centre, someone had placed a sheaf of papers while they'd been with Mrs. Cole. It was, Hanken told Lynley upon taking them up, a document relating to the case. Owing largely to the services of an excellent transcriptionist, Dr. Sue Myles had managed to be as good as her word: They had the postmortem report in hand.
Dr. Myles had been as thorough as she'd been unconventional, they discovered. Her findings upon external examination of the bodies alone took up nearly ten pages. In addition to a detailed description of every wound, contusion, abrasion, and bruise on both corpses, Dr. Myles had recorded each minute particular associated with a death on the moor. Thus, everything from the heather caught up in the hair of Nicola Maiden to a thorn pricking one of Terry Cole's ankles was assiduously noted. The detectives were made aware of infinitesimal fragments of stone embedded in flesh, evidence of bird droppings on skin, unidentified slivers of wood in wounds, and the postmortem damage done to the bodies by insects and birds. What the detectives didn't have at the end of their reading, however, was what they hadn't had at the beginning of it: a clear idea of the number of killers they were seeking. But they did have one intriguing detail: Aside from her eyebrows and the hair on her head, Nicola Maiden had been completely shaven. Not born hairless, but deliberately shaven.
It was that interesting fact that suggested their next move in the investigation.
Perhaps it was time, Lynley said, to talk to Julian Britton, the grief-stricken fiancé of their primary victim. They set off to do so.
The Britton home, Broughton Manor, sat midway up a limestone outcrop just two miles southeast of the town of Bakewell. Facing due west, it overlooked the River Wye, which at this location in the dale cut a placid curve through an oak-studded meadow where a flock of sheep grazed. From a distance, the building looked not like a manor house that had doubtless once been the centre of a thriving estate but instead an impressive fortification. Erected from limestone that had long ago gone grey from the lichen that thrived upon it, the house consisted of towers, battlements, and walls that rose twelve feet before giving way to the first of a series of narrow windows. The manor's entire appearance suggested longevity and strength, combined with the willingness and the ability to survive everything from the vicissitudes of weather to the whimsies of the family who owned it.
Closer, however, Broughton Manor told a different tale. Glass was missing from some of its diamond-paned windows. Part of its ancient oak roof appeared to have caved in. A forest of greenery—everything from ivy to old man's beard—seemed to be pressing against the remaining windows of the southwest wing, and the low walls that marked a series of gardens falling towards the river were crumbling and gap-ridden, giving wandering sheep access to what had probably once been a descending array of colourful parterres.
“Used to be the showplace of the county,” DI Hanken said to Lynley as they swung across the stone bridge that spanned the river and gave onto the sloping drive up to the house. “Chatsworth aside, of course. I'm not talking about palaces. But once Jeremy Britton got his maulers on it, he ran it straight to hell in less than ten years. The older boy—that's our Julian—has been trying to bring the place back to life. He wants to make it pay for itself as a farm. Or a hotel. Or a conference centre. Or a park. He even lets it out for fetes and tournaments, which probably has his ancestors spinning in their graves. But he's got to stay one step ahead of his dad, who'll drink up the profits if he's got the chance.”
“Julian's in need of funds?”
“Putting it mildly.”
“And there are other children?” Lynley asked. “Julian's the eldest?”
Hanken pulled past an enormous iron-studded front door—its dark oak dun with age, indifferent care, and bad weather—and drove them round to the back of the house, where an arched gate big enough for a carriage to pass through had an additional human-size door cut into it. This stood open, beyond it a courtyard between whose paving stones weeds sprang like unexpected thoughts. He switched off the ignition. “Julian's got a brother permanently at university. And a sister married and living in New Zealand. He's the oldest child—Julian is—and why he doesn't go along the same path as the others and clear out is far beyond me. His dad's a real piece of work, but you'll see that for yourself if you meet him.”