SIXTY-FOUR
Warner is sitting in one corner. Adam in another. They’ve both asked to be left alone.
And they’re both staring at James.
James, who’s still just a little snoring lump.
Adam looks exhausted, but not defeated. Tired, but not upset. He looks freer. His eyebrows unfurrowed. His fists unclenched. His face is calm in a way I haven’t seen it in what feels like a long time.
He looks relieved.
As if he’d been carrying this great burden he thought might kill him. As if he’d thought sharing this truth with Warner might somehow inspire a lifelong war between him and his brand-new biological sibling.
But Warner wasn’t angry at all. He wasn’t even upset.
He was just shocked beyond belief.
One father, I think. Three brothers. Two who nearly killed each other, all because of the world they were bred in. Because of the many words, the many lies they were fed.
Words are like seeds, I think, planted into our hearts at a tender age.
They take root in us as we grow, settling deep into our souls. The good words plant well. They flourish and find homes in our hearts. They build trunks around our spines, steadying us when we’re feeling most flimsy; planting our feet firmly when we’re feeling most unsure. But the bad words grow poorly. Our trunks infest and spoil until we are hollow and housing the interests of others and not our own. We are forced to eat the fruit those words have borne, held hostage by the branches growing arms around our necks, suffocating us to death, one word at a time.
I don’t know how Adam and Warner are going to break the news to James. Maybe they won’t tell him until he’s older and able to deal with the ramifications of knowing his heritage. I don’t know what it’ll do to James to learn that his father is actually a mass murderer and a despicable human being who’s destroyed every life he’s ever touched.
No.
Maybe it’s better James doesn’t know, not just yet.
Maybe it’s enough for now that Warner knows at all.
I can’t help but find it both painful and beautiful that Warner lost a mother and gained two brothers in the same week. And though I understand that he’s asked to be left alone, I can’t stop myself from walking over to him. I won’t say a word, I promise myself. But I just want to be close to him right now.
So I sit down beside him, and lean my head against the wall. Just breathing.
“You should’ve told me,” he whispers.
I hesitate before answering. “You have no idea how many times I wanted to.”
“You should’ve told me.”
“I’m so sorry,” I say, dropping my head. My voice. “I’m really sorry.”
Silence.
More silence.
Then.
A whisper.
“I have two brothers.”
I lift my head. Look at him.
“I have two brothers,” he says again, his voice so soft. “And I almost killed one of them.”
His eyes are focused on a point far, far from here, pinched together in pain and confusion, and something that looks like regret.
“I suppose I should’ve known,” he says to me. “He can touch you. He lives in the same sector. And his eyes have always been oddly familiar to me. I realize now that they’re shaped just like my father’s.”
He sighs.
“This is so unbearably inconvenient,” he says. “I was prepared to hate him for the rest of my life.”
I startle, surprised. “You mean . . . you don’t hate him anymore?”
Warner drops his head. His voice is so low I can hardly hear it. “How can I hate his anger,” he says, “when I know so well where it comes from?”
I’m staring at him. Stunned.
“I can well imagine the extent of his relationship with my father,” Warner says, shaking his head. “And that he has managed to survive it at all, and with more humanity than I did?” A pause. “No,” he says. “I cannot hate him. And I would be lying if I said I didn’t admire him.”
I think I might cry.
The minutes pass between us, silent and still, stopping only to hear us breathe.
“Come on,” I finally whisper, reaching for his hand. “Let’s go to bed.”
Warner nods, gets to his feet, but then he stops. Confused. So tortured. He looks at Adam. Adam looks back.
They stare at each other for a long time.
“Please excuse me,” Warner says.
And I watch, astonished, as he crosses the room. Adam is on his feet in an instant, defensive, uncertain. But as Warner approaches, Adam seems to thaw.
The two are now face-to-face, and Warner is speaking.
Adam’s jaw tenses. He looks at the floor.
He nods.
Warner is still speaking.
Adam swallows, hard. He nods again.
Then he looks up.
The two of them acknowledge each other for a long moment. And then Warner places one hand on Adam’s shoulder.
I must be dreaming.
The two exchange a few more words before Warner pivots on one foot, and walks away.