Mr. Petracelli had indeed kept scrupulous notes. Over the years, he'd developed an elaborate time line of the last day of Dori's life. He knew when she got up. What she ate for breakfast. What clothes she selected, what toys she had in the yard. At approximately noon, her grandmother told her it was time for lunch. Dori had wanted a tea party instead, with her collection of stuffed bears on the picnic table. Not seeing the harm, Dori's grandmother had delivered a plate of peanut butter and jelly sandwiches, crusts cut off, plus a sliced apple. Last she had seen, Dori was passing out treats among her plush guests. Dori's grandmother went inside to tidy up the kitchen, then got caught up talking to a neighbor on the phone. When she returned out front twenty minutes later, the bears were still sitting, each with a bite of sandwich and apple in front of its nose. Dori was nowhere to be found.
Mr. Petracelli knew when the first call had been placed to 911. He knew the name of the officer who had responded, what questions were asked, how they were answered. He had notes on the search parties formed, lists of the volunteers who showed up— some of whom he'd asterisked for never giving a satisfactory alibi for what they were doing between 12:15 and 12:35 that afternoon. He knew the dog handlers who volunteered their services. The divers who eventually tended to the nearby ponds. He had seven days' worth of police and local activity distilled into elaborate chronological graphs and comprehensive lists of names.
Then he had the information from my father.
I couldn't tell from Bobby's face what he thought of Mr. Petracelli's presentation. Mr. Petracelli's voice raised and lowered with various stages of intensity, sometimes even spitting words as he hashed out obvious failings in what seemed to be a thorough search for a missing girl. Bobby's expression remained impassive. Mr. Petracelli talked. From time to time, Bobby took notes. But mostly Bobby listened, his face betraying nothing.
Personally, I wanted to see the sketch. I wanted to gaze at the face of the man I believed had targeted me, sentenced my family to a lifetime on the run, then killed my best friend.
The reality was disappointing.
I had expected an angrier-looking man. A black-and-white sketch with dark, shifty eyes, the tattoo of a teardrop topping the right cheek. Instead, the artfully rendered drawing, my father's work most certainly, appeared almost pedantic. The subject was young—early twenties, I would guess. Short dark hair. Dark eyes. Small, almost refined-looking jawline. Not a thug at all. In fact, the picture reminded me of the kid who used to work in the neighborhood pizza parlor.
I studied the drawing for a long time, waiting for it to speak to me, tell me all its secrets. It remained a crude sketch of a young man who, frankly, could be any one of tens of thousands of twenty-year-old, dark-haired males who'd passed through Boston.
I didn't get it. My father had run from this?
Bobby asked Mr. Petracelli if he had a fax machine. In fact, we could both see one standing on the desk behind Mr. Petracelli. Bobby explained it might be faster if he faxed the notes, etc., into the office right away, for the other detectives to get started. Mr. Petracelli was overjoyed to have someone finally take his file seriously.
I watched Bobby punch in the fax number. He included an area code, which wouldn't have been necessary for a Boston exchange. And the only piece of paper he fed into the machine was the sketch.
Bobby sent the rest of the pages through the fax on copy function, helping himself to the duplicates. Mr. Petracelli was rocking back and forth on the edge of his chair, his face unnaturally red, his smile beaming. The excitement of the moment had obviously spiked his blood pressure. I wondered how soon before the next heart attack. I wondered if he'd make his goal of living long enough to see his daughter's body recovered.
We drained our coffee cups, just to be polite. Mr. Petracelli seemed reluctant for us to depart, shaking our hands again and again.
When we finally made it out to the car, Mr. Petracelli stood on the front porch, waving, waving, waving.
My last glance of him was as we drove down the street. He became a small, hunch-shouldered old man, face too red, smile too bright, still waving determinedly at the police detective he firmly believed would finally bring his daughter home.
YOU FAXED THE sketch to Catherine Gagnon," I said the moment we hit the highway. "Why?"
"Your father showed Catherine a sketch when she was in the hospital," he said abruptly.
"He did?"
"I want to see if it's the same drawing."
"But that's not possible! Catherine was in the hospital in '80, and that sketch wasn't done until two years later."
"How do you know?"
"Because the stalker dude didn't start delivering gifts until August of 1982. And you can't have a sketch of the stalker dude without any stalker."
"There's only one problem with that."
"There is?"
"According to the police reports, no one ever saw the face of the 'stalker dude.' Not your father or mother, not Mrs. Watts, and not any of your neighbors. In theory, therefore, stalker dude could not have served as the basis for that drawing."
Well, that was a stumper. I stewed on it, telling myself there was a logical explanation, while realizing I was using that line a lot lately. My father had known something in 1980, I decided. Something serious enough to drive him to masquerade as an FBI agent and visit Catherine with a sketch in hand. But what?
I tried searching my memory banks. I'd been only five in 1980. Living in Arlington and…