“What about you?”
“I’ll go, too, but first I want to look around the offices and see if the files Kerrick talked about really exist. I doubt it, but if Dreu is important to the rebellion, it would be good to know why. Kerrick and Marin lost their lives. I’d rather it wasn’t for nothing.” Tomas looks out into the hall. “This way.”
He leads me to the unlocked westernmost entrance he arrived through and tells me to wait as he steps out and looks around. A moment later, he leads me out into the cool, crisp air.
“How’s the leg?” he asks.
“Fine.”
“Good.” Tomas runs a hand over my cheek but then frowns. “I don’t think we can wait much longer to put the president’s plan into action. If Kerrick was ready to attack on the chance I might interfere with the rebellion, there’s no telling what the other rebel students might do. This place could end up as a battleground any moment. If we’re going to finish this, we have to act now.”
Anger simmers below Tomas’s logic. One of his hands is clenched in a fist at his side. He who once wished to flee has found in Kerrick’s and Marin’s deaths the need to fight.
“Stacia is in. If everything goes according to plan, by tomorrow morning the others will be, too.” I entwine my fingers through his. “Then we make this right.”
I stand on tiptoe and place a kiss on Tomas’s jaw. Then, as much as I hate leaving him, I turn and walk toward the south. When I glance back to look for him, he’s gone. My leg aches as I hurry down the walkway. The pain reminds me that the bullet that ripped open my pants also left them stained with blood. I can’t go back to the residence looking like this.
I duck into one of the Science buildings at the edge of campus, locate the bathroom on the first floor, and change into the pair of gray pants I have in my bag. I wash the blood from my hands and then run my fingers through my hair in an effort to erase all evidence of my time at the stadium. In the past several days, three students have died on account of my actions. At any moment another might be injured or killed because of something I created. Somehow, remarkably, my image in the reflector looks unchanged. How wrong that seems and yet how lucky it’s true. Because there is still so much more to do before this ends. Maybe once it is over people will understand what I have become. Maybe I’ll understand as well.
Since classes have ended, I am not the only one hurrying to get back to the residence. That allows me to move quickly without worry that I will attract attention. Despite the dread that churns inside me, when I reach the Government Studies building I put a smile on my face and walk through the residence’s front door. The sound of laughter trickles down the hall. After everything that has happened, I long for the relative safety of my quarters upstairs. Instead, I head down the hall and glance into the main gathering room. Raffe isn’t there, so I head for the stairs.
When I reach the second-floor landing, I make a decision. Instead of going up to the third floor, I turn and walk toward the door marked with a coiled spring. Raffe’s symbol. For the first time I wonder which kind of spring Raffe’s symbol is meant to be: a tension coil that stretches and shifts to work with the machine it’s a part of or a compression coil that will not allow itself to be pushed down. Is Raffe the type who truly wishes to resist the current methods of selecting our leaders, or is he working with his father and Symon to prevent change? I raise my fist and pound on the door. The time has come to find out.
When the door opens, in spite of the monitor’s assurance, I let out a sigh of relief to see Raffe alive and whole.
As soon as I step over the threshold, Raffe closes the door and throws the lock. “I was starting to worry. Did you find what you were looking for?”
“Not exactly.” I look around for signs of listening devices or cameras. The room is almost the same size as mine and contains the same table, chairs, and sofa, but Raffe has transformed the space. A blue and white quilt hangs over the top of the couch. A handwoven rug with a circular blue design lies in the middle of the floor. And hanging on the walls are paintings. Some framed, others affixed at the corners with adhesive strips. Abstract swirling colors. Beautiful renderings of flowers and trees. And in the center is the largest canvas. Deep brown wood frames the portrait of a girl with light blue eyes, dark blond hair, and a chin the same shape as the chin on the boy who stands in front of me. She isn’t what I would call beautiful, but there is something striking about her face, and the look in her eyes is haunting.