Going Clear: Scientology, Hollywood, and the Prison of Belief

The fields of psychotherapy and religion have bled into each other on many occasions. They have in common the goal of reshaping one’s view of the world and letting go of, or actually renouncing, one’s previous stance.1 Hubbard said there were “many, many reasons” to ally Scientology with religion. “To some this seems mere opportunism,” he later admitted to a reporter. “To some it would seem that Scientology is simply making itself bulletproof in the eyes of the law.”


Among the many other incentives to turn Hubbard’s movement into a religion, there is one that might be considered especially in light of the frequent charge that he was insane. Religion is always an irrational enterprise, no matter how ennobling it may be to the human spirit. In many cultures, people who might be considered mentally ill in Western societies are thought of as religious healers, or shamans. Anthropologists have called schizophrenia the “shaman sickness,” because part of a shaman’s traditional journey requires suffering an illness that cannot be cured except by spiritual means. The shaman uses the powers and insights he gains from his experience to heal his community. This is exactly the history that Hubbard paints as his own: a blind cripple in the Navy hospital, given up for lost, who then heals himself through techniques he refines into Dianetics. This is the gift he humbly offers as a means of healing humanity. “The goal of Dianetics is a sane world—a world without insanity, without criminals and without war,” he declares. “It can be stopped only by the insane.”

For both the shaman and the schizophrenic, the boundaries between reality and illusion are soft, and consciousness slips easily from one to the other. Hubbard, with his highly imaginative mind, certainly had immediate access to visionary worlds; his science-fiction stories are evidence of that. But it is a different matter to be able to cast the nets of one’s imagination into the unconscious and pull out best-selling books. The schizophrenic is rarely so productive in the material world.

Sometimes in Hubbard’s writings, however, he puts forward what appear to be fantasies of a highly schizophrenic personality. In 1952, for instance, he began talking about “injected entities,” which can paralyze portions of the anatomy or block information from being audited. These entities can be located in the body, always in the same places. For instance, one of the entities, the “crew chief,” is found on the right side of the jaw down to the shoulder. “They are the ‘mysterious voices’ in the heads of some preclears,” Hubbard said. “Paralysis, anxiety stomachs, arthritis and many ills and aberrations have been relieved by auditing them. An E-Meter shows them up and makes them confess their misdeeds. They are probably just compartments of the mind which, cut off, begin to act as though they were persons.”

Hubbard says there are actually two separate genetic lines that, in the history of evolution, first came together in the mollusk, but have been contending for dominance ever since, even in human beings. “In the bivalve state, one finds them at war with each other in an effort to attain sole command of the entire bivalve,” Hubbard writes. This primordial contest manifests itself in higher forms of life in such things as right-and left-handedness. “Your discussion of these incidents with the uninitiated in Scientology can produce havoc,” Hubbard warns. “Should you describe the ‘Clam’ to someone, you may restimulate him to the point of causing severe jaw hinge pain. One such victim, after hearing about a clam death, could not use his jaws for three days.”


HUBBARD’S THIRD WIFE was smart and poised, a decorous partner for him. She was so slight and weightless that it might be easy to overlook her, but her Southern manners and Texas accent concealed a hard and determined nature. Unlike Sara or Polly, Mary Sue was a true believer, a natural enforcer. One of Hubbard’s executives later described her as “pragmatic, cold, cunning, calculating, efficient, and fiercely loyal.” She had flinty blue eyes, a sharp, prominent nose, and a rare lopsided smile that would expose her uneven, slightly crossed front teeth.




Mary Sue and Ron with Diana, Quentin, Arthur, and Suzette

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