Going Clear: Scientology, Hollywood, and the Prison of Belief

Alissa had gone there when she was fourteen years old. It had been a mixed experience for her. She had brought a copy of The Autobiography of Malcolm X and books of eighteenth-century poetry, a CD of great speeches by Lincoln and Martin Luther King, and a pack of tarot cards. Although she loved the school, she never felt she fit in with the other kids. They wanted to talk about boys and pop culture, and she was more interested in philosophy and religion. But Delphian was just what Lauren needed. She got intensive tutoring to help her overcome her educational deficits; however, she also began to come up against some of the constraints of her church.

While she was at Delphian, Lauren decided to write a paper about religious intolerance. In particular, she felt that Scientology was under attack and she couldn’t understand why. When she went online to see what the opposition was saying, a fellow student turned her in to Ethics. Lauren was told that Scientologists shouldn’t look at negative stories about their religion. She was supposed to be saving the planet, so why was she wasting her time reading lies? Because of her isolation, and the censorship imposed on her education, when Lauren finally graduated from high school, at the age of twenty, she had never heard anyone speak ill of Scientology, nor did she question the ban on research about her religion. She thought, “I guess I’m not supposed to do these things. I will stay away.” Like her father, she learned it was easier not to look.

Alissa had a different issue. She didn’t really date in high school, and by the time she got to junior college it began to dawn on her that she was gay. She actually wasn’t sure what that meant. She had two uncles who were gay, but for the longest time she didn’t know what a lesbian was. Then her sister Katy, who is five years younger, and had grown up in the Internet-savvy culture, came out to her parents. Paul told Katy that there was no way that he would ever love her less. That made it easier for Alissa to talk about what she was discovering about herself. The vow never to speak to her father again began to lose its hold on her.

All the girls had grown up hearing prejudiced remarks from people in the church who saw homosexuality as an “aberration” that undermined the survival of the species; gays themselves were seen as sinister perverts. These attitudes were informed by Hubbard’s writings on the subject. But it wasn’t just Scientology, Alissa realized; the entire society was biased against homosexuals. In her early twenties, Alissa finally found the courage to come out to her father. “Oh, yeah, I already knew that,” he told her. He said he wondered why she had ever dated boys in the first place.

“You knew?” she said. “I didn’t know! How did you know? Why didn’t you tell me? You could have clued me in. It would have made it easier for me.”

That was so typical of her father. He was maddening in that way, completely accepting but disengaged, as if it really didn’t matter one way or the other.

To signify her newfound identity, Alissa got a tattoo of her favorite Latin poem, the opening line of Carmen 5 by Catullus: “Vivamus mea Lesbia, atque amemus” (Let us live, my Lesbia, and let us love). It snaked all the way down her left arm.


EVER SINCE the Time exposé, the church had been frantically trying to recover Tom Cruise. Both Cruise and Nicole Kidman were attaining ever greater success; Cruise became the first actor to star in five consecutive films to gross more than $100 million in the United States, including Jerry Maguire and the first Mission: Impossible; Kidman was also gaining international renown with her roles in Batman Forever and To Die For. They gave the impression that they were putting Scientology behind them.

In 1996, Marty Rathbun had gone to Los Angeles to audit Cruise, but that one session went nowhere. According to Rathbun, Miscavige blamed Nicole Kidman, and viewed her as a gold digger who was faking Scientology. He says that Miscavige was hopeful that if they portrayed Nicole Kidman as a Suppressive Person, Cruise could be peeled away from her.

It was two years before Cruise agreed to go through another bout of auditing. This time, strict secrecy was imposed. Worried about scaring off the tentative star, Rathbun arranged the sessions so that even top officials in the church were unaware that Cruise was receiving services. For five days in October 1998, Cruise drove into a private parking lot in the back of the historic Guaranty Building on Hollywood Boulevard, with the yellow Scientology sign atop it that looms over the fabled district. Charlie Chaplin and Rudolph Valentino used to have their offices here. Now the lobby is a shrine to the life and works of L. Ron Hubbard. A giant bust of the founder greets the occasional visitor. Embedded in the sidewalk in front of the building are the stars of bygone celebrities on the Hollywood Walk of Fame—Otto Kruger, Tony Martin, Ann Rutherford, Richard Carlson, Jetta Goudal, Paul Winchell—who had their own moments of great renown and are now largely forgotten.

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