“What about the paralysis?”
“A Hat innovation. He hates touching men. He didn’t want to kill men at all—he had to, in order to keep up the pretense of the game, that there was just one killer. In his own mind, he probably thinks of himself as the only man who matters, the only one who deserves to dominate women. Also, he was used to dealing with girls and women; it was probably easier for him to deal with men if they were incapacitated.”
Someone in a shirt and loosened tie—probably an FBI agent—opened the door and peered inside. “Oh. Didn’t know someone was—”
“Give us a minute,” Hughes said wearily.
The fed glanced at Jazz appraisingly and backed out, closing the door.
“This is all interesting—”
“Because it’s true. Look, there was only one non-white victim, right? One Asian. Gordon Cho, victim fourteen, killed by Dog right before you came to get me in the Nod. And what space did Dog land on, if you do the math?”
“Very interesting—”
“He landed on Oriental Avenue, Hughes.” Jazz shook the paper at him.
“—but it’s just that,” Hughes said. “Interesting. It’s not evidence. It’s not proof.” Hughes made a show of folding the paper in half and then in half again as he spoke. “Like my old man used to say: I ain’t sayin’ it is and I ain’t sayin’ it ain’t. I’m going to look into this. But I have to do it on my own and I have to be careful how I do it. You better actually hope you’re wrong about this, kid.”
“What? Why?”
Hughes stood and walked to the door. “Because,” he said, turning to Jazz, “if you’re right, we only know it because you broke the law to gather evidence while an official representative of the task force. Which means that piecing this all together in a legal way that will stand up in court and put Dog behind bars and lead us to Hat before he gets his next die roll…” He shook his head. “It’s all going to be ten times tougher than it would have been if you’d done this the right way. That’s why. Good enough answer for you?”
He didn’t wait for Jazz to respond, leaving Jazz alone in the office.
Jazz kept the office to himself for a few minutes after Hughes left, pondering. On one level, Hughes was right, of course. Jazz had “gone off the reservation,” as the cops put it. He’d gone rogue. Endangered the prosecution’s ability to put Belsamo and the still-anonymous Hat behind bars.
And yet… he knew he was right. He had taken the quickest, most direct route to Dog. Billy had rolled a nine for Dog, meaning that he would commit a crime that had something to do with Atlantic Avenue. Worst-case scenario, the cops knew where to wait for Dog when the time came to dump his body. One more victim would be his last.
No. No, that’s not cool. That’s Billy thinking. “One more victim” is one more too many. People are real. People matter.
Yes, Jazz had obtained evidence illegally, but that wouldn’t matter if they caught Dog in the act and snatched him up. All Hughes had to do was sit on Dog. Eventually, he would lead them to his next victim and the cops could swoop in and grab him. Make him tell them who and where Hat was. Maybe even…
Maybe even lead us to Dear Old Dad.
And Jazz wondered: Had that been his motive all along? Deep down, had he decided to forsake justice for Hat-Dog’s victims in order to hack out the quickest, most direct route to Billy? He could claim he’d simply been so excited at the thought of catching Dog that he’d ignored the law, but maybe there was a part of him that no longer cared about Hat’s and Dog’s victims, a part that wanted only one thing….
That final confrontation with Billy.
I don’t know.
He slipped out of the office. It was getting late, but the precinct still buzzed and bustled. Jazz suspected it was like this 24/7, with fresh agents and cops spelling each other at regular intervals. He knew that task forces worked around the clock, generating tens of thousands of pages of documents and evidence. It was a logistical nightmare, fueled by adrenaline, caffeine, and what G. William called “pure cussedness,” that human condition which makes it impossible to quit even when the odds are long and the hours longer.
Jazz wondered: If he stood on a table and shouted out Dog’s name and address, how many of these fine, upstanding officers of the law would be tempted to go put a bullet in the guy’s head? How many of them would actually go and do it?
Ain’t all that much difference between them and us, Billy used to say. ’Cept we’re more honest about what it is we do. We admit it drives us, turns us on. They pretend they do it for the good of “the people,” whatever that means, but they really do it ’cause they like it. They like the authority. The power. The guns. Just like we do, Jasper.
Outside, the press had settled into a sort of languor. With no news and none forthcoming until Montgomery’s usual 9:30 press briefing (timed to let the local ten o’clock news run with it), they had nothing to do, but couldn’t just leave the scene of the biggest story in NYC.
I’ve got a scoop for you guys. The name and location of one half of the killing duo that has paralyzed Brooklyn.
Could he do that? Could he use the press to his advantage? Jazz had already pushed through them to the street but now paused and looked back. It could be done. There were ways to manipulate the media to the advantage of the good guys. Whoever Hat was, he would obsessively watch the news, read the papers, scan the websites for mention of the Hat-Dog Killer. Billy had done the same, at one point amassing a set of four huge scrapbooks filled with tales of his exploits. He’d burned them late one night when his inborn paranoia finally conquered his all-consuming pride.
The press was a powerful tool, but a dangerous one, too, as apt to blow up in your face as function properly. Jazz had been taught a healthy respect for the cops—along with hatred of them, of course—but he’d been raised to fear and shun the media. He had learned many things at the feet of William Cornelius Dent, and most of them fell into the category of “Bad Things,” but avoiding the media was something Jazz was pretty sure made sense.
It was too risky. Using the media to find Hat would be like playing with nitroglycerine.
On his way back to the hotel, he bought a slice of pizza from a shabby, run-down shack of a restaurant, certain that it would have roaches embedded alongside the mushrooms he’d requested. Instead, it was the best pizza he’d ever had in his life. Okay, New York, he thought. I’ll give you this one. I’ll never be able to eat that delivery stuff again.
Howie would have loved the pizza, he knew, wiping his greasy hands on his jeans as he entered his hotel room. Connie, too. Thinking of them made him suddenly, surprisingly homesick. He’d been too busy and too distracted to miss Lobo’s Nod or his best friend and girlfriend, but now a slice of pizza brought it all home to him. New York wasn’t the place for him. He needed the wide-open skies and narrow boulevards of his hometown. He could be anonymous in New York, he realized, unknown and unsuspected. Ever since Billy’s arrest, that’s what he’d fantasized—being somewhere (being someone) that no one knew or recognized. New York should have been his Shangri-la.
But now he realized that being anonymous was the worst possible future for him. Dog’s anonymity had allowed him to kill with impunity for months. That little studio apartment reeked of insanity, but how many people had ever set foot within?
Jazz needed to be surrounded by people. Yes. And they needed to be people who knew him, people who could see the signs. People who could tell if—when?—he was tipping into Billy territory.