Her parents would probably freak if they walked in on her doing this. This is exactly what we’re trying to protect you from! they would protest. You shouldn’t even be thinking about these things!
Whatever. There was death and horror in the world. Her parents could try all they wanted to shield her from it, but Connie knew it was there. She wasn’t going to close her eyes and wish it away. Especially not when she happened to be in a position—maybe—to shed a little light on that darkness.
After hours staring at the screen, Connie finally took a break, stretching and rubbing her eyes. Was she chasing waterfalls? Or did Billy Dent and the Impressionist count as the rivers and the lakes she was used to?
Speaking of her phone… she had silenced the ringer a little while back so that it wouldn’t go off if Jazz called or texted late at night. But maybe she’d missed something. She checked the phone for messages. There was a single text that had come in.
BLOCKED.
Connie swiped at it to read it, then realized: Jazz couldn’t text her from the sheriff’s department’s landline.
Then who—?
It said: r u game?
CHAPTER 25
One of his remaining disposable cell phones rang, and the killer answered.
“Eleven,” said the voice. “Eleven. Six and five.” There was a lilt to it, a joy, a buoyancy that was lost on the killer, who could not sense such things. The sounds and the nuances of human beings meant as much as did color to the blind.
The killer repeated “eleven” in his mind, fixing it there, and stared at the laptop screen before him. Eleven. Eleven meant…
The killer gaped and gawped and stared for moments protracted and elongated by the shock of unknowability.
“I,” he said, “don’t understand.”
“Well, I’ll tell you what,” said the voice. “I’ll tell you what. We’re gonna have some fun, okay?”
The killer didn’t quite understand “fun,” but he said nothing and simply listened.
“Saw on the news today,” the voice went on, “that the bastard cops say they have an eyewitness. Just came forward, they said. They tried to sound real convincing, and I bet they think they were, but they’re not. They’re bluffing. That’s okay, though. That’s okay.”
And then the voice began to explain things. To describe things. And the killer did not understand, but the killer did not need to understand.
The killer needed only to obey.
To accede.
To win.
To ascend.
CHAPTER 26
“Dude!” Howie exclaimed, throwing his absurdly huge hands into the air. “I can’t believe you’re doing this to me again!”
“I have to go to New York.” Jazz threw clothes into his borrowed suitcase. He’d barely had time to unpack. “I need you to help watch Gramma. I’ll let you tattoo my freakin’ ass, okay?”
“I am totally sleeping with your aunt. I don’t care what you say. I know she doesn’t seem interested right now, but trust me: She will succumb to my wit and charm, and I will know her. In the biblical sense.”
“Right.”
“You do realize that means I’m going to bone her. In the biblical sense.”
“I’m aware.”
Howie noticed the shadow of a grin on Jazz’s face and crossed his arms across his chest in defiance. “I’m totally serious here! Not only will I sleep with her, but I will knock her up, too. I’m gonna be the daddy to your cousins. So there.”
“Sounds great, Uncle Howie.” Jazz went to clap Howie on the shoulder, thought of the bruise it would cause, and settled for a handshake.
“Your cousins will be tall and handsome and have bigger dicks than you do,” Howie said very solemnly.
“I’m sure. Thanks, man.”
“Have you forgotten that school starts again on Monday?”
“With any luck, I’ll just miss a day or two. I’ll help them narrow the profile, look over the new crime scene for stuff they might have missed… get them pointed in the right direction. Boom. Done. Home.”
“And I’m still gonna tattoo your ass!” Howie shouted after him as he left.
On the plane, Jazz didn’t even have time to enjoy or dread his flight. He was busy pondering the message left for him at the latest crime scene. Morales had e-mailed him all of the preliminary information, including crime-scene photos.
“We’re bringing you in,” Morales had told him on the phone. “I don’t care if I have to go over Montgomery’s head to the governor. This guy has called you out. So you’re in.”
Less than a half hour later, it was official, and Jazz was on his way back to the airport after a call to Connie to let her know what was going on. Aunt Samantha was good to watch Gramma for a little while. Jazz truly regretted leaving her so soon. He felt like they had much more to talk about.
When he’d told Aunt Samantha that he had to go back to New York, he’d only had time for a quick talk. The topic had been Howie. “I’m sorry to leave you with him. I know how he is, but he’s actually a good guy—”
“You act like I’ve never been around a horny boy in my life,” she’d said. “I think I can handle him. I would actually find it sort of flattering if I didn’t know for sure that he does this to everyone.”
“Not everyone. Just, like, ninety percent. Maybe ninety-five.”
“I’ll humor him. It’s no big deal. Go do what you have to do.”
During the flight, he flicked through the screen of his phone, looking at the crime-scene photos Morales had sent. This one was different. For one thing, the body wasn’t even in Brooklyn. It had been found on subway tracks in Manhattan, on something that at first he’d read as the Sline—which sounded strange even for New York—but then realized was actually the S line. Jazz didn’t know what that was and he didn’t particularly care, but Morales had helpfully annotated one of the photos: S line: shuttle between Grand Central and Times Square along 42nd St. Jazz had no idea how far apart Grand Central and Times Square were, so that told him nothing. Still, it was nice to see that Morales was thinking of him and his general ignorance of all things Big Apple.
One thing he did know, even with his limited experience with New York geography: This part of New York—this part of Manhattan—was even farther from Hat-Dog’s jeopardy surface than Coney Island had been.
The ME’s preliminary examination of the body at the scene indicated that the murder had taken place several hours earlier, elsewhere. The victim’s intestines had been removed and were not with the body. Paralyzed, as usual. Eyelids cut off, like the others. White female, between twenty-five and thirty. Five-four. Maybe one hundred twenty pounds (when all those innards had been in their proper places).
And because it wouldn’t be the Hat-Dog Killer without some kind of escalation: The eyes were missing. Jazz sighed. He knew from Billy’s stories over the years what was involved in that. Eyes were actually pretty easy to scoop out, assuming you had your victim conveniently unconscious or dead. Just some tendons and nerves holding the eyes in; nothing you couldn’t cut easily with whatever was lying around the house. He wondered if they’d been removed pre-or postmortem? He supposed the autopsy would tell them.
So, he killed her and gutted her and de-… eyed her somewhere else. De-eyed? Un-eyed. Anyway. Then hauled her to the S line and dumped her.
A hat was carved into her sternum, between her breasts. Above was written the message to Jazz.
WELCOME TO THE GAME, JASPER.
Game.
It’s not a game, you sick lunatic.
The best estimates as to the death were that the victim had died in the early morning hours. So that meant she’d been killed before the New York press had glommed on to Jazz’s presence in the city and (unofficial) involvement in the Hat-Dog case.
“So there’s no way to know,” Morales had told him, “if this guy left the message for you before the press reported you were in town or after. If before, then that means he saw the story Weathers did on the Lobo’s Nod website. If after, then he’s still calling you out. Either way, he’s obsessed with you.”