No, I’m not all right. I’m sad and blue.
Why don’t you and me go over to your place when they close up here. That’ll make you feel better.
She inhaled and blew a long thin stream of smoke away from her face. I’ve been down that old road before, she said. I know where it comes out.
Not with me, you haven’t.
She turned to stare at him. His face was only inches away, his cap pushed back on his thick head of hair. You think you’re that much different?
I’m like nothing you ever knew before, Hoyt said.
What makes you so different?
I’ll show you. I’ll give you a little demonstration.
I’m not talking about that, she said. That’s available to a woman anytime. What about in the morning when we wake up?
I’ll make you breakfast.
What if I don’t eat breakfast.
I’ll make one you will.
She smoked again and looked out into the room. It doesn’t close here for two more hours, she said. She turned and lifted her face toward him. You can give me a kiss anyhow.
AT THE STROKE OF MIDNIGHT MONROE CALLED: MERRY Christmas, you sons of bitches. Merry Christmas, everybody. The men at the bar shook hands and one of them said they should wake the woman sleeping at the far table and ask her if she could guess what day it was.
Let her sleep, one of the others said. She’s better off sleeping. Here, he said to Monroe, give me one of those decorations. Monroe took down a piece of silver tassel from the bar mirror and the man walked over to the woman and leaned over and draped it across her head and shoulders. How’s that look? he said. The woman groaned and sighed, but didn’t wake.
In the booth, Hoyt and Laverne kissed a long time at the announcement that it was Christmas. Oh hell, she said finally. Let’s get out of here. We might as well go back to my place. They stood up out of the booth.
Monroe called: You two have yourself a merry little Christmas now. Drive careful.
Hoyt waved at him and they went outside. It was very cold in the parking lot, the air dry and hard on their faces. They got into her car and she drove them along the ice-rutted empty streets to her apartment on the second floor of a house on Chicago Street, a block south of the grain elevators. They walked around to the back of the house in the frozen grass and he followed her up the plank stairs that were built up outside the house, climbing to a little porch that was roofed over with tin above the landing. She found her key in her purse and unlocked the door. Inside, the apartment was stifling hot but neat and tidy, with almost no furniture. She locked the door and he at once turned her around and began to kiss her face. Jesus Christ, she said, shoving him back, let me get my coat off first. I have to use the bathroom.
Where’s your bedroom at? Hoyt said.
Back there.
She went through the kitchen, and he walked a few steps across the room and entered the bedroom. There was a red comforter over the bed and a mirrored dresser against the bare wall. The mirror reflected the room at an odd angle, including a little closet with a naked lightbulb hanging from a cord. He switched on the lamp beside the bed and got out of his clothes, then dropped them on the floor and got in bed and pulled the cover up. He stretched out comfortably looking at the ceiling and put his hands under his head.
Laverne stepped into the room. Well, why don’t you make yourself at home?
I’m just waiting on you.
You didn’t wait long.
Come on to bed.
Don’t look at me, she said.
What?
Don’t watch me. She turned her back and removed her blouse and her slacks and hung them in the little closet and stood in the doorway facing away from him, and took off her black bra and black silky underwear. Are you looking?
No.
Yes you are.
I’m just doing what you want me to.