He gave a self-satisfied smile. 'She is telling me all about her life.'
'Very well. I am off to visit Brother Gabriel. Perhaps he may tell me about his. I don't suppose you've had time yet to explore the place?'
'No, sir.'
'Well, see you do. Get some overshoes from Brother Guy.' I gave him a serious look. 'But
===OO=OOO=OO===
I paused outside the church. Watching one of the kitchen servants plod wearily though the snow, his cheap woollen hose soaking wet, I was grateful for Brother Guy's overshoes. No overshoes for servants, though. That would be expensive; Brother Edwig would have a seizure.
I studied the church front. Around the great wooden doors, twenty feet high, the stonework was richly carved with gargoyles and monsters to frighten off evil spirits, their faces worn after four centuries but still vivid. The monastery church, like the great cathedrals, was there to impress the laity: a magnificent simulacrum of heaven. A promise of prayers for a loved one in purgatory, or a miraculous cure from a relic, would carry a hundred times more weight in that setting. I hauled open the door and squeezed inside, into echoing space.
All around, the great vaulted arches of the nave rose nearly a hundred feet, supported by pillars brightly painted in red and black. Blue and yellow tiles covered the floor. The eye was led to the high stone rood screen halfway down the nave, richly painted with figures of the saints. On top of the screen, lit by candles, stood the statues of John the Baptist, the Virgin and Our Lord. A great window at the far end of the church, built to catch the morning light from the east, was painted in geometric designs of yellow and orange. It flooded the nave with a gentle umber light, peaceful and numinous, softening the kaleidoscope of colours. The builders knew how to create atmosphere, no doubt of that.
I walked slowly up the nave. The walls were lined with painted statues of saints and little reliquaries, where strange objects peeped out from beds of satin, candles burning before them. A servant moved slowly around, replacing those that had burned down. I paused to glance into the side chapels, each with its own statues and little candlelit altar. It occurred to me that these side chapels, filled with railed-off altars, statues and biers, might be good places to hide things.
In several of the side chapels monks stood intoning private Masses. Local people of wealth, terrified of the pains of purgatory awaiting them, would have left great portions of their assets away from wives and children to the monks, for Masses to be said until the Last Judgement came. How many days' remission from purgatory was a Mass here worth, I wondered; sometimes a hundred were promised, sometimes a thousand. While those without means were left to suffer for however long God appointed, of course. Pick-penny purgatory, we reformers called it. The Latin chanting stirred an impatient anger in me.
At the rood screen I stopped and looked up. My breath, still a fog, for the church was scarcely warmer than outside, dissipated into the yellow-tinted air. On either side a flight of stairs set into the wall gave access to the top of the screen. At that level, I saw, a narrow railed parapet ran the length of the church. Above the parapet the walls arched gradually inward to the great vault of the roof. To the left I noticed a great crack, stained round with damp, running from the roof almost to ground level. I remembered that Norman churches and cathedrals were not in fact the solid edifices they appeared; the walls might be twenty feet thick, but between the expensive stone blocks making up the interior and exterior walls there was usually an infill of rubble.