Colorless Tsukuru Tazaki and His Years of Pilgrimage: A novel

“When my father was young, he spent a year wandering around Japan,” Haida began. “This was at the end of the 1960s, the peak of the counterculture era, when the student movement was upending universities. I don’t know all the details, but when he was in college in Tokyo, a lot of stupid things happened, and he got fed up with politics and left the movement. He took a leave of absence from school and wandered around the country. He did odd jobs to earn a living, read books when he had the time, met all sorts of people, and gained a lot of real-life, practical experience. My father says this was the happiest time of his life, when he learned some important lessons. When I was a kid, he used to tell me stories from those days, like an old soldier reminiscing about long-ago battles in some far-off place. After those bohemian days, he went back to college, and returned to academic life. He never went on a long trip ever again. As far as I know, he’s spent his time since just shuttling back and forth between home and his office. It’s strange, isn’t it? No matter how quiet and conformist a person’s life seems, there’s always a time in the past when they reached an impasse. A time when they went a little crazy. I guess people need that sort of stage in their lives.”


That winter Haida’s father worked as general handyman at a small hot-springs resort in the mountains of Oita Prefecture in southern Japan. He really liked the place and decided to stay put for a while. As long as he completed his daily tasks, and any other miscellaneous jobs they asked him to undertake, the rest of the time he could do as he pleased. The pay was minimal, but he got a free room plus three meals a day, and he could bathe in the hot springs as often as he liked. When he had time off he lay around in his tiny room and read. The other people there were kind to this taciturn, eccentric Tokyo student, and the meals were simple but tasty, made with fresh, local ingredients. The place was, above all, isolated from the outside world—there was no TV reception, and the newspapers were a day late. The nearest bus stop was three kilometers down the mountain, and the only vehicle that could make it from there and back on the awful road was a battered old jeep owned by the inn. They’d only just recently gotten electricity installed.

In front of the inn was a beautiful mountain stream where one could catch lots of firm, colorful fish. Noisy birds were always skimming over the surface of the stream, their calls piercing, and it wasn’t unusual to spot wild boar or monkeys roaming around nearby. The mountains were a treasure trove of edible wild plants. In this isolated environment, young Haida was able to indulge himself in reading and contemplation. He no longer cared what was happening in the real world.

Two months into his stay at the inn, he began to chat with a guest who was staying there. The man appeared to be in his mid-forties. He was tall, with lanky arms and legs, and short hair. He wore gold-framed glasses, and he had a receding hairline, which made the top of his head as smooth as a freshly laid egg. He had walked up the mountain road alone, a plastic travel bag hanging from one shoulder, and had been staying at the inn for a week. Whenever he went out, he invariably dressed in a leather jacket, jeans, and work boots. On cold days he would add a wool cap and a navy-blue muffler. The man’s name was Midorikawa. At least that was the name he signed in the guest book at the inn, along with an address in Koganei City in Tokyo. He meticulously paid in cash every morning for the previous night’s stay.

(Midorikawa? “Green river.” Another person with a color, Tsukuru thought, but said nothing and listened to the rest of the story.)

Midorikawa didn’t do anything special. He spent time soaking in the open-air bath, took walks in the nearby hills, or lay in the kotatsu—the foot-warmer table—reading the paperbacks he’d brought with him (mostly mindless mysteries). In the evening he’d enjoy two small bottles of hot sake—no more, no less. He was as taciturn as Haida’s father, and never spoke unless absolutely necessary, though it didn’t seem to bother the people at the inn. They were used to these sort of guests. All of the people who came to this remote, backwoods hot springs were odd, those who stayed long term even more so.

One morning, just before dawn, Haida was soaking in the open-air hot spring next to the river when Midorikawa came to bathe and started talking to him. For some reason Midorikawa seemed to have taken a deep interest in this young odd-job worker. It might have stemmed, in part, from the time he saw Haida on the porch reading a book by Georges Bataille.

I’m a jazz pianist from Tokyo, Midorikawa said. I had some personal disappointments, and the daily grind was wearing me down, so I came alone to this quiet place deep in the mountains, hoping to rest up. Actually, I set out without any plan, and just happened to land here.

I like it, everything’s stripped to the bare essentials. I hear you’re from Tokyo too?

Haruki Murakami's books