Cemetery Road

“They say Jerry Lee Lewis is going to be there. He’s supposed to play a set, like he used to in the old days.”

“No way. Isn’t he like eighty-five or something?”

“Eighty-two.” Nadine has gotten that glint in her eye. “But the Killer still brings it.”

“They said Trump was coming to the groundbreaking ceremony, too, but all we get is the secretary of commerce.”

“I’ve got faith in Jerry Lee.”

“That’d be something to see, all right. But I’m not invited.”

Nadine looks genuinely surprised. “But the Mathesons are co-hosting. Surely Jet or Paul—”

“I’m persona non grata since writing that piece about Buck’s discovery.”

Nadine stops at the door and turns to me with her mischievous smile. “Well, I’m invited. Why don’t you be my plus-one?”

I start to decline, but this is Nadine. And the party would be a damn good opportunity to study a lot of people who are profiting off the paper mill deal. “Can I get back to you in a bit?”

She shrugs. “Open invitation.”

“I’m a little confused,” I say, unable to resist needling her. “I heard you were gay.”

She laughs out loud. “Come to the party with me, and we’ll kill that rumor for good. People will have us engaged by morning.”

As I open the door, her smile fades, and she follows me outside.

“Take a hard look at the Poker Club at the groundbreaking,” she says. “They’re bastards to a man. They’ve ruled this town for a hundred and fifty-three years, and not one of them would lose a minute’s sleep over killing Buck.”

“I actually hope that’s not true.”

She points at a display of mysteries and thrillers in her front window. “Despite my trade, the truth is there’s not much mystery to real-life murders. Cui bono, honey. That’s the only question that matters. I’d bet my store that one of those Poker Club assholes killed Buck. But don’t kid yourself about what it would mean to take them on. They’d kill you, too. Wouldn’t hesitate. Keep that in mind during your editorial meetings.”

With that, Nadine goes inside and closes her door, leaving me to walk away with the muted ring of her bell in my ears.





Chapter 9




The ride from Nadine’s to the paper mill site takes ten to fifteen minutes. The land called the “industrial park” sits below the bluff south of town, where four or five large factories and a few smaller ones operated from the 1940s through the 1980s and ’90s, before going through down cycles, changes of ownership by second-and third-tier companies, and finally the sheriff chaining the gates shut. It’s the same story all over the South—all over America, really.

I drive along the bluff most of the way, thinking about Buck and who might have killed him. Both his widow and Nadine believe the Bienville Poker Club must be behind the crime. I don’t disagree in principle, but I’ve yet to see any evidence. Before I forget, I text Ben Tate, my editor at the Watchman, and ask him to find out who employed the security guards who started covering the industrial park after we published our story on Buck and whether any were on duty last night.

Again the river dominates my view for most of the route, this time on my right, as I drive south along the bluff, which is mostly covered with kudzu here. Searching the Sirius channels for some of the music Buck and I used to play together, I realize I’m thinking about my son, whom Nadine mentioned back in her bookshop. He was in my mind earlier, at the cemetery wall, just below the dark drama of Adam and my father. My talk with Nadine dispelled the clouds of sediment that memory raised, and during the drive along the bluff my little boy rises from the deep darkness.

I got married fourteen years ago, to a colleague in Washington. Her name is Molly McGeary, and quite a few TV viewers still remember her. After starting as a reporter at the Washington Times, Molly became one of the first print journalists to make the jump to television. First she moved to USA Today as a political reporter. Then a producer at NBC happened to catch her on a panel at a conference in New York, and she was off. In no time she was making appearances on the Today show, covering Washington stories and the business side of the entertainment sector.

At the time I married Molly, I believed I loved her. But looking back later, I realized I was in that situation where everyone you know—lifelong friends, colleagues, old classmates—has already been married for years and is having children, some their second or third child. Faced with this, you start wondering if you were put on earth merely to work and have a succession of sexual relationships that ultimately go nowhere. That kind of anxiety skews your objectivity, makes you persuade yourself that you’re feeling things you’re really not. You believe you ought to be feeling those things, so eventually—with the help of your parents, your cajoling friends, and a romantic co-conspirator—you do. That was my state of mind before I went to Iraq. By the time I got back, I knew that life could be snatched away at any moment, and the only sensible thing to do was get married and start procreating.

Molly and I were still in the glow of infatuation when we walked down the aisle. The first year was a good one. But after she got pregnant—a planned decision—the reality of having a child started to come home to us, and particularly to her. To my consternation, as the fetus grew inside her, and she ballooned up in the later months, she began to feel that our baby was a parasitical being, sapping the life from her, changing her irrevocably. At first I thought Molly was only half-serious. And surely, I reasoned, such feelings must be common among professional women? They would inevitably pass. But within two weeks of delivering Adam (yes, I named my son after my dead brother), I witnessed something I had never quite understood before: postpartum depression.

With the clarity of hindsight, I now believe Molly never recovered from that condition—not while we were together. We consulted a parade of medical experts, tried several promising therapies, and went to great lengths to get first-class child care so that Molly could return to her career. Nothing worked. Two years passed like that—a mostly wonderful time for Adam and me, but for Molly a sort of shadow play that never quite became real. She stayed emotionally muted, exhausted, and irritable when she did feel alert. She resented the demands of motherhood, but also the demands of her job. And then—just as I was considering a radical job change to try to improve the situation—I discovered that death had been hovering over us once more, just as it had when I was fourteen.

In late August, I was working in the main offices of the Post, on Fifteenth and L, where Woodward and Bernstein did the work that made me want to follow in their footsteps. I was supposed to be home by six thirty, to take over caring for Adam so that Molly could attend a network event. Then I got a call from CNN. Could I run over to their studio and appear on Lou Dobbs Tonight to discuss President Bush signing the bailout bill, and the suspension of trading on both Russian stock exchanges? This was before the era of ubiquitous pundits on television every night, so it was something I felt I should do. Molly agreed, though she let me know she wasn’t happy about giving up her evening to babysit our two-year-old.