While he had lived with Leda and her son, Whittaker’s teenage history of delinquency and violence had been known only to social services in the north of England. The tales he told about his past were legion, highly colored and often contradictory. Only after he had been arrested for murder had the truth leaked out from people from his past who surfaced, some hoping for money from the press, some determined to revenge themselves on him, others trying in their own muddled fashion to defend him.
He had been born into a moneyed upper-middle-class family headed by a knighted diplomat whom Whittaker had believed, until the age of twelve, was his father. At that point he had discovered that his older sister, whom he had been led to believe was in London working as a Montessori teacher, was actually his mother, that she had serious alcohol and drug problems and that she was living in poverty and squalor, ostracized by her family. From this time onward, Whittaker, already a problem child prone to outbursts of extreme temper during which he lashed out indiscriminately, had become determinedly wild. Expelled from his boarding school, he had joined a local gang and soon became ringleader, a phase that culminated in a spell in a correctional facility because he had held a blade to a young girl’s throat while his friends sexually assaulted her. Aged fifteen, he had run away to London, leaving a trail of petty crime in his wake and finally succeeding in tracking down his biological mother. A brief, enthusiastic reunion had deteriorated almost at once into mutual violence and animosity.
“Is anyone using this?”
A tall youth had bent over Strike, his hands already gripping the back of the chair on which Strike’s leg was resting. He reminded Strike of Robin’s fiancé Matthew, with his wavy brown hair and clean-cut good looks. With a grunt, Strike removed his leg, shook his head and watched the guy walk away carrying the chair, rejoining a group of six or more. The girls there were eager for his return, Strike could see: they straightened up and beamed as he placed the chair down and joined them. Whether because of the resemblance to Matthew, or because he had taken Strike’s chair, or because Strike genuinely sensed a tosser when he saw one, Strike found the youth obscurely objectionable.
His coffee unfinished but resentful that he had been disturbed, Strike heaved himself back to his feet and left. Spots of rain hit him as he walked back along Whitechapel Road, smoking again and no longer bothering to resist the tidal wave of memory now carrying him along…
Whittaker had had an almost pathological need for attention. He resented Leda’s focus being diverted from him at any time and for any reason—her job, her children, her friends—and he would turn his flashes of mesmeric charm on other women whenever he deemed her inattentive. Even Strike, who hated him like a disease, had to acknowledge that Whittaker possessed a powerful sex appeal which worked on nearly every woman who passed through the squat.
Thrown out of his most recent band, Whittaker continued to dream of stardom. He knew three guitar chords and covered every bit of paper not hidden from him with lyrics that drew heavily on the Satanic Bible, which Strike remembered lying, its black cover emblazoned with a pentagram and goat-head combined, on the mattress where Leda and Whittaker slept. Whittaker had an extensive knowledge of the life and career of the American cult leader Charles Manson. The scratchy sound of an old vinyl copy of Manson’s album LIE: The Love and Terror Cult formed the soundtrack to Strike’s GCSE year.
Whittaker had been familiar with Leda’s legend when he met her, and liked to hear about the parties she had been at, the men she had slept with. Through her, he became connected to the famous, and as Strike got to know him better he came to conclude that Whittaker craved celebrity above almost anything else. He made no moral distinction between his beloved Manson and the likes of Jonny Rokeby, rock star. Both had fixed themselves permanently in the popular consciousness. If anything, Manson had achieved it more successfully, because his myth would not fluctuate with fashion: evil was always fascinating.
However, Leda’s fame was not all that attracted Whittaker. His lover had borne children to two wealthy rock stars who provided child support. Whittaker had entered the squat under the clear impression that it was part of Leda’s style to dwell in impoverished bohemia, but that somewhere nearby was a vast pool of money into which Strike and Lucy’s fathers—Jonny Rokeby and Rick Fantoni respectively—were pouring money. He did not seem to understand or believe the truth: that years of Leda’s financial mismanagement and profligacy had led both men to tie up the money in such a way that Leda could not fritter it away. Gradually, over the months, Whittaker’s spiteful asides and jibes on the subject of Leda’s reluctance to spend money on him had become more frequent. There were grotesque tantrums when Leda would not fork out for the Fender Stratocaster on which he had set his heart, would not buy him the Jean Paul Gaultier velvet jacket for which, stinking and shabby though he was, he suddenly had a yen.