CATCH ME

“You punched a boy?” Alex asked.

“I was seven,” D.D. said, as if that explained everything. “Split my knuckle, too. My first thought was that I needed boxing lessons. My mother’s first thought was that I should be grounded for the rest of my natural life. We haven’t moved much beyond those positions since.”

“They don’t like you being a detective?” Alex ventured.

“Detective isn’t so bad,” D.D. granted. “Detectives, even in my parents’ universe, command some respect. But when I first became a cop…I believe my mother was just relieved I was on this side of the judicial system.”

Alex smiled at her. “A comment I’ve thought about many of my associates in uniform. Nervous?” he asked evenly.

She looked at him. “Nobody makes me feel as ugly and stupid as my mother does,” she said simply.

“Then we will keep their visit short and focused on Jack. Maybe your mother has never appreciated your right hook, but how can she argue with him, sweetheart?” Alex gestured down to their kicking, gurgling baby. “How can anyone argue with him?”


THE PHONE RANG TEN MINUTES LATER. D.D. put Jack in his bassinet, where he’d hopefully sleep for a bit, then it would be time for his next feeding. She dug out her spiral notepad and minirecorder as she put Alex’s teacher friend on the speaker phone.

“Professor Dembowski? Sergeant Detective D. D. Warren. Thanks for calling me.”

“Ray. Please, call me Ray.”

Dembowski had a pleasant voice. Deep, smooth, maybe fifty to sixty years of age, D.D. thought. She settled in at the kitchen table, the note in its clear plastic sheathing before her.

Everyone has to die sometime.

Be brave.

Alex sat across from her with a fresh glass of wine.

“So my first question,” the forensic expert spoke up, “is do you have more samples? In my line of work, I’m generally comparing an exhibit against several exemplars. This note would be the exhibit. But where are the exemplars?”

D.D.’s eyes widened. She glanced over to Alex, who shrugged, equally perplexed.

“Exemplars?” she ventured.

“Other handwriting samples to be used for comparison. For example, if you suspect this note was written by subject A, you would submit three other handwriting exhibits from suspect A to serve as exemplars for my analysis.”

“Ummm…I don’t have subject A,” D.D. volunteered. “In fact, I was hoping to work the other way—you could analyze the handwriting on this note to help me find subject A.”

“You mean, judging purely by the script, I would provide age, gender, and probable occupation of subject A?”

“That would be perfect,” D.D. assured him.

In the silence that ensued, it occurred to her she might have taken a misstep. “Ummm…assuming such an analysis is possible?” she asked belatedly.

“No,” Dembowski said.

“No?”

“That’s called graphology, a pseudoscience if you will, where experts claim to read subconscious clues buried in a person’s handwriting. I am not a graphologist. I am a forensic handwriting expert, meaning I scientifically compare documents to determine if the same person authored all the exhibits or not.”

D.D. didn’t know what to say. She glanced across the table at Alex, who shrugged as if to say, Who knew?

“I’m sorry, Ray,” D.D. attempted at last. “I only wish I was far enough along in the investigation to bring you multiple samples. Where things stand right now, however, I have one dead body and this note, left on the windshield of my car outside the shooting. Now, we have reason to believe the shooter is not yet done, so any insights would be greatly appreciated.”

On the other end of the phone line, Dembowski sighed heavily. “You understand, we’re moving beyond the field of science into the realm of conjecture?”

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