“Yes.” Her voice had dropped to nearly a whisper. I took that to mean he was someplace close.
“Are there kids in the house?”
“No.”
“Pets, dogs?” Officers like to know about dogs.
“No.”
I settled in, got down to it. “Has he been drinking?”
“Yes.” Very soft now.
“Dawn, is he in the room?” Then, when she didn’t immediately answer, my own voice dropping low: “Are you hiding from him? You can hit a button on the phone. One beep for yes. Two beeps for no.”
I heard a beep, and I took a deep breath. Okay, so the makings of a genuine call. At my feet, Tulip stirred. She seemed to sense my tension, sitting up.
“Dawn, are you afraid of him?”
Beep.
Still monitoring the call, I got on the radio. “Four sixty-one to nine twenty-six,” I said into the radio.
Nine twenty-six, aka Officer Tom Mackereth, tagged back. “Nine twenty-six to four sixty-one.”
“Four sixty-one to nine twenty-six, I have a female party online,” I informed him crisply. “States husband is angry. States husband has been drinking. States she’s afraid of him.”
“Nine twenty-six to four sixty-one, location of caller?”
“Four sixty-one to nine twenty-six, sending through.” I updated my Dispatcher Event Mask with the extremely limited data I’d collected thus far and shot it through to Officer Mackereth’s mobile computer. “Four sixty-one to nine twenty-six, caller states they are at home, no kids or animals present.”
“Nine twenty-six to four sixty-one, can you get more details? Description of both parties, is the male party armed, are we talking alcohol, or also drugs?”
No shit Sherlock, I felt like saying. But our radio dialogue, plus the 911 call, was being recorded for posterity, so I kept to the script.
“Four sixty-one to nine twenty-six, will do.”
Back to my caller, who’d remained disturbingly silent.
“Dawn, it’s Charlie. You there?”
Beep.
All right, contact reestablished. I leaned closer to my event monitor, adjusting my headset. I could hear the woman better now, the rapid sounds of her distressed breathing as she tried desperately not to make a sound.
“Dawn, are you in the bedroom?” I asked quietly, wanting to keep her communicating.
Another beep.
“Are you locked in the bathroom?”
Two beeps.
Two beeps meant no. I pictured a bedroom, tried again. “The closet?”
Another beep.
I played the odds in New England colonial architecture: “Dawn, is your bedroom upstairs?”
Beep.
I added the details to the call profile, moving along. “Dawn, is your husband armed?”
Silence. Not a yes, not a no. Did that mean maybe?
I worked to clarify: “Dawn, Mrs. Heinen, is it you don’t know if your husband is carrying a weapon?”
Beep.
“Officer Mackereth is gonna love that,” I murmured to Tulip, who was sitting straight up and staring at me now. Situation unknown—an officer’s most typical and most dangerous kind of call.
I got back on the radio, summoned 926 and provided the short update: Caller was in the upstairs bedroom. Husband was within listening distance and may or may not be armed.
“Drugs?” Officer Mackereth wanted to know, because a drunk husband was bad enough, but a cokehead or meth addict was even worse—beyond the reach of logic and pain. Officers got tense about that.
I returned to Dawn Heinen.
“Dawn, does your husband do drugs?”
Beep.
I wasn’t surprised. I added to the profile.
“Dawn, has he done drugs tonight?”
Silence.
“You don’t know if your husband has done drugs tonight?”
Beep.