“Don’t you have better things to do than follow me around?” I ask, trying to keep my tone saucy.
The bird cocks his head, then flutters down from the branch to land in the grass beside me. The sad melody of his sorrow twines itself around my mind, making my chest tight with the regret he’s feeling.
Meg, he thinks, my mother’s name and nothing more, but there’s a world of memory and pain in the word. Longing. Guilt. Meg.
I shut him out. “Go away,” I whisper.
Suddenly he’s a man, unfolding from the body of the crow, expanding, in the blink of an eye.
“Geez!” I scramble backward, up against the trunk of the tree. “Don’t do that!”
“No one is looking,” he says, like what I’m really concerned about at this moment is whether anybody saw me talking to a bird and what that might do to my sterling reputation.
I’m torn between the desire to run—hightail it straight to Memorial Church, the nearest hallowed ground I can think of—or to suck it up and hear what he’s going to say this time.
I glance over at the church, which is all the way across the quad. It’s too far.
“How can I help you, Sam?” I ask instead.
“I took your mother dancing once,” he says, starting up again on his stories. “She wore a red dress, and the band played ‘Till We Meet Again,’ and she put her head down on my chest to hear my heart beating.”
“Do you even have a heart?” I ask, which is foolish of me to say, and maybe even a little mean, but I can’t help it. I don’t like the idea of him and my mother that way. Or any way, really.
He’s offended. “Of course I have a heart. I can be wounded, the same as any man. She sang to me that night, as we danced. ‘Smile the while you kiss me sad adieu. When the clouds roll by I’ll come to you,’” he sings, and his voice isn’t half bad.
I know the song immediately. Mom used to sing it when she was doing some mundane task, like folding laundry or washing dishes. It’s the first time I’ve ever recognized my mother in this mysterious Meg of his.
“She smelled like roses,” he says.
She did.
He takes the silver charm bracelet out of his pocket and holds it in his palm. “I gave this to her on her doorstep, right before we said good night. All that summer I would leave charms for her to find. This one”—he fingers a charm shaped like a fish—“for that first time I saw her at the pond.” He touches the horse. “This one for when we rode through the French countryside after the hospital where she worked was bombed.”
He caresses the tiny silver heart with a single ruby at its center, but doesn’t tell me about that one. But I know what it means.
That’s the point of all this, I guess. He loved her.
He still loves her.
His hand closes around the bracelet, and he returns it to his pocket.
“What year was that?” I ask him. “When you danced?”
“1918,” he says.
“You could go back there, right? Can’t angels travel through time?”
His eyes meet mine, resentful. “Some angels,” he says.
He means the good ones. The ones who can access glory. Who are still on God’s good side.
“Will you tell me a story now?” he asks me softly. “About your mother?”
I hesitate. Why do I feel sorry for him?
Maybe, supplies my pesky inner voice, because he loves someone he can’t have. And you can relate.
I tell my inner voice to shut it. “I don’t have any stories for you.” I get up, brush grass off my jeans, and gather my stuff. He stands up, too, and I’m horrified to realize that the grass underneath where he was sitting is brown and crisp. Dead.
He really is a monster.
“I have to go.”
“Next time, then,” he says as I turn to walk away.
I stop. “I don’t want there to be a next time, Sam. I don’t know why you’re doing this, what you want from me, but I don’t want to hear any more.”
“I want you to know,” he says.