But instead of hearing his name, he saw a light appear on the shoreline—a tiny flash that came and went in a steady blinking. He watched as the light began to grow brighter, and finally he realized that it was moving toward him. He backed up a step and almost called out for Mirai. But by then the light was right on top of him, and he found his voice had disappeared in his sense of wonder and surprise.
When the light abruptly disappeared, a young girl was standing before him. She was no more than ten or twelve years old, her hair white-blond and her eyes a stunning depthless blue. She smiled and stretched out her hand to him, and he surrendered his own.
The light returned, enfolding them both, closing them away. Everything around them disappeared, and there were only the two of them standing face-to-face, joined by the meeting of their eyes and hands. Railing tried to ask who she was and what she was doing, but his voice had deserted him completely. She seemed to know that he was trying to speak, however, and even though she remained silent herself, she gave him a reassuring smile and a squeeze of her hand.
Then the light flared once, bright enough that even the girl disappeared within it, her hand releasing his as she faded away, and when the light was gone and his vision had cleared sufficiently that he could see in the darkness again, he found himself alone.
But he was no longer aboard Quickening. He was standing on the shore where he had first seen the light. He looked down at his feet to make certain of where he was and then out into the cove to where the airship was lying at anchor. His first thought was that he was dreaming, even though he knew deep down inside where truths are always revealed that he wasn’t, that this was actually happening in his waking life and it was real.
“As real as the search you undertake for the Ilse Witch, Railing Ohmsford,” a voice whispered to him.
He turned and found an old man standing behind him, a white-bearded ancient cloaked in robes that were worn and ragged, his tall, lean body stooped with age and perhaps the weight of something much greater, something that was reflected in his eyes as he studied the boy with an intense but not unfriendly gaze.
“How do you know about Grianne Ohmsford?” Railing asked, finding that his voice was now returned to him.
The old man made a dismissive gesture. “Oh, I know quite a lot about most things. It is my business to know.”
Railing shook his head. “I have the strangest feeling I should know you.”
“Or at least know of me.”
“You have use of magic, don’t you? Are you a Faerie creature?”
“I am. I was well known to others in your family. I have helped them now and then over the years by offering respite from weariness and stress and advice about how to continue. Sometimes they took both and sometimes they took only one and sometimes they did not take either. Once or twice, I gave them talismans. Like this one.”
He held out his hand, his fingers closed about whatever lay within. Railing hesitated. “Take it,” the old man said. “Would you reject a gift from the King of the Silver River?”
Railing stared in surprise, then quickly extended his hand. The old man dropped a ring into it. The ring had a very odd look to it. The band was formed of a series of gold strands that had been interwoven in an intricate, delicate design. There were perhaps a dozen threads in all. At the apex a single gemstone, milky white and opaque, had been fastened in place. Railing had never seen anything like it. He tested the strength of the woven strands to see how much give there was to the metal and found to his surprise that there was scarcely any. The metal felt hard and fixed.
“Slip it on your finger,” the King of the Silver River suggested. “Go on, it will not harm you.”
Railing did as he was told. The ring fit perfectly, the metal suddenly soft and malleable, molding itself to his finger as if it were a living thing. The boy studied it a moment, admiring its look, and then tried pulling on it. It came off without difficulty and turned rigid and unyielding again.