“Arcadia! Arcadia!” Fern cheers, and claps, and points, her sun-gold curls bouncing up and down. She stands in the center of the boat the way only a river girl can. “Arcadia! Queenie! Queenie!” she yells again and again as we come closer.
There’s no sign of anybody around. Maybe they got up this morning and went off to fish or hunt? Or maybe they’re down at Zede’s?
But Queenie doesn’t leave the boat much. She likes staying home unless she’s got womenfolk nearby to visit with. There’s nobody else around here.
“This it?” Arney sounds doubtful.
“Must be they’re not home just now.” I try to seem sure of myself, but I’m not. A thick black feeling comes over me. Queenie and Briny wouldn’t ever let the boat look like this. Briny was always prideful about the Arcadia. He kept things up real nice. Even with five kids around, Queenie made our little home spotless. Shipshape, she called it.
The Arcadia is a long way from shipshape now. It looks even worse as Arney steers us close to the gangplank, then cuts the motor so we can float in. When I grab the porch rail to pull us to, a piece of it comes off in my hand, and I almost topple into the water.
We’ve no sooner gotten tied up than I see Silas running down the bank, his long legs pumping through the sand. He jumps over a brush pile, nimble as a fox, and for a minute, I think of Camellia scampering away when the police came.
That seems like years ago, not just months.
Silas meets me when I climb off the boat. He grabs me in a bear hug and swings me and holds me up over the sand while his feet sink down into it. Then he sets me on the end of the plank.
“You’re a sight for sore eyes,” he says. “I never thought I’d see you again.”
“I wondered too.” Behind me, I hear Arney helping Fern, but all I can do is look at Silas. He’s a sight for sore eyes, that’s what he is. “We’re home. We made it home.”
“You did. And you got Fern here too. Wait’ll Zede sees!”
He hugs me again, and this time my arms aren’t pinned down by his. I hug him back.
It’s not till Fern talks that I remember there’s anybody else watching. “Where’s Queenie?” she asks.
The minute I let go of Silas and step back to look at him, I know something’s wrong. Nobody’s come out of the shanty, even with all the racket we’ve made. “Silas, where’s Queenie? Where’s Briny?”
Silas holds me by the shoulders. His dark eyes stare hard into mine. The corner of his mouth quivers a little. “Your mama died three weeks ago, Rill. The doctor said it was blood poisonin’, but Zede told me she just had a broke heart. She missed y’all too much.”
The news guts me out like a fish. I’m empty inside. My mama’s gone from this world? She’s gone from this world, and I’ll never get to see her again?
“Where…where’s Briny?” I ask.
Silas holds me tighter. I can tell he’s afraid that if he lets go, I’ll crumple like a ragdoll. For a second, I think I will. “He ain’t been well, Rill. He took to the bottle after he lost y’all. He’s worse since Queenie died. Worse by twice.”
CHAPTER 23
Avery
Trent and I stand side by side gazing up at the ancient columns that line the perimeter of a decaying stone and concrete foundation. They stand like sentinels, military in stature, their feet lost in ivy and lush grass, their hats crowned with carved scrollwork and moss-hued cherubs.
A few moments pass before either of us realizes that Jonah has climbed the steps to investigate what must have once been a multilevel veranda. Rusted second-story railings loop along the columns high above our heads, binding them like faded strings of gold braid.
“Hey, come on back over here, buddy,” Trent calls to Jonah. The stones look solid, but there’s no way of knowing how stable this place is.
A plantation house once stood here, tucked on a gentle hill along the Savannah River not far from Augusta. Whose was it? Nearby, an icehouse and other outbuildings stand derelict, their burgundy-shingled roofs slowly decaying, broken timbers poking forth like severed bones.
“What in the world was my grandmother doing here?” It is impossible to imagine Grandma Judy—the woman who fussed if I came in from the barn with horsehair on my breeches and made the mistake of sitting on the furniture—in a place like this.
And every Thursday for years? Why?
“One thing’s for certain. Nobody would bother you here. I doubt if anyone still realizes this place exists.” Trent moves to the steps and reaches for Jonah’s hand as the little boy gleefully hops down. “Stay here by Dad, buddy. I know it looks awesome, but there might be a snake.”
Jonah stretches upward to see over the foundation. “Where a ’nake?”
“I said there might be.”
“Ohhh…”
I’m momentarily distracted by the two of them. They look like a magazine photo, the bright midday sunlight cascading through the old-growth trees and settling over them, highlighting their sandy-blond hair and look-alike stances.
I finally turn back to the remains of the house. It must have been grand in its day. “Well, judging by the fact that she used a cab rather than having her own driver bring her, she didn’t want anyone to know where she was.”
I want the truth to be that innocent, but I know better. It’s too much of a coincidence that May Crandall mentioned Augusta and my grandmother has returned here time and time again. This involves the two of them somehow. This is May’s place, I know it. Her association with Grandma Judy reaches far beyond working together on some tragic adoption story once upon a time.
“Looks like the road continues on down that way.” Trent motions toward the path we’ve walked from the gate. With grass grown up in the middle and seed heads bowing over the worn tire tracks, it barely qualifies as a road, but it has obviously been both driven on and mowed since last season’s growth. Someone was keeping this place up until fairly recently.
“I guess we should see where it goes.” But part of me—most of me—is afraid to know.
We start down the road, crossing what was once the lawn. Jonah lifts his legs high with each step, wading through the unmown grass like he’s testing waves along the seashore. Trent swings him up and cups him in one arm as the grass deepens and the path leads us into the trees.
Jonah points out birds and squirrels and flowers, making our trek seem innocent—a little nature walk with friends. He wants both his dad and me to comment on his finds. I do my best, but my mind is running a million miles a minute down the hill. Through the trees, I can see water. It’s sunlit, slightly ruffled by a breeze. The river, no doubt.
Jonah calls me Ay-ber-wee. His dad corrects him, saying, “That’s Miss Stafford.” Trent smiles sideways at me. “My family’s old school. No first names for adults.”
“That’s nice.” I was raised that way too. Honeybee would’ve grounded me to my room if I’d failed to properly use Mr. and Mrs. for grown-ups. The rule stood until I was out of college, officially fully grown.
Ahead, the path skirts what looks like the remains of a rusted wire garden fence. It’s so overgrown with trumpet vines that I don’t realize it’s actually delineating a yard until we’re almost on top of it. There’s a tidy little house tucked among red climbing roses and snowy-white crepe myrtles. Situated on a gentle hill above the river, it’s like an enchanted cottage in a children’s fairy tale—the sort of hideaway that would shelter a princess in disguise or a wise old hermit who was once a king. From the yard’s front gate, a boardwalk leads downhill to a dock that leans into the water.
Even though the gardens around the house are overgrown right now, they were obviously an elaborate labor of love. Arbors and benches and birdbaths wait beside carefully laid stone paths. The little house sits on short piers, prepared to withstand high water. Judging by the weathered wooden window frames and the tin-paneled roof, I’d say it’s been here for decades.