“What day was the appointment for?”
“I’m not sure if she had one. I thought she might’ve called you about selling a property. The Myers cottage.” It’s not uncommon around here for properties to be known by the names of people who owned them decades ago. My grandmother’s parents built the Edisto house as a place to escape the hot, sticky summers inland. “Stafford. Judy Stafford.” I prepare myself for the change in tone that almost invariably comes with the name. Anywhere in the state, people either love us or hate us, but they usually know who we are.
“Staff…for…Stafford…” he mutters. Maybe he’s not from around here? Come to think of it, his accent doesn’t even hint of Charleston. It’s not Lowcountry, but there is some sort of drawl there. Texas maybe? Having spent so much of my childhood mingling with kids from other places, I’m good with accents, both foreign and domestic.
There’s a strange pause. His tone is more guarded afterward. “I’ve only been here about nine months, but I can promise you that no one’s ever called here about selling or renting the Myers cottage. Sorry I can’t be of more help.” Suddenly, he’s trying to shuffle me off the phone. Why? “If it was before the first of the year, my grandfather, Trent Senior, was probably the one she was talking to. But he passed away over six months ago.”
“Oh. My condolences.” I instantly feel a kinship that goes beyond his presence in a place I have always dearly loved. “Any idea what my grandmother was in touch with him about?”
There’s another uncomfortable pause, as if he’s carefully weighing his words. “Yes, actually. He had some papers for her. That’s really all I can say.”
The lawyer in me surfaces. I catch the scent of a reluctant witness who’s harboring information. “What kind of papers?”
“I’m sorry. I promised my grandfather.”
“Promised what?”
“If she’ll come down here herself, I can give her the envelope he left for her.”
Alarm bells ring in my head. What in the world is going on? “She isn’t able to travel.”
“Then I can’t help you. I’m sorry.”
Just like that, he hangs up.
CHAPTER 10
Rill
The room is quiet and wet-smelling. I open my eyes, shut them real tight, let them come open again slow. Sleep haze hangs over me so that I can’t see too clear. It’s like the river fog came crawling through the shanty windows overnight.
Nothing’s where it’s supposed to be. Instead of the Arcadia’s doors and windows, there’re thick stacked-stone walls. The air smells like the closed compartments where we keep crates of stores and fuel. The stink of mold and wet dirt crawls up my nose and stays there.
I hear Lark whine in her sleep. There’s the squeak of hinges instead of the soft rustle of the pull-down pallets where Lark and Fern sleep.
Blinking, I look up and make out one tiny, high-up window near the ceiling. Morning light pushes through, but it’s dull and shadowy.
A bush scrapes over the glass. Its branches raise a soft squeal. A scrappy pink rose hangs down, half-broke.
Everything comes back in a rush. I remember going to bed on the musty-smelling cot, staring out the window at the rose as the day faded and my brother and sisters breathed longer and slower around me.
I remember the worker in the white dress bringing us down the basement stairs and walking us by the furnace and the coal piles to this tiny room.
You’ll sleep here until we find out whether you’re staying for good. No noise and no carrying on. You’re to be quiet. You are not to leave your beds. She pointed us to five folding cots, the kind that soldiers use in their practice camps along the river sometimes.
Then she left and closed the door behind her.
We huddled quiet on our beds, even Camellia. Mostly I was just glad we were by ourselves again, just the five of us. No workers, no other kids watching with curious eyes, worried eyes, sad eyes, mean eyes, hollow eyes that’re dead and hard.
All of what happened yesterday plays in my head like a picture show. I see the Arcadia, the police, Silas, Miss Tann’s car, the bath line upstairs. A sickness runs over me from head to toe. It swallows me like a backwash of stagnant water, hot from the summer sun, poisoned by everything that’s fallen into it.
I feel dirty from the inside out. It’s not got a thing to do with the cloudy bathwater that was brown with the sand and soap of all the kids who’d used it before me, including my sisters and Gabion.
Instead, I see the worker standing over me while I step into the tub, turning my shoulder to hide myself. “Wash.” She points at the soap and the rag. “We ain’t got time for dallyin’. You river rats ain’t exactly known for bein’ prude anyhow, are you?”
I don’t know what she means or how to answer. Maybe I’m not supposed to.
“I said, wash up!” she hollers. “You think I got all day?” I know for sure she doesn’t. I’ve already heard her yell the same thing to other kids. I’ve heard whining and whimpering and sputtering when heads got dunked to rinse them off. Luckily, none of us Foss kids mind going underwater. The babies and even Camellia made it through the bath line without much trouble. I want to do the same, but the woman seems like she’s got it in for me, maybe on account of I’m the oldest.
I squat down over the water because it’s dirty and cold.
She moves to get a better look at me and stares in a way that raises gooseflesh on my skin. “Guess you ain’t too grown-ish to be in with the little girls after all. Won’t be long, though, we’ll have to move you someplace else.”
I turn my shoulder even more and wash quick as I can.
This morning I still feel dirty from having somebody look me over like that. I hope we’ll be gone from here before it’s time for another bath.
I want the little pink rose outside to disappear. I want the window to change, the walls to turn to wood, the cement floor to shift, and melt, and go away. I want old planks worn down by our feet and the river rocking under our beds and the soft sound of Briny playing his harmonica outside on the porch.
I’ve come awake at least ten times overnight. In the wee hours, Fern squeezed herself in beside me, the sagging canvas pulling us together so tight it’s a wonder she can breathe, much less sleep.
Each time I let myself go under, I’m back on the Arcadia again. Each time I wake up, I’m here, in this place, and I try to make sense of it.
You’ll sleep here until we find out whether you’re staying for good….
What’s that mean…for good? Aren’t they taking us to the hospital to see Briny and Queenie now that we’ve stayed the night here and got cleaned up? Are all of us going or just some? I can’t leave the babies here. What if these people hurt them?
I have to protect my brothers and sisters, but I can’t even protect myself.
Tears turn my mouth sticky. I’ve told myself I won’t cry. It’d only scare the little kids. I promised them everything’ll be all right, and so far, they believe it, even Camellia.
I close my eyes, curl around Fern, let the tears come and seep into her hair. Sobs heave through my stomach and push up my chest, and I swallow them like hiccups. Fern sleeps right through it. Maybe her dreams make her think it’s just the river rocking her bunk.
Don’t fall asleep, I tell myself. I have to put Fern back in her own cot before anybody comes. I can’t get us in trouble. The lady told us not to leave our beds.
Just a minute or two more. Just a minute or two, then I’ll get up and make sure everybody’s where they’re supposed to be.
I drift and wake and drift and wake. My heart slams hard against my ribs when I hear somebody breathing nearby—not one of us, somebody bigger. A man. Maybe it’s Briny.
No sooner does the thought come than the scents of old grease and green grass and coal dust and sweat sift into the room. It’s not Briny. He smells of river water and sky. Morning fog in the summer and frost and woodsmoke in the winter.