A Traitor to Memory

Richard moved to her head. Furiously, he searched through the pockets of the coat. He'd seen her put her keys in the coat, hadn't he? God damn it, he'd seen her. He had to find those keys. If he didn't, Gideon would be gone and he had to find him, had to speak to him, had to make him know….

There were no keys. Richard cursed. He shoved himself to his feet. He went back to the stairs and began to haul himself furiously upwards. Below him, Jill cried out, “Catherine,” and Richard pulled on the stair rail and breathed like a runner and thought about how he could stop his son.

Inside the flat, he looked for Jill's bag. It was by the sofa, lying on the floor. He scooped it up. He wrestled with its maddening clasp. His hands were shaking. His fingers were clumsy. He couldn't manage to—

A buzzer went off. He raised his head, looked round the room. But there was nothing. He went back to the bag. He managed to unfasten the clasp, and he jerked the bag open. He dumped its contents onto the sofa.

A buzzer went off. He ignored it. He pawed through lipsticks, powders, chequebook, purse, crumpled tissues, pens, a small notebook, and there they were. Hooked together by the familiar chrome ring: five keys, two brass, three silver. One for her flat, one for his, one for the family home in Wiltshire, and two for the Humber, ignition and boot. He grabbed them.

A buzzer went off. Long, loud, insistent this time. Demanding immediate acknowledgment.

He cursed, located the buzzing at its source. The front bell on the street. Gideon? God, Gideon? But he had his own key. He wouldn't ring.

The buzzing continued. Richard ignored it. He made for the door.

The buzzing faded. The buzzing stopped. In his ears, Richard heard only his breathing. It sounded like the shriek of lost souls, and pain began to accompany it, searing up his right leg and, simultaneously, burning and throbbing from right hand to shoulder. His side began to ache with the exertion. He didn't seem able to catch his breath.

At the top of the stairs, he paused, looked down. His heart was pounding. His chest was heaving. He drew in air, stale and damp.

He began to descend. He clutched on to the rail. Jill hadn't moved. Could she? Would she? It hardly mattered. Not with Gideon on the run.

“Mummy? Will you help?” Her voice was faint. But Mummy was not here. Mummy could not help.

But Daddy was. Daddy could. He would always be there. Not as in the past, that figure cloaked by an artful madness that came and went and stood between Daddy and yes my son you are my son. But Daddy in the present who could not did not would not fail because yes my son you are my son. You, what you do, what you're capable of doing. All of it you. You are my son.

Richard reached the landing.

Below him, he heard the entry door open.

He called out, “Gideon?”

“Bloody sodding hell!” came a woman's reply.

A squat creature in a navy pea jacket seemed to fling herself at Jill. Behind her came a raincoated figure whom Richard Davies recognised only too well. He held a credit card in his hand, the means by which he'd gained access through the warped old door to Braemar Mansions.

“Good God,” Lynley said, dashing over to kneel by Jill as well. “Phone an ambulance, Havers.” Then he raised his head.

At once his eyes came to rest on Richard, midway down the stairs, Jill's car keys in his hand.



Havers rode with Jill Foster to hospital. Lynley took Richard Davies to the nearest police station. This turned out to be on the Earl's Court Road, the same station from which Malcolm Webberly had departed more than twenty years ago on the evening he was assigned to investigate the suspicious drowning of Sonia Davies.

If Richard Davies was aware of the irony involved therein, he didn't mention it. Indeed, he said nothing, as was his right, when Lynley gave him the official caution. The duty solicitor was brought in to advise him, but the only advice Davies asked for was how he could get a message to his son.

“I must speak to Gideon,” he said to the solicitor. “Gideon Davies. You've heard of him. The violinist …?”

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