A Torch Against the Night (Ember Quartet #2)

“Tell me something about her,” he whispers. “Something good.”

“I didn’t know anything.” My voice cracks, and I clear my throat. “I knew her for weeks? Months? And I never even asked her anything worthwhile about her family or what it was like when she was young or—or what she wanted or what she hoped for. Because I thought we had time.”

A tear snakes down my face, and I pull a hand from him and dash it away. “I don’t want to talk about this,” I say. “We should—”

“She deserves better than you pretending she didn’t exist,” Keenan says. I look up, shocked, expecting anger, but his dark eyes are sympathetic. It makes it worse somehow. “I know it hurts. Of all people, I know. But pain is how you know you loved her.”

“She loved stories,” I whisper. “Her eyes would fix on me, and I could see when I told them that she’d lose herself in whatever I was saying. That she could see it all in her head. And later, sometimes days later, she’d ask me questions about them, like that whole time she was living in those worlds.”

“After we left Serra,” Keenan says, “we’d been walking—running, really, for hours. When we finally stopped and settled into our rolls for the night, she looked up and said, ‘The stars are so different when you’re free.’” Keenan shakes his head. “After running all day, eating hardly anything, and being so tired she couldn’t take another step, she fell asleep smiling at the sky.”

“I wish I didn’t remember,” I whisper. “I wish I didn’t love her.”

He takes a breath, his eyes still on our hands. The cellar is no longer frigid, warmed by our body heat and the sun hitting the door above.

“I know what it is to lose those you love. I taught myself not to feel anything at all. For so long that it wasn’t until I met you that …” He holds tight to my hands but doesn’t look at me. I can’t bring myself to look at him either. Something fierce kindles between us, something that has perhaps been quietly burning for a long time.

“Don’t lock yourself away from those who care about you because you think you’ll hurt them or—or they’ll hurt you. What point is there in being human if you don’t let yourself feel anything?”

His hands trace a path over mine, moving like a slow flame to my waist. Ever so slowly, he tugs me closer. The emptiness inside, the guilt and failure and well of hurt, it fades in the ache of desire that throbs low in my body and propels me forward. As I slide onto his lap, his hands tighten on my waist, sending fire up my spine. He lifts his fingers to my hair, and the pins within drop to the cellar floor. His heart thuds against my chest, and he breathes against my mouth, a hair’s breadth between our lips.

I stare down at him, hypnotized. For a fleeting second, something dark passes across his face, some shadow unknown but not, perhaps, unexpected. Keenan has always had a darkness about him. I feel a flicker of unease in my stomach, swift as a beat of a hummingbird’s wings. It is forgotten a moment later as his eyes shut and he closes the distance between us.

His lips are gentle against mine, his hands less so as they roam across my back. My hands are equally hungry, flitting across the muscles of his arms, his shoulders. When I tighten my legs around his waist, his lips drop to my jaw, his teeth scrape my neck. I gasp when he tugs on my shirt to trace a torturously slow trail of heat down my bare shoulder.

“Keenan—” I breathe. The cold of the cellar is nothing against the fire between us. I pull his shirt off and drink in the sight of his skin, tawny in the lamplight. I trace a finger along the freckles that dust his shoulders, down the hard, precise muscles of his chest and stomach, before dropping to his hip. He catches my hand, his eyes searching my face.

“Laia.” The word changes utterly when he says it in that voice, no longer a name but a plea, a prayer. “If you want me to stop—”

If you want to keep your distance … if you want to remember your pain …

Keenan. Keenan. Keenan. My mind is filled with him. He has guided me, fought for me, stayed with me. And in doing so, his aloofness has given way to a potent, unspoken love I feel whenever he looks at me. I silence the voice within and take his hand. Every other thought grows distant as calm settles over me, a peace I haven’t felt in months. Without looking away from him, I guide his fingers to the buttons of my shirt, pulling open one, then another, leaning forward as I do so.

“No,” I whisper against his ear. “I don’t want you to stop.”





CHAPTER THIRTY-SIX


Elias


The unceasing whispers and moans from the cells around me burrow into my head like carnivorous worms. After only a few minutes in the interrogation block, I cannot remove my hands from my ears, and I consider ripping them off altogether.

Torchlight from the block’s hallway leaks in through three slits positioned high on the door. I have just enough light to see that the cold stone floor of my cell is bare of anything I could use to pick the locks on my manacles. I test the chains, hoping for a weak link. But they are Serric steel.

Ten hells. My seizures will begin anew in a half day at the most. When they do, my ability to think—to move—will be severely hindered.

A tortured keen sounds from one of the nearby cells, followed by the gibbering of some poor bastard who can barely form words.

At least I’ll put the Commandant’s interrogation training to use. Nice to know all that suffering at her hands wasn’t for nothing.

After a time, I hear scuffling at the door, and the lock turns. The Warden? I tense, but it is only the Scholar boy the Warden used as leverage. The child holds a cup of water in one hand and a bowl of hard bread and mold-encrusted jerky in the other. A patchy blanket hangs from his shoulder.

“Thank you.” I swig the water in one gulp. The boy stares at the floor as he sets the food and blanket down within my reach. He is limping—something he wasn’t doing before.

“Wait,” I call out. He stops but doesn’t look at me. “Did the Warden punish you more after …” After he used you to control me.

The Scholar might as well be a statue. He just stands there, like he’s waiting for me to say something that isn’t obvious.

Or maybe, I think, he’s waiting for me to stop blathering long enough to respond. Though I want to ask his name, I force myself not to speak. I count the seconds. Fifteen. Thirty. A minute passes.

“You’re not afraid,” he finally whispers. “Why aren’t you afraid?”

“Fear gives him power,” I say. “Like feeding oil to a lamp. It makes him burn brighter. It makes him strong.”

I wonder if Darin was afraid before he died. I only hope it was quick.

“He hurts me.” The boy’s knuckles are white as he digs his hands into his legs. I wince. I know well how the Warden hurts people—and how he hurts Scholars in particular. His experiments in pain are only part of it. Scholar children handle the lowest tasks in the prison: cleaning rooms and prisoners after torture sessions, burying bodies with their bare hands, emptying slop buckets. Most of the children here are dead-eyed drudges wishing for death before they’re ten.

I cannot even imagine what this boy has experienced. What he’s seen.

Another wretched scream echoes from same cell as before. Both the boy and I jump. Our eyes meet in shared disquiet, and I think he’s going to speak. But the cell door opens again, and the Warden’s loathsome shadow falls across him. The boy scurries out, squeezing against the door like a mouse trying to escape the notice of a cat, before disappearing amid the flickering torches of the block.

The Warden doesn’t spare him a glance. He’s empty-handed. Or at least it looks that way. I’m certain he has some torture device tucked out of sight.

For now, he closes the door and takes out a small ceramic bottle. The Tellis extract. It’s all I can do not to lunge for it.

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