They still lived at Lispenard Street, although both of them could have moved into their own apartments: he, certainly; Willem, probably. But neither of them had ever mentioned leaving to the other, and so neither of them had. They had, however, annexed the left half of the living room to make a second bedroom, the group of them building a lumpy Sheetrocked wall one weekend, so now when you walked in, there was only the gray light from two windows, not four, to greet you. Willem had taken the new bedroom, and he had stayed in their old one.
Aside from their stage-door visits, it felt like he never saw Willem these days, and for all Willem talked about how lazy he was, it seemed he was constantly at work, or trying to work: three years ago, on his twenty-ninth birthday, he had sworn that he was going to quit Ortolan before he turned thirty, and two weeks before his thirtieth birthday, the two of them had been in the apartment, squashed into their newly partitioned living room, Willem worrying about whether he could actually afford to leave his job, when he got a call, the call he had been waiting for for years. The play that had resulted from that call had been enough of a success, and had gotten Willem enough attention, to allow him to quit Ortolan for good thirteen months later: just one year past his self-imposed deadline. He had gone to see Willem’s play—a family drama called The Malamud Theorem, about a literature professor in the early throes of dementia, and his estranged son, a physicist—five times, twice with Malcolm and JB, and once with Harold and Julia, who were in town for the weekend, and each time he managed to forget that it was his old friend, his roommate, onstage, and at curtain call, he had felt both proud and wistful, as if the stage’s very elevation announced Willem’s ascendancy to some other realm of life, one not easily accessible to him.
His own approach to thirty had triggered no latent panic, no fluster of activity, no need to rearrange the outlines of his life to more closely resemble what a thirty-year-old’s life ought to be. The same was not true for his friends, however, and he had spent the last three years of his twenties listening to their eulogies for the decade, and their detailing of what they had and hadn’t done, and the cataloging of their self-loathings and promises. Things had changed, then. The second bedroom, for example, was erected partly out of Willem’s fear of being twenty-eight and still sharing a room with his college roommate, and that same anxiety—the fear that, fairy-tale-like, the turn into their fourth decade would transform them into something else, something out of their control, unless they preempted it with their own radical announcements—inspired Malcolm’s hasty coming out to his parents, only to see him retreat back in the following year when he started dating a woman.
But despite his friends’ anxieties, he knew he would love being thirty, for the very reason that they hated it: because it was an age of undeniable adulthood. (He looked forward to being thirty-five, when he would be able to say he had been an adult for more than twice as long as he had been a child.) When he was growing up, thirty had been a far-off, unimaginable age. He clearly remembered being a very young boy—this was when he lived in the monastery—and asking Brother Michael, who liked to tell him of the travels he had taken in his other life, when he too might be able to travel.
“When you’re older,” Brother Michael had said.
“When?” he’d asked. “Next year?” Then, even a month had seemed as long as forever.
“Many years,” Brother Michael had said. “When you’re older. When you’re thirty.” And now, in just a few weeks, he would be.
On those Sundays, when he was readying to leave for his walk, he would sometimes stand, barefoot, in the kitchen, everything quiet around him, and the small, ugly apartment would feel like a sort of marvel. Here, time was his, and space was his, and every door could be shut, every window locked. He would stand before the tiny hallway closet—an alcove, really, over which they had strung a length of burlap—and admire the stores within it. At Lispenard Street, there were no late-night scrambles to the bodega on West Broadway for a roll of toilet paper, no squinching your nose above a container of long-spoiled milk found in the back corner of the refrigerator: here, there was always extra. Here, everything was replaced when it needed to be. He made sure of it. In their first year at Lispenard Street he had been self-conscious about his habits, which he knew belonged to someone much older and probably female, and had hidden his supplies of paper towels under his bed, had stuffed the fliers for coupons into his briefcase to look through later, when Willem wasn’t home, as if they were a particularly exotic form of pornography. But one day, Willem had discovered his stash while looking for a stray sock he’d kicked under the bed.
He had been embarrassed. “Why?” Willem had asked him. “I think it’s great. Thank god you’re looking out for this kind of stuff.” But it had still made him feel vulnerable, yet another piece of evidence added to the overstuffed file testifying to his pinched prissiness, his fundamental and irreparable inability to be the sort of person he tried to make people believe he was.