A Little Life: A Novel

“I think you’re making a big mistake, Jude,” said his professor, after a silence. “Promise me you’ll reconsider?” and he had reached out and touched his arm, and he had jerked away, and the professor had looked at him, strangely, and he had turned and fled the room, the hallway blurring into planes of beige.

That night he was taken to the barn. The barn was no longer a working barn, but a place to store the shop class’s and the auto repair class’s projects—in the stalls were half-assembled carburetors, and hulls of half-repaired trucks, and half-sanded rocking chairs that the home sold for money. He was in the stall with the rocking chairs, and as one of the counselors seesawed into him, he left himself and flew above the stalls, to the rafters of the barn, where he paused, looking at the scene below him, the machinery and furniture like alien sculpture, the floor dusty with dirt and the stray pieces of hay, reminders of the barn’s original life that they never seemed able to fully erase, at the two people making a strange eight-legged creature, one silent, one noisy and grunting and thrusting and alive. And then he was flying out of the round window cut high into the wall, and over the home, over its fields that were so beautiful and green and yellow with wild mustard in the summer, and now, in December, were still beautiful in their own way, a shimmering expanse of lunar white, the snow so fresh and new that no one had yet trampled it. He flew above this all, and across landscapes he had read about but had never seen, across mountains so clean that they made him feel clean just to contemplate them, over lakes as big as oceans, until he was floating above Boston, and circling down and down to that series of buildings that trimmed the side of the river, an expansive ring of structures punctuated by squares of green, where he would go and be remade, and where his life would begin, where he could pretend that everything that had come before had been someone else’s life, or a series of mistakes, never to be discussed, never to be examined.

When he came back to himself, the counselor was on top of him, asleep. His name was Colin, and he was often drunk, as he was tonight, his hot yeasty breath puffing against his face. He was naked; Colin was wearing a sweater but nothing else, and for a while he lay there under Colin’s weight, breathing too, waiting for him to wake so he could be returned to his bedroom and cut himself.

And then, unthinkingly, almost as if he was a marionette, his limbs moving without thought, he was wriggling out from beneath Colin, quiet and quick, and hurrying his clothes back on, and then, again before he knew it, grabbing Colin’s puffed coat from the hook on the inside of the stall and shrugging it on. Colin was much larger than he was, fatter and more muscular, but he was almost as tall, and it was less wieldy than it looked. And then he was grabbing Colin’s jeans from the ground, and snatching out his wallet, and then the money within it—he didn’t count how much it was, but he could tell by how thin a sheaf it was that it wasn’t much—and shoving that into his own jeans pocket, and then he was running. He had always been a good runner, swift and silent and certain—watching him at the track, Brother Luke had always said he must be part Mohican—and now he ran out of the barn, its doors open to the sparkling, hushed night, looking about him as he left, and then, seeing no one, toward the field behind the home’s dormitory.

It was half a mile from the dormitory to the road, and although he would normally have been in pain after what happened in the barn, that night he felt no pain, only elation, a sense of hyper-wakefulness that seemed to have been conjured particularly for this night, for this adventure. At the edge of the property he dropped to the ground and rolled carefully under the barbed wire, wrapping Colin’s jacket sleeves around his hands and then holding the coils of wire above him so he could scoot beneath them. Once he was safely free, his elation only intensified, and he ran and ran in the direction he knew was east, toward Boston, away from the home, from the West, from everything. He knew he would eventually have to leave this road, which was narrow and mostly dirt, and move toward the highway, where he would be more exposed but also more anonymous, and he moved quickly down the hill that led toward the black dense woods that separated the road from the interstate. Running on grass was more difficult, but he did so anyway, keeping close to the edge of the forest so that if a car passed, he could duck within it and hide behind a tree.

Hanya Yanagihara's books