A Little Life: A Novel

He had begged Brother Luke to let him help with the preparations, and Brother Luke had told him to gather a sample of every flower and leaf from all the different kinds of plants on the monastery grounds. And so in the afternoons he prowled the property with his Bible, pressing leaves and petals between its pages. He spent less time in the greenhouse, but whenever he saw Luke, the brother would give him one of his somber winks, and he would smile to himself, their secret something warm and delicious.

The night finally arrived, and he was nervous. Brother Matthew was with him in the early evening, right after dinner, but eventually he left, and he was alone. And then there was Brother Luke, holding his finger pressed to his lips, and he nodded. He helped Luke load his books and underwear into the paper bag he held open, and then they were tiptoeing down the hallway, and down the stairs, and then through the darkened building and into the night.

“There’s just a short walk to the car,” Luke whispered to him, and then, when he stopped, “Jude, what’s wrong?”

“My bag,” he said, “my bag from the greenhouse.”

And then Luke smiled his kind smile, and put his hand on his head. “I put it in the car already,” he said, and he smiled back, so grateful to Luke for remembering.

The air was cold, but he hardly noticed. On and on they walked, down the monastery’s long graveled driveway, and past the wooden gates, and up the hill that led to the main road, and then down the main road itself, the night so silent it hummed. As they walked, Brother Luke pointed out different constellations and he named them, he got them all right, and Luke murmured in admiration and stroked the back of his head. “You’re so smart,” he said. “I’m so glad I picked you, Jude.”

Now they were on the road, which he had only been on a few times in his life—to go to the doctor, or to the dentist—although now it was empty, and little animals, muskrats and possums, gamboled before them. Then they were at the car, a long maroon station wagon piebald with rust, its backseat filled with boxes and black trash bags and some of Luke’s favorite plants—the Cattleya schilleriana, with its ugly speckled petals; the Hylocereus undatus, with its sleepy drooping head of a blossom—in their dark-green plastic nests.

It was strange to see Brother Luke in a car, stranger than being in the car itself. But stranger than that was the feeling he had, that everything had been worth it, that all his miseries were going to end, that he was going to a life that would be as good as, perhaps better than, anything he had read about in books.

“Are you ready to go?” Brother Luke whispered to him, and grinned.

“I am,” he whispered back. And Brother Luke turned the key in the ignition.



There were two ways of forgetting. For many years, he had envisioned (unimaginatively) a vault, and at the end of the day, he would gather the images and sequences and words that he didn’t want to think about again and open the heavy steel door only enough to hurry them inside, closing it quickly and tightly. But this method wasn’t effective: the memories seeped out anyway. The important thing, he came to realize, was to eliminate them, not just to store them.

So he had invented some solutions. For small memories—little slights, insults—you relived them again and again until they were neutralized, until they became near meaningless with repetition, or until you could believe that they were something that had happened to someone else and you had just heard about it. For larger memories, you held the scene in your head like a film strip, and then you began to erase it, frame by frame. Neither method was easy: you couldn’t stop in the middle of your erasing and examine what you were looking at, for example; you couldn’t start scrolling through parts of it and hope you wouldn’t get ensnared in the details of what had happened, because you of course would. You had to work at it every night, until it was completely gone.

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