And then, with each year, they abandoned him further. He had always known he would be the first among the four of them to be a success. This wasn’t arrogance: he just knew it. He worked harder than Malcolm, he was more ambitious than Willem. (He didn’t count Jude in this race, as Jude’s profession was one that operated on an entirely different set of metrics, one that didn’t much matter to him.) He was prepared to be the rich one, or the famous one, or the respected one, and he knew, even as he was dreaming about his riches and fame and respect, that he would remain friends with all of them, that he would never forsake them for anyone else, no matter how overwhelming the temptation might be. He loved them; they were his.
But he hadn’t counted on them abandoning him, on them outgrowing him through their own accomplishments. Malcolm had his own business. Jude was doing whatever he did impressively enough so that when he was representing JB in a silly argument he’d had the previous spring with a collector he was trying to sue to reclaim an early painting that the collector had promised he could buy back and then reneged on, the collector’s lawyer had raised his eyebrows when JB had told him to contact his lawyer, Jude St. Francis. “St. Francis?” asked the opposing lawyer. “How’d you get him?” He told Black Henry Young about this, who wasn’t surprised. “Oh yeah,” he said. “Jude’s known for being icy, and vicious. He’ll get it for you, JB, don’t worry.” This had startled him: His Jude? Someone who literally hadn’t been able to lift his head and look him in the eye until their sophomore year? Vicious? He simply couldn’t imagine it. “I know,” said Black Henry Young, when he expressed his disbelief. “But he becomes someone else at work, JB; I saw him in court once and he was borderline frightening, just incredibly relentless. If I hadn’t known him, I’d’ve thought he was a giant asshole.” But Black Henry Young had turned out to be right—he got his painting back, and not only that, but he got a letter of apology from the collector as well.
And then, of course, there was Willem. The horrible, petty part of him had to admit that he had never, ever expected Willem to be as successful as he was. Not that he hadn’t wanted it for him—he had just never thought it would happen. Willem, with his lack of competitive spirit; Willem, with his deliberateness; Willem, who in college had turned down a starring role in Look Back in Anger to go tend to his sick brother. On the one hand, he had understood it, and on the other hand—his brother hadn’t been fatally ill, not then; even his own mother had told him not to come—he hadn’t. Where once his friends had needed him—for color, for excitement—they no longer did. He didn’t like to think of himself as someone who wanted his friends to be, well, not unsuccessful, but in thrall to him, but maybe he was.
The thing he hadn’t realized about success was that success made people boring. Failure also made people boring, but in a different way: failing people were constantly striving for one thing—success. But successful people were also only striving to maintain their success. It was the difference between running and running in place, and although running was boring no matter what, at least the person running was moving, through different scenery and past different vistas. And yet here again, it seemed that Jude and Willem had something he didn’t, something that was protecting them from the suffocating ennui of being successful, from the tedium of waking up and realizing that you were a success and that every day you had to keep doing whatever it was that made you a success, because once you stopped, you were no longer a success, you were becoming a failure. He sometimes thought that the real thing that distinguished him and Malcolm from Jude and Willem was not race or wealth, but Jude’s and Willem’s depthless capacity for wonderment: their childhoods had been so paltry, so gray, compared to his, that it seemed they were constantly being dazzled as adults. The June after they graduated, the Irvines had gotten them all tickets to Paris, where, it emerged, they had an apartment—“a tiny apartment,” Malcolm had clarified, defensively—in the seventh. He had been to Paris with his mother in junior high, and again with his class in high school, and between his sophomore and junior years of college, but it wasn’t until he had seen Jude’s and Willem’s faces that he was able to most vividly realize not just the beauty of the city but its promise of enchantments. He envied this in them, this ability they had (though he realized that in Jude’s case at least, it was a reward for a long and punitive childhood) to still be awestruck, the faith they maintained that life, adulthood, would keep presenting them with astonishing experiences, that their marvelous years were not behind them. He remembered too watching them try uni for the first time, and their reactions—like they were Helen Keller and were just comprehending that that cool splash on their hands had a name, and that they could know it—made him both impatient and intensely envious. What must it feel like to be an adult and still discovering the world’s pleasures?