“I did not know until your audition. You were a mystery for years before that. And I’m certain you noticed that you caught me by surprise.” He pauses before adding, “I cannot say that it has truly been an advantage. How long have you known?”
“I knew in the rain in Prague, and you know perfectly well that was when I knew,” Celia says. “You could have let me go with an umbrella to puzzle over, but instead you chased me down. Why?”
“I wanted it back,” Marco says. “I’m quite fond of that umbrella. And I had grown weary of hiding from you.”
“I once suspected anyone and everyone,” Celia says. “Though I did think it was more likely someone in the circus proper. I should have known it was you.”
“And why is that?” Marco asks.
“Because you pretend to be less than you are,” she says. “That much is clear as day. I will admit, I never thought to charm my umbrella.”
“I have lived most of my life in London,” Marco says. “As soon as I learned to charm objects, it was one of the first things I did.”
He removes his jacket and tosses it over one of the leather chairs in the corner. He takes a deck of playing cards off of a shelf, unsure if she will be willing to humor him but too curious not to try.
“Do you want to play cards?” Celia asks.
“Not exactly,” Marco answers as he shuffles. When he is satisfied, he places the deck on the billiard table.
He flips over a card. The king of spades. He taps the surface and the king of spades becomes the king of hearts. He lifts his hand, pulling it back and unfurling his fingers over the card, welcoming her to make the next move.
Celia smiles. She unties the shawl from her shoulders and drapes it over his discarded jacket. Then she stands with her hands clasped behind her back.
The king of hearts flips up, balancing on its edge. It stands there for a moment before slowly and deliberately ripping in half. The two pieces stay standing, separate, for a moment before they fall, the patterned back facing up.
Mimicking Marco’s gesture, Celia taps the card and it snaps back together. She pulls her hand back and the card flips itself over. The queen of diamonds.
Then the entire deck hovers in the air for a moment before collapsing onto the table, cards scattering out over the red felt surface.
“You are better than I am at physical manipulation,” Marco admits.
“I have an advantage,” Celia says. “What my father calls a natural talent. I find it harder not to influence my surroundings, I was constantly breaking things as a child.”
“How much impact can you have on living things?” Marco asks.
“It depends on the thing in question,” Celia says. “Objects are easier. It took me years to master anything animate. And I work much better with my own birds than I could with any old pigeon taken off the street.”
“What could you do to me?”
“I might be able to change your hair, perhaps your voice,” Celia says. “No more than that without your full consent and awareness, and true consent is more difficult to give than you might think. I can’t repair injury. I rarely have much more than a temporary, superficial impact. It is easier with people I’m more familiar with, though it is never particularly easy.”
“What about with yourself?”
In response, Celia goes to the wall and removes a thin Ottoman dagger with a jade hilt from where it hangs with its partner. Holding it in her right hand, she places her left palm down on the billiard table, over the scattered cards. Without hesitating, she plunges the blade into the back of her hand, piercing through skin and flesh and cards and into the felt underneath.
Marco flinches, but says nothing.
Celia pries the dagger up, her hand and the two of spades still impaled on the blade, blood beginning to drip down to her wrist. She holds out her hand and turns it slowly, presenting it with a certain amount of showmanship so that Marco can see that there is no illusion involved.
With her other hand she removes the dagger, the bloodied playing card fluttering down. Then the droplets of blood begin rolling backward, seeping into the gash in her palm which then shrinks and disappears until there is no more than a sharp red line on her skin, and then nothing.
She taps the card and the blood disappears. The rip left by the blade no longer visible. The card is now the two of hearts.
Marco picks up the card and runs his fingers over the mended surface. Then with a subtle turn of his hand, the card vanishes. He leaves it safely tucked within his pocket.
“I am relieved that we were not challenged to a physical fight,” he says. “I think you would have the advantage.”
“My father used to slice open the tips of my fingers one by one until I could heal all ten at once,” Celia says, returning the dagger to its place on the wall. “So much of it is feeling from the inside how everything is supposed to fit, I have not been able to do it with anyone else.”
“I think your lessons were a great deal less academic than mine.”