A contortionist in a sparkling black costume twists on a platform nearby, bending her body into impossible shapes.
A juggler tosses globes of black and white and silver high into the air, where they seem to hover before falling again into his hands, his attentive spectators applauding.
All bathed in glowing light.
The light emanates from a large bonfire in the center of the courtyard.
As you walk closer, you can see that it sits in a wide black iron cauldron, balanced on a number of clawed feet. Where the rim of a cauldron would be, it breaks into long strips of curling iron, as though it has been melted and pulled apart like taffy. The curling iron continues up until it curls back into itself, weaving in and out amongst the other curls, giving it the cage-like effect. The flames are visible in the gaps between and rising slightly above. They are obscured only at the bottom, so it is impossible to tell what is burning, if it is wood or coal or something else entirely.
The flames are not yellow or orange, but white as snow as they dance.
Hidden Things
CONCORD, MASSACHUSETTS, OCTOBER 1902
The arguments over Bailey’s future began early and occur frequently, though at this point they often devolve into repetitive phrases and tense silences.
He blames Caroline for starting it, even though the raising of the issue was the fault of his maternal grandmother. Bailey is much more fond of his grandmother than of his sister, so he leaves the blame squarely on Caroline. Had she not given in, he would not have to fight as hard.
It was one of their grandmother’s requests disguised as a suggestion, one which seemed innocuous enough, that Caroline attend Radcliffe College.
Caroline seemed intrigued by the idea through the entire length of tea in the cushioned, flower-wallpapered calm of their grandmother’s Cambridge parlor.
But any resolve she might have had about the matter disappeared as soon as they were back in Concord and their father’s word came down.
“Absolutely not.”
Caroline accepted this with little more than a fleeting pout, deciding that it would probably be too much work, and she did not particularly care for the city, anyway. Besides, Millie was engaged and there was a wedding to plan, a subject Caroline found far more interesting than her own education.
And that was that.
Then came the response from Cambridge, the grandmotherly decree that this was acceptable, but Bailey would be going to Harvard, of course.
This one was not a request disguised as anything. This was pure demand. Finance-based protestations were crushed before they could be raised, by the clear statement that his tuition would be taken care of.
The arguments started before Bailey’s opinion was even asked.
“I would like to go,” he said, when there came a pause long enough to fit the words in.
“You are taking over the farm” was his father’s response.
The easy thing to do would be to let the issue drop and raise it again later, especially considering Bailey is not quite sixteen and there is a substantial interim before either option will occur.
Instead, and he is not entirely certain why, he keeps the subject alive, bringing it up as often as possible. Pointing out that he could always go and return to the farm after the fact, that four years is not a terribly long time.
These statements are met with lectures at first, but they soon become loudly voiced decrees and slammed doors. His mother stays out of the arguments as much as she can, but when pressed she agrees with her husband, while at the same time quietly asserting that it should really be Bailey’s decision.
Bailey is not even certain he wants to go to Harvard. He does like the city more than Caroline, and it seems to him to be the option that holds the most mystery, the most possibility.
Whereas the farm holds only sheep and apples and predictability.
He can already envision how it will play out. Every day. Every season. When the apples will fall and when the sheep will need shearing and when the frost will come.
Always the same, year after year.
He mentions something about the endless repetition to his mother, hoping it might turn into a more measured conversation about whether or not he will be allowed to leave, but she only says that she finds the cyclical nature of the farm comforting, and asks if he has finished all of his chores.
The invitations to tea in Cambridge now arrive addressed only to Bailey, leaving his sister off entirely. Caroline mutters something about not having time for such things anyway, and Bailey attends alone, grateful to be able to enjoy the trip without Caroline’s constant talking.
“I do not particularly care whether or not you attend Harvard,” his grandmother says one afternoon, though Bailey has not mentioned it. He generally attempts to avoid the subject, thinking he knows perfectly well where she stands.