Marco crumples as though punched in the stomach by an invisible assailant. A passing patron catches his arm to steady him.
And Chandresh Christophe Lefèvre pulls the heavy silver knife from his coat pocket and throws it without hesitation.
The knife flies from Chandresh’s hand, blade over handle, spinning in perfect revolutions through the air.
Its aim is precise and steady. As true as such things can be.
Then its target moves.
The tailored grey wool that makes up the back of Mr. A. H—’s suit shifts. He moves ever so slightly to the side. It is a graceful step. An unconscious gesture. A movement of weight in space.
And so the knife brushes by his sleeve, and comes to rest instead in the chest of the man he is speaking with. The blade sliding through his unbuttoned black coat easily, hitting his heart as though it had always been its intended target, the silver handle jutting out just beneath his crimson scarf.
Mr. A. H— catches Herr Friedrick Thiessen as he slumps forward.
Chandresh stares at his empty hand as though he cannot recall what he was holding moments before. He staggers off, wandering back in the direction of the bonfire courtyard. He forgets to remove his mask when he leaves, and when he finds it discarded in his town house the next day, he cannot remember where it came from.
Mr. A. H— lowers Herr Thiessen to the ground, speaking a constant string of words over him in tones too low for anyone to overhear. The scattered patrons around them notice nothing at first, though some are distracted by the fact that the two young performers a few feet away have suddenly ceased their show, the boy in the black suit gathering up the visibly agitated kittens.
After a long moment, Mr. A. H— stops speaking and passes a grey-gloved hand over Herr Friedrick Thiessen’s face, gently closing his surprised eyes.
The silence that follows is shattered by Poppet Murray’s screaming as the pool of blood on the ground spreads beneath her white boots.
Before the shock turns into chaos, Mr. A. H— gently removes the silver-handled knife from Herr Thiessen’s chest and then he stands and walks away.
As he passes by a baffled, still-unsteady Marco, he hands him the blood-covered knife without so much as a word or a glance before disappearing into the crowd.
The handful of patrons who witness the event are ushered quickly away. Later they assume it was a clever stunt. A touch of theatricality for the already festive evening.
THE POOL OF TEARS
The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter.
Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles.
In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel.
The air carries the salty tinge of the ocean.
You walk over to the edge to look inside. The gravel crunches beneath your feet.
It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones.
Reflections ripple around the room, making it appear as though the entire tent is underwater.
You sit on the wall, turning your black stone over and over in your fingers.
The stillness of the tent becomes a quiet melancholy.
Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness.
Sorrows you thought long forgotten mingle with still-fresh wounds.
The stone feels heavier in your hand.
When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece of rock.
Farewell
CONCORD, MASSACHUSETTS, OCTOBER 30 AND 31, 1902
Bailey climbs the oak tree to retrieve his hidden box before sunset, gazing down at the circus that sits bathed in deep orange light, casting long pointed shadows across the field. But when he opens it, he does not find anything he truly wishes to take with him.
He removes only Poppet’s white glove, placing it in his coat pocket, and returns the box to the tree.
At home, he counts out his life savings, which is a higher amount than he had expected, and packs a change of clothes and an extra sweater. He considers packing a spare pair of shoes but decides he can likely borrow some from Widget if need be. He shoves everything into a worn leather satchel and waits for his parents and Caroline to go to bed.
While he waits, he unpacks his bag and then packs it again, second-guessing his choices of what to bring and what to leave behind.