The Cabinet of Curiosities (Pendergast #3)

The trouble was, so many of the buildings met those criteria.

Then, near the corner of 138th Street, Pendergast stopped dead. He turned, slowly, to face yet another abandoned building. It was a large, decayed mansion, a hulking shadow of bygone glory, set back from the street by a small service drive. Like many others, the first floor had been securely boarded up with tin. It looked just like a dozen other buildings they had passed. And yet Pendergast was staring at it with an expression of intentness Nora had not seen before.

Silently, he turned the corner of 138th Street. Nora followed, watching him. The FBI agent moved slowly, eyes mostly on the ground, with just occasional darted glances up at the building. They continued down the block until they reached the corner of Broadway. The moment they turned the corner, Pendergast spoke.

“That’s it.”

“How do you know?”

“The crest carved on the escutcheon over the door. Three apothecary balls over a sprig of hemlock.” He waved his hand. “Forgive me if I reserve explanations for later. Follow my lead. And be very, very careful.”

He continued around the block until they reached the corner of Riverside Drive and 137th. Nora looked at the building with a mixture of curiosity, apprehension, and outright fear. It was a large, four-story, brick-and-stone structure that occupied the entire short block. Its frontage was enclosed in a wrought iron fence, ivy covering the rusty pointed rails. The garden within was long gone, taken over by weeds, bushes, and garbage. A carriage drive circled the rear of the house, exiting on 138th Street. Though the lower windows were securely boarded over, the upper courses remained unblocked, although at least one window on the second story was broken. She stared up at the crest Pendergast had mentioned. An inscription in Greek ran around its edge.

A gust of wind rustled the bare limbs in the yard; the reflected moon, the scudding clouds, flickered in the glass panes of the upper stories. The place looked haunted.

Pendergast ducked into the carriage drive, Nora following close behind. The agent kicked aside some garbage with his shoe and, after a quick look around, stepped up to a solid oak door set into deep shadow beneath the porte-cochère. It seemed to Nora as if Pendergast merely caressed the lock; and then the door opened silently on well-oiled hinges.

They stepped quickly inside. Pendergast eased the door closed, and Nora heard the sound of a lock clicking. A moment of intense darkness while they stood still, listening for any sounds from within. The old house was silent. After a minute, the yellow line of Pendergast’s hooded flashlight appeared, scanning the room around them.

They were standing in a small entryway. The floor was polished marble, and the walls were papered in heavy velvet fabric. Dust covered everything. Pendergast stood still, directing his light at a series of footprints—some shod, some stockinged—that had disturbed the dust on the floor. He looked at them for so long, studying them as an art student studies an old master, that Nora felt impatience begin to overwhelm her. At last he led the way, slowly, through the room and down a short passage leading into a large, long hall. It was paneled in a very rich, dense wood, and the low ceiling was intricately worked, a blend of the gothic and austere.

This hall was full of an odd assortment of displays Nora was unable to comprehend: weird tables, cabinets, large boxes, iron cages, strange apparatus.

“A magician’s warehouse,” Pendergast murmured in answer to her unspoken question.

They passed through the room, beneath an archway, and into a grand reception hall. Once again, Pendergast stopped to study several lines of footprints that crossed and recrossed the parquet floor.

“Barefoot, now,” she heard him say to himself. “And this time, he was running.”

He quickly probed the immense space with his beam. Nora saw an astonishing range of objects: mounted skeletons, fossils, glass-fronted cabinets full of wondrous and terrible artifacts, gems, skulls, meteorites, iridescent beetles. The flashlight played briefly over all. The scent of cobwebs, leather, and old buckram hung heavy in the thick air, veiling a fainter—and much less pleasant—smell.

“What is this place?” Nora asked.

“Leng’s cabinet of curiosities.” A two-toned pistol had appeared in Pendergast’s left hand. The stench was worse now; sickly sweet, oily, that filled the air like a wet fog, clinging to her hair, limbs, clothes.