Splintered (Splintered, #1)

“Got it,” I whispered.

“Good.” He squeezed my shoulder, his fingers warm and strong. Too bad the twitch in his left eyelid gave him away. He was worried, and he didn’t even know the half of it.

I tossed and turned in bed that night. Once I finally fell asleep, I had the Alice nightmare for the first time, and it’s haunted my dreams ever since.

In it, I stumble across a chessboard in Wonderland, tripping over jagged squares of black and white. Only I’m not me. I’m Alice in a blue dress and lacy pinafore, trying to escape the ticktock of the White Rabbit’s pocket watch. He looks like he’s been skinned alive—nothing but bones and bunny ears.

The Queen of Hearts has commanded that my head be chopped off and stuck into a jar of formaldehyde. I’ve stolen the royal sword and am on the run, desperate to find the Caterpillar and the Cheshire Cat. They’re the only allies I have left.

Ducking into a forest, I slice the sword at vines hanging in my path. A thicket of thorns sprouts from the ground. They snag my apron and gouge my skin like angry talons. Dandelion trees tower in every direction. I’m the size of a cricket, along with everyone else.

Must’ve been something we ate …

Close behind, the White Rabbit’s pocket watch ticks louder, audible even over the marching steps of a thousand playing-card soldiers. Choking on a cloud of dust, I plunge into the Caterpillar’s lair, where mushrooms loom with caps the size of truck tires. It’s a dead end.

One look at the tallest mushroom and my heart caves. The place where the Caterpillar once sat to offer advice and friendship is a mass of thick white web. Something moves in the center, a face pressed against the filmy case, shifting just enough that I can make out the shape of the features yet see no clear details. I inch closer, desperate to identify who or what is inside … but the Cheshire Cat’s mouth floats by, screaming that he’s lost his body, and distracts me.

The card army appears. Within an instant, I am surrounded. I toss out the sword blindly, but the Queen of Hearts steps forward and snatches it in midair. Falling to my knees at the army’s feet, I plead for my life.

It’s pointless. Cards don’t have ears. And I no longer have a head.



After covering my starry spider mosaic with a protective cloth while the plaster dries, I grab a quick lunch of nachos and drive over to Pleasance’s underground skate park to kill time before meeting Dad at the asylum.

I’ve always felt at home here, in the shadows. The park is located in an old, abandoned salt dome, a huge underground cave with a ceiling reaching as high as forty-eight feet in places. Prior to the conversion, the dome had been used for storing bulk goods for a military base.

The new owners took out the traditional lighting and, with some fluorescent paint and the addition of black lights, morphed it into every teen’s fantasy—a dark and atmospheric ultraviolet playground complete with a skateboard park, glow-in-the-dark miniature golf, an arcade, and a café.

With its citrusy neon paint job, the giant cement bowl for skateboarders stands out like a green beacon. All skaters must sign a release form and put orange fluorescent grip tape on the decks of their boards to avoid collisions in the dark. From a distance, we look like we’re riding fireflies across the northern lights, sweeping in and out of one another’s glowing jet streams.

I started boarding when I was fourteen. I needed a sport I could do while wearing my iPod and earbuds to muffle the whispers of stray bugs and flowers. For the most part, I’ve learned to ignore my delusions. The things I hear are usually nonsensical and random, and blend together in crackles and hums like radio static. Most of the time I can convince myself it’s nothing more than white noise.

Yet there are moments when a bug or flower says something louder than the others—something timely, personal, or relevant—and throws me off my game. So when I’m sleeping or involved in anything that requires intense concentration, my iPod is crucial.

At the skate park, everything from eighties music to alternative rock blasts from speakers and blocks out any possible distractions. I don’t even have to wear my earbuds. The only drawback is that Taelor Tremont’s family owns the place.

She called before the grand opening two years ago. “Thought you would be interested in what we’re naming the center,” she said, voice dripping with sarcasm.

A. G. Howard's books