There are the faeries, who seem to show up only to cause Clary trouble (and occasionally give her a good lead on the latest mystery). The Faerie Queen tricks, beguiles, and tortures at whim, hiding her cruelty in archaic forms of hospitality such as the offering of food or drink. Even the simple act of telling a truth—a faerie mandate—is twisted to serve her villainy; some truths are wicked and sharp. Then there are the vampires, who have to feed on human beings to survive. They siphon off the thing that keeps humans from death and steal it for themselves. Not to mention all the werewolves and warlocks and other Downworlders that haunt the night.
Any of these character types on their own would make a compelling villain. Downworlders are the offspring (whether literally or symbolically) of demons, most of which are mindless monsters driven to hurt and destroy. As a result, many Downworlders succumb to impulses much darker than the ones their more human counterparts even possess. In fact, a case could be made that the evil that Downworlders do is tied directly to their demonic heritage. Either their inclination to do harm is innate (as with faeries, who are born with a cold, capricious nature), or when they transition into their new life, new instincts develop that push them to do harm (as with humans turned into vampires, who must struggle against the new desires burning under their skin).
But in the Mortal Instruments series, Downworlders aren’t villains, not really. Not as a group. Just because someone is turned into a vampire doesn’t mean they have to be evil. Simon struggles with the change, still wanting to be the boy he was before he was bitten, and while he stumbles on his path, he still strives to be better. Luke sought to master his werewolf side in order to keep his loved ones safe, and seems to have succeeded. Magnus may possess a physical manifestation of demonic heritage (his cat eyes), long life, and the ability to do magic, but otherwise he seems as human as anyone else.
Of all the different creatures we meet during the course of the Mortal Instruments series, there’s only one who proves himself to be utterly unredeemable, fantastically evil, and gloriously unhinged. And he’s not a Downworlder at all; he’s human.
The Life and Crimes of Valentine Morgenstern
It’s probably no surprise by this point that there’s a special place for Valentine Morgenstern in my heart, a place I reserve for the most deliciously evil characters. Right from the start, Valentine’s role is clear. It’s in his name (or at least his last name). Morgenstern means “morning star,” a reference to Lucifer, who fell from heaven for his sins against God.
Valentine, raised in Idris, was an exceptional child who excelled at his Shadowhunter training and seemed poised for great things. Unfortunately for the rest of the world, these great things skewed toward the darker end of the spectrum. He is extremely attractive, intelligent, and possessed the kind of charisma that would have served him well as a politician, if not a king. Instead, Valentine became the leader of a splinter group of disaffected young Shadowhunters who believed they were superior to the Downworlders and that the Accords that kept a peace between the two was an offense. After his father’s death at the hands of a werewolf, Valentine’s negative views on Downworlders became even more extreme, and the Circle became a rebellion in truth. Valentine no longer simply wanted to discuss the superiority of Shadowhunters; he set his sights higher than that. He wanted to break the Accords.
Valentine interests me so much because he’s a man of extremes. He is an idealist who wants to see evil purged from the world, but he became a revolutionary willing to do anything—evil included—to keep the Accords from being renewed. He is a zealot who wants all Downworlders destroyed, but he is also an opportunist who has no qualms against using those very same Downworlders to achieve his goals. He is a father who loves his adopted son enough to forgive him his rebellions and repeatedly extend an olive branch to him (in his own way), but he is also a monster who experimented on three children still in the womb without their mothers’ knowledge or consent and without caring about the consequences.
For a man who despises all that Downworlders are, Valentine’s deeds rival any of their greatest crimes with ease. He has started wars, drafted armies of demons to torture and kill fellow Shadowhunters—the same people he was claiming to try to save—and even gone up against the angels themselves, thinking that he knows better than they. Even the worst of the Downworlders tend to kill their victims quickly. They don’t keep them chained up in their basements for sixteen years, torturing them for their secrets. And through all of this, Valentine still considers himself the hero of his own story.
Shadowhunters and Downworlders
Cassandra Clare's books
- A Highland Werewolf Wedding
- Dreams and Shadows
- First And Last
- Hope and Undead Elvis
- Landed Wings
- Serafina and the Silent Vampire
- Serafina and the Virtual Man
- Spirit and Dust
- Stands a Shadow
- The Magic Kingdom of Landover Volume 1
- Thraxas and the Ice Dragon
- Undead and Undermined
- Faelan: A Highland Warrior Brief
- Highland Master
- The Wondrous and the Wicked
- The Lovely and the Lost
- The Dead Lands
- Aunt Dimity and the Deep Blue Sea
- Aunt Dimity and the Wishing Well
- Aunt Dimity and the Duke
- Aunt Dimity and the Summer King
- End of Days (Penryn and the End of Day #3)
- Jimmy The Hand (Legends of the Riftwar Book 3)
- Hollowland
- Sisters Grimm 05 Magic and Other Misdemeanors
- A Book of Spirits and Thieves
- BRANDED BY FIRE
- The Moon and the Sun
- The Pandora Principle
- Artemis Fowl and the Eternity Code
- Land of Shadows
- The Sword And The Dragon