Shadowhunters and Downworlders

New York may have taken time to acclimate to, but Brooklyn I loved from the first minute. Brooklyn does that to you. It makes you possessive of it. It makes you love it. Clary’s fierce declaration was only the first of many points when I thought to myself, This book gets my city right.

There are plenty of other little details in the books that are spot-on if you’ve lived here. There is the constant and interesting problem of getting from point A to point B. Subway? Cab? Walk? Borrow a car? Where will you park? Is time of the essence? That’s a problem, because you can’t get anywhere outside of a ten-block radius in less than half an hour, and anyone who says otherwise—such as, for instance, the real estate agent from whom my roommate and I rented our first apartment—is lying to you. You always tell the cabbie you’re going to Brooklyn after you’re already inside with the door shut because no cabbie wants to drive you to Brooklyn, where chances of catching a fare back into Manhattan are so slim. Also, just like the windowless, slump-roofed Taki’s, the best restaurants in the city will always look like dives, as if they have glamours hiding them from tourists. And people really do think coffee ought to come by default with three sugars.

But the most meaningful true-to-New York thing of all is the way the city is such a compelling, uncanny beast and forces Clary to adapt. This is why, despite the titles, Clary Fray’s story isn’t about the hidden cities of bones, of ashes, of glass. Her story is about New York, and about a girl finding her place in it and learning to love and trust it again even though it has kept so much hidden from her. At least that’s how it seems to me, someone who loves cities and towns and who, when she first moved to New York City, wanted so desperately to love it but had to learn its true character, find its hidden charms, and accept its all-too-visible flaws before she could walk comfortably through it, to say nothing of finding its hidden beauty and mystery.

Clary’s New York is both the one she grew up in and the one she didn’t know existed and yet can’t unsee or deny. Mundane New York or Shadowhunter New York, it’s always her New York, and not simply because, by birth, she has a key part to play in the intrigues of the Nephilim. It’s her New York because Clary identifies strongly with it. It’s where she grew up and where she lives. Even if escaping its newfound strangeness were as simple as moving away—and it isn’t, nor is it generally that simple in real life—that isn’t an option, because Clary loves her home and goes on loving it even as it reveals itself to be something different from what she had always assumed it to be. Places, like people, are complex, and loving them isn’t simple.

Of course, it isn’t just New York that she must adjust to as she begins to see through the glamours that have been hiding reality from her for her entire life. As the proverbial scales begin to fall from her eyes, she realizes she has been blind to certain details about her own mother, and not just the past Jocelyn Fray hid from her. Even her mother’s skin bears the scars of her early life, a detail that Clary has never noticed due to the elaborate spells that kept her from seeing the stranger world around her.

Then again, I suppose I always assume people are hiding parts of themselves from each other. People do that. Perhaps, then, it isn’t particularly odd that all the family drama in the books never seems as big a deal to me as the shifting nature of the city, the things it hides and the things it chooses to reveal.




When I moved to New York City in 2001, it was unhomely in every sense. My apartment was a good home to come back to, and I loved it and I loved my roommate and I loved the neighborhood we’d chosen, but the city itself was frustrating, strange, and unwelcoming. I’d grown up in a rural suburb of Annapolis and I’d gone to school in bucolic, mostly rural upstate New York, but the city just being different from what I was accustomed to didn’t explain what I was feeling. I’d lived in London, I’d been lost in Venice, I’d traveled alone in France and Spain, and I was about as self-sufficient as anyone I knew. And yet. It was almost as if the city were trying to knock me down a few pegs, trying for some reason to break me. It made me cry more than I was comfortable with. It made me want to move home to Maryland.