The photograph was on the right side of the ID card. A serial number, in Arabic numerals, ran along the bottom. The remaining space was occupied by a set of fields, each field labeled in blue and the actual data printed in black. The top field consisted of three characters, and he assumed that it must be the woman’s name. Below it were two other fields, arranged on the same line since each of them consisted of only a single character. He assumed that one of these must be gender. Below that were three fields on the same line, printed in Arabic numerals. The first of these was “1986,” the second “12,” and the third “21,” so it was obviously the woman’s date of birth. The last field was much longer and consisted of Chinese characters running across one and a half lines, with additional room below, and he assumed that this must be the woman’s address.
In his vest he carried a small notebook and a pen. He took these out and devoted a while to copying out the address. Because of his cramped position in the rattling cart, this took a long time. But he had nothing else to do at the moment.
Also in the purse was a mobile phone, which he of course checked for photographs and other data. He did not expect to find much. If the woman was a spy of any skill whatsoever, she would take the strictest precautions with a device such as this one. Indeed, the number of photos was rather small and seemed to consist mostly of snapshots of real estate. Most of the pictures depicted office buildings, and most of these were of the block where this morning’s events had taken place. But a few were of a residential building in a hilly neighborhood with a lot of trees. Interspersed with these were some shots of the interior of a vacant apartment, and the view from its windows: across the water to the downtown core of Xiamen.
This was all very diverting, but he needed to have a plan for what to do when the carter finally got him to the hotel. For by now they had made it to the big boulevard that ran along the waterfront, and from here progress would be quicker. Sokolov flipped open his mobile and refreshed his memory of the place by flipping through the snapshots he had taken a couple of days ago. There was not much here to help him: it was the front entrance of a big Western-style luxury business hotel, and as such it was indistinguishable from the same sort of place as might be seen in Moscow, Sydney, or L.A.
He kept flipping back and forth through the same half-dozen photos, looking for anything that might be of use. Most of the people around the entrance were, of course, bellhops and taxi drivers. Guests went in and out. Some were dressed in business suits, others in casual tourist attire. He did not see any commandos in tracksuits.
Still, something about tracksuit nagged at him. He flipped through the series a few more times until he found it: a man entering the hotel. He appeared in two successive pictures. In the first his naked leg and bare arm were just swinging into the frame. In the second, he was nodding to a smiling bellhop who had pulled the door open for him. The man was probably in his early forties, tall, slender, blond hair with bald patch, wearing a skimpy pair of loose shorts and a haggard tank-top shirt emblazoned with the logo of a triathlon. Track shoes completed the ensemble. Strapped around his waist was a fanny pack, with a water bottle holstered in a black mesh pocket.
Sokolov was carrying three knives, one of which sported a back-curving hook at the top of the blade, made for slicing quickly through fabric. Working in small, fidgety movements, he got it caught in the fabric of the tracksuit at about midthigh and then made a circumferential cut, slashing off most of one trouser leg. He repeated the same procedure on the other side. Now he was wearing what he hoped would pass for a pair of athletic shorts. With painstaking care he divested himself of his windbreaker, his gear harness, and his gun belt, leaving his upper body clad only in a T-shirt.
He sucked the CamelBak as dry as he could make it. This was a ballistic nylon sack about the size of a loaf of bread, with a circular filling port at its top. The port was large—about the size of the palm of his hand—which made it easier to fill the thing up. He threw in the woman’s mobile, her ID card and most of the contents of her wallet—everything that might be used to identify her. This amounted to a few credit cards and slips of paper and didn’t take up much room. He added his little notebook and a couple of his knives. He removed the slide from the Makarov pistol and then threw all the gun’s parts in, as well as two spare clips that he had been carrying on his belt. He crammed the remaining volume with currency, partly because he might need it and partly to make it bulge as though it were full of water. Then he closed the CamelBak’s port again.
Neatly folded in a pocket of his vest he kept a towel—actually half of a diaper, sufficiently threadbare that it could be compressed into a little packet. This was another thing that he had learned never to be without. He extracted this from its compartment and stuffed it into his waistband.
All his other stuff he crammed into the garbage bag. He was moving a little less stealthily now because the carter had made his way out onto a street that was not so crowded. Sokolov had saved out one zip tie, which he used to knot the bag shut.
He risked a peek out from under the tarp and saw the tower of the hotel a couple of hundred meters ahead.
Even if his jogger disguise were perfect, it wouldn’t do for him to jump out from under a tarp on a cart in plain view of the bellhops, or of anyone for that matter. And he still had to get rid of the garbage bag. He flipped his mobile open again and reviewed his snapshots one more time. The other day, after looking at this hotel, they had crossed the street to the waterfront and done some reconnoitering there. Though much of it was built-up and crowded ferry terminals, some of it, farther to the north, was a slum of seedy docks and rubbishy stretches of disused shoreline. He found a snapshot of that general part of the waterfront, then got the carter’s attention by hissing at him.