Little, Big

II.

The Thirst that from the Soul doth rise

Doth ask a drink divine;

But might I of Jove's nectar sip

I would not change for thine.

—Ben Jonson

Earth rolled its rotundity around, tilting the little park where Auberon sat one, two, three days more faceupwards to the changeless sun. The warm days were growing more frequent, and though never matching quite the earth's regular progress, the warmth was already more constant, less skittish, soon not ever to be withdrawn. Auberon, hard at work there, hardly noticed; he kept on his overcoat; he had ceased to believe in spring, and a little warmth couldn't convince him.

Press on, press on.


Not Her But This Park

The struggle was, as it had always been, to think rightly about what had happened, to come to conclusions that took in all aspects, that were mature; to be objective. There were multitudes of reasons why she might have left him, he knew that well, his faults were as numerous as the paving-stones of those walks, as rooted and thorny as that blooming hawthorn. There was after all no mystery in the end of love, no mystery but the mystery of love itself, which was large certainly but as real as grass, as natural and unaccountable as bloom and branch and their growth.

No, her leaving him was sad, and a puzzle; it was her disappearance that was insane and maddening. How could she leave not a wrack behind? He had thought of her abducted, murdered; he had thought of her planning her own vanishing, just to drive him mad with bafflement, but why would she want such a madness? Certainly he had raged, frantic, at George Mouse, unable to bear it, tell me you son of a bitch where she is, what you've done with her, and saw his madness reflected in George Mouse's honest fear as he said "Now now, now now," and groped amid his souvenirs for a baseball bat. No, he had not gone about his searching in the most lucid frame of mind, but what the hell was to be expected?

What the hell was to be expected, when after four gins at the Seventh Saint he would see her passing by in the crowds outside the window, and after five find her sitting on the adjacent stool?

One trip only to Spanish Harlem, where he had seen her replicated on a dozen street corners, in halter tops, with baby carriages, chewing gum on crowded stoops, dusky roses all of them and none of them her, and he had abandoned that search. He had forgotten utterly, if he ever really knew, just which of these buildings on highly individual hut at the same time identical streets had been the ones she had taken him to; she might be in any of those aqua living rooms, watching through the plastic lace of curtains as he passed, any of those rooms lit by aeqeous television and the red points of votive candles. Even worse was the checking of jails, hospitals, madhouses, in all of which the inmates had obviously taken over, his calls were shunted from thug to loony to paralytic and finally cut off, by accident or on purpose, he had not made himself clear. If she had fallen into one of those public oubliettes . . . No. If it was madness to choose to believe she had not, he would rather be mad.

And in the street his name would be called. Softly, shamefacedly; happily, with relief; peremptorily. And he would stand looking up and down the avenue, searching, stock still amid the traffic, unable to see her but unwilling to move lest she lose sight of him. Sometimes it was called again, even more insistently, and still he would see nothing; and after a long time move on, with many halts and backward glances, having at last to say out loud to himself that it wasn't her, wasn't even his name that had been called, just forget it; and curious passersby would covertly watch him reason with himself.

Mad he must have seemed, but whose God damn fault was that? He had only tried to be sensible, not to become fixated and obsessed with the imaginary, he had struggled against it, he had, though he had succumbed in the end; Christ it must be hereditary, some taint passed down to him through the generations like colorblindness. . . .

Well, it was over now. Whether or not it was possible for the park and the Art of Memory to yield up to him the secret of her whereabouts didn't interest him; that was not what he was at work on there. What he hoped and believed, what seemed to him promised by the ease with which the statuary and greenery and footpaths accepted his story, was that once he had committed the whole of his year-long agony to them—no hope or degradation, no loss, no illusion unaccounted for—then he would someday remember, not his search, but these intersecting pathways that, leading always inward, led always away.

Not Spanish Harlem but that wire basket just outside the fence, with a cerveza Schaefer and a mango pit and a copy of El Diario crushed in it, MATAN as always in the headline.

Not Old Law Farm but that old marten-house on a pole, and its battling noisy occupants coming and going and building nests.

Not the Seventh Saint Bar & Grill but Bacchus in basrelief, or Silenus or whoever that was supported by goat-footed satyrs nearly as drunk as their god.

Not the weird pursuing pressure of his madness, inherited and inescapable, only that plaque fixed to the gate where he had entered: Mouse Drinkwater Stone.

Not the false Sylvies that had afflicted him when he was drunk and defenseless but the little girls, skipping rope and playing jacks and whispering together as they eyed him suspiciously, who were always the same yet always different, perhaps only in different outfits.

Not his season on the street but the seasons of this pavilion.

Not her but this park.

Press on, press on.


Never Never Never

The cold compassion of bartenders, he came to see, was like that of priests universal rather than personal, with charity for all and malice toward almost none. Firmly situated (smiling and making ritual and comforting gestures with glass and cloth) between sacrament and communicant, they commanded rather than earned love, trust, dependence. Best always to placate them. A big hello, and the tips subtle but sufficient.

"A gin, please, Victor, I mean Siegfried."

Oh God that solvent! A season's worth of summer afternoons dissolved in it as his father once, in a rare burst of enthusiasm for the sciences, had in school dissolved something blue-green (copper?) in a beaker of clear acid till it did not exist at all, didn't stain its solvent with even the faintest veridical residue; what had become of it? What had become of that July?

The Seventh Saint was a cool cavern, cool and dark as any burrow. Through the windows the white heat showed the more blank and violent to his eyes when they were accustomed to the dark; he looked out at a parade of blinking, harrowed faces, bodies as nearly unclothed as decency and contrivance allowed them to be. Negroes turned gray and oily and white people red; only the Spanish bloomed, and even they sometimes looked a little blown and wilted. The heat was an affront, like winter's cold; all seasons were errors here, two days only excepted in spring and a week in autumn full of huge possibilities, great glamor and sweetness.

"Hot enough for you?" said Siegfried. This was he who had replaced Auberon's first friend Victor behind the Seventh Saint bar. Auberon had never enjoyed any rapport with this thick, stupid one, named Siegfried. He sensed an unpastoral cruelty in him, an enjoyment almost in others' weaknesses, a Schadenfreude shadowing his ministry.

"Yes," Auberon said. "Yes, it is." Somewhere, far off, guns were fired. The way to avoid being disturbed by these, Auberon had decided, was to regard them as fireworks. You never anyway saw the slain in the streets, or as rarely as you saw the dead bodies of rabbits or birds in the woods. Somehow they were disposed of. "Cool in here, though," he said with a smile.

Sirens wailed, going elsewhere. "Trouble someplace," Siegfried said. "This parade."

"Parade?"

"Russell Eigenblick. Big show on. You didn't know?"

Auberon made gestures.

"Jeez, where you been? Did you know about the arrests?"

"No."

"Some guys with guns and bombs and literature. Found them in the basement of some church. They were a church group. Planning some assassination or something."

"They were going to assassinate Eigenblick?"

"Who the hell knows? Maybe they were his guys. I forget exactly. But he's in hiding, only there's this big march on today."

"For him or against him?"

"Who the hell knows?" Siegfried moved off. If Auberon wanted details, let him get a paper. The bartender had just been making conversation; he had better things to do than be grilled. Auberon drank, abashed. Outside, people were hurrying by, in groups of two and three, looking behind them. Some were shouting, others laughing.

Auberon turned from the window. Surreptitiously, he counted his money, contemplating the evening and the night ahead. Soon he would have to move downward in the drinker's scale, from this pleasant—more than pleasant, necessary, imperative—retreat to less pleasant places, brightly-lit, naked, with sticky plastic bars surmounted by the waxy faces of aged patrons, their eyes fixed on the absurdly cheap prices posted on the mirror before them. Dram shops, as old books had it. And then? He could drink alone, of course, and wholesale so to speak: but not in Old Law Farm, not in the Folding Bedroom. "Another of these," he said mildly, "when you get a chance."

He had that morning decided, not for the first time, that his search was over. He wouldn't sally forth today to follow illusory clues. She couldn't be found who wanted not to be found. His heart had cried out, But what if she does? What if she is only lost, and searching for you even as you search for her, what if only yesterday you came within a block of one another, what if at this moment she sits somewhere nearby, on a park bench, a stoop, Somehow unable to find her way back to you, what if she is even now thinking He'll never believe this crazy story (whatever it would be) if only I find him, if only; and the tears of loneliness on her brown cheeks . . . But that was all old. It was the Crazy Story Idea, and he knew it well; it had once been a bright hope, but it had over time condensed to this burning point, not a hope but a reproach, not even (no! No more!) a spur; and that was why it could be snuffed.

He'd snuffed it, brutally, and come to the Seventh Saint. A day off.

There was only one further decision then to make, and he would (with the help of this gin, and more of the same) make that today. She hadn't ever existed at all! She was a figment. It would be hard, at first, to convince himself of how sensible a solution this was to his difficulty; but it would grow easier.

"Never existed," he muttered. "Never never never."

"Wazzat?" said Siegfried, who usually couldn't hear the plainest request for replenishment.

"Storm," Auberon said, for just then there was a sound which if it wasn't cannon was thunder.

"Cool things off," said Siegfried. What the hell could he care, Auberon thought, aestivating in this cave.

Out of the roll of thunder came the more rhythmic beats of a big bass drum far downtown. More people were in the streets, driven forward by or perhaps heralding the oncoming of something big which they looked now and again over their shoulders at. Police cruisers shot into the intersections of street and avenue, blue lights revolving. Among those coming up the street—they were walking heedlessly in the middle of the roadway, that looked exhilarating to Auberon—were several wearing the blousy shirts of many colors worn by Eigenblick's adherents; these, and others in dark glasses and narrow suits, with what could have been hearing aids stuck into their ears but probably were not, discussed things with the sweating policemen, making gestures. A portable conga band, contrapuntal to the far-off beating bass drum, proceeded northward, surrounded by laughing brown and black people and by photographers. Their rhythms hurried the negotiators. The suited men seemed to command the police, who were helmeted and armed but apparently will-less. The thunder, more distinct, rolled again.

It seemed to Auberon that he had discovered, since coming to the City, or at least since he had spent a lot of time staring at crowds, that humanity, City humanity anyway, fell into only a few distinct types—not physical or social or racial, exactly, though the qualities that could be called physical or social or racial helped qualify people. He couldn't say just how many of these types there were, or describe any of them at all precisely, or even keep any of them in his mind when he didn't have an actual example before him; but he found himself continually saying to himself, "Ah, there's one of that sort of person." It certainly hadn't helped in his search for Sylvie that, however distinct she was, however utterly individual, the vague type she belonged to could throw up cognates of her everywhere to torment him. A lot of them didn't even look like her. They were her sisters, though; and they harrowed hini, far more than the jovens and lindas that superficially resembled her, like those that, on the lean muscled arms of their boyfriends or honorary husbands, now followed the conga band up the street, dancing. A larger group, of some status, was coming into view behind them.

These were decently dressed matrons and men, walking abreast, black women with broad bosoms and pearls and glasses, men in humble pork-pie hats, many skinny and stooped. He had often wondered how it is that great fat black women can grow faces, as they get older, that are hard, chiseled, granitic, tough and leathery, all that is associated with the lean. These people supported a street-wide banner on poles, with half-moon holes cut in it to keep it from being filled like a sail and carrying them off, whose letters, picked out in sequins, spelled out CHURCH OF ALL STREETS.

"That's the church," Siegfried said—he had moved his glass-wiping activities nearer the window in order to watch. "The church where they found those guys."

"With the bombs?"

"They got a lot of nerve."

Since Auberon still didn't know whether the bombers found in the Church of All Streets were for or against whoever this parade was for or against, he supposed this could be true.

The Church of All Streets contingent, the decent poor mostly as far as Auberon could see but with one or two Eigenblick blousons marching beside them, and one of the hearing-aides watching them too, was escorted by the many-eyed press on foot and in vans, and by armed horsemen, and by the curious. As though the Seventh Saint were a tidepool, and the tide were rising, two or three of these spilled through its doors, bringing in the hot breath of day and the odor of their marching. They complained loudly of the heat, more in high-pitched whistles and low groans than in words, and ordered beers. "Here you are, take this," said one, and held out something to Auberon on his yellow palm.

It was a narrow strip of paper, like a Chinese cookie fortune. Part of a sentence was crudely printed on it, but the sweat of the man's hand had obscured part of that, and all Auberon could make out was the word "message". Two of the others were comparing similar strips of paper, laughing and wiping beer-foam from their lips.

"What's it mean?"

"That's for you to figure out," the man said gaily. Siegfried put a drink in front of Auberon. "Maybe if you make a match, you win a prize. A lottery. Huh? They're handing 'em out all over town."

And indeed now outside Auberon saw a line of whitefaced mimes or clowns cakewalking along in the wake of the Church of All Streets, doing simple acrobatics, firing cap pistols, tipping battered hats, and distributing among the jostling crowd that thronged around them these small strips of paper. People took them, children begged for more, they were studied and compared. If no one took them, the clowns let them flutter away into a breeze that was beginning to rise. One of the clowns turned the handle of a siren he had hung around his neck, and an eerie wail could be faintly heard.

"What on earth," Auberon said.

"Who the hell knows," Siegfried said.

With a crash of brass instruments, a marching band began, and the street was suddenly filled with bright silken flags, barred, starred, snapping and furling in the thunder-wind. Great cheers rose. Double eagles screamed from some banners, double eagles with double hearts aflame in their bosoms, some clutching roses in their beaks, myrtle, swords, arrows, bolts of lightning in their talons; surmounted with crosses, crescents, or both, bleeding, effulgent or aflame. They seemed to stream and flutter on the terrific wave of military sound rising from the band, which was not uniformed but dressed in top hats, tails, and paper bat-wing collars. A royal-blue gold-fringed gonfalon was born before them, but was gone before Auberon could read it.

The bar patrons went to the window. "What's going on? What's going on?" The mimes or clowns worked the borders of the march, handing out slips, avoiding grabbing hands dexterously as they somersaulted or rode each other's shoulders. Auberon, well oiled by now, was exhilarated, as they all were, but he as much because he had no idea for what all this crazy energy was being expended as for the quick-stepping, flag-waving thing itself. More refugees barged through the doors of the Seventh Saint. For a moment the music grew loud. They weren't a good band, cacaphonous in fact; but the big drum kept the time.

"Good God," said a haggard man in a wrinkled Suit and a nearly brimless straw fedora. "Good God, those people."

"Check it out," said a black man. More entered, black, white, other. Siegfried looked startled, at bay. He'd expected a quiet afternoon. A sudden chattering roar drowned out their orders, and outside, descending right into the valley of the street, a sharpstuttering helicopter hove, hovered, reascended, scanning, raising winds in the streets; people clutched their hats, running in circles like farmyard fowl beneath a hawk. Commands issued from the copter in meaningless shouts of gravelly static, repeated over and over just as meaninglessly but more insistently. In the street, people shouted back defiance, and the helicopter rose away, turning carefully. Cheers and raspberries for the dragon's going.

"Whaddy say whaddy say?" the partrons asked each other.

"Maybe," Auberon said to no one, "warning them it's about to rain."

It was. They didn't care. More conga artists were passing, nearly swamped by throngs, all chanting to their beat: "Let it fall, let it rain; let it fall, let it rain." Fights were breaking out, shoving contests mostly, girl-friends shrieked, bystanders pulled apart contestants. The parade seemed to be turning into a swarming culture, and growing a riot. But car horns honked, insistently, and the millers were parted by several black limousines with fast-fluttering pennants on their fenders. Hurrying beside the cars were many of the suited, dark-spectacled men, looking everywhere and nowhere, faces grim, not having fun. The scene had darkened, quickly, ominously, the harsh dusty orange light of late afternoon snuffed like a klieg-light. Black clouds must have extinguished the sun. And even the neat haircuts of the suited aides were ruffled by the rising wind. The band had ceased, only the drum went on, sounding threnodic and solemn. Crowds pressed closely around the cars, curious, perhaps angry. They were warned away. Wreaths of dark flowers dressed some of the cars. A funeral? Nothing could be seen within their tinted windows.

The patrons of the Seventh Saint had grown quiet, respectful or resentful.

"The last best hope," the sad man in the straw fedora said. "The goddam last best goddam hope."

"All over," said another, and drank deeply. "All over but the shouting." The cars passed away, the crowds falling in behind them, filling up their wake; the drum was like a dying heartbeat. Then, as uptown the band rang out again, there was a terrific crash of thunder, and everyone in the bar ducked at once, and then looked at one another and laughed, embarrassed to have been startled. Auberon finished his fifth gin in a gulp, and, pleased with himself for no reason but that, said "Let it fall, let it rain." He thrust his empty glass toward Siegfried, more commandingly than he usually did. "Another."

The rain began all at once, big drops spattering audibly on the tall window and then falling in great volumes, hissing furiously as though the city it fell on were red-hot. Rain coursing down the tinted glass obscured the parade's events. It looked now like ranks of people wearing hoods, holes cut out for eyes, or paper masks like welder's masks, carrying clubs or batons, were coming behind the limos and meeting some resistance; whether they were part of the parade or another show in opposition to it was hard to tell. The Seventh Saint filled rapidly with clamoring folk fleeing the rain. One of the mimes or clowns, his white face running, came in bowing, but certain shouts of greeting seemed to him hostile; he bowed out again.

Thunder, rain, sunset swallowed up in stormy darkness; crowds pouring through the pouring streets in the glare of streetlights. Breaking of glass, shouts, tumult, sirens, a war on. Those in the bar rushed out, to see or join in, and were replaced by others fleeing, who had seen enough. Auberon held his stool, calm, happy, lifting his drink with a suggestion of extended pinkie. He smiled beatifically at the troubled man in the straw fedora, who stood next to him. "Drunk as a lord," he said. "Quite literally. I mean lunk as a drord is when a lord is drunk. If you follow me." The man sighed and turned away.

"No, no," Siegfried shouted, waving his hands before him like shutters: for barging in were a bunch of Eigenblick adherents, their colored shirts plastered to their bodies with rain, supporting one among them who had been hurt: a spiderweb of blood over his face. They ignored Siegfried; the crowd, murmuring, let them in. The man next to Auberon stared openly and truculently at them, speaking in his mind to them in unguessable words. Someone vacated a table, upsetting a drink, and the wounded one was lowered into a chair.

They left him there to recuperate, and pushed to the bar. The man in the fedora was displaced elsewhere. A brief mood seemed to pass over Siegfried's face that he wouldn't serve them, but he thought better of it. One mounted the stool next to Auberon, a small person over whose shivering back was draped someone else's colored shirt. Another rose on tiptoe, glass raised high, and gave a toast: "To the Revelation!" Many cheered, for or against. Auberon leaned toward the person next to him and said, "What revelation?"

Excited, shivering, brushing rain from her face, she turned to Auberon. She'd got her hair cut, very short, like a boy's. "The Revelation," she said, and handed him a slip of paper. Not wanting to look away from her now that she was next to him, afraid if he looked away she would not be there when he looked back, he held the paper up to his near-blinded eyes. It said: No fault of your own.


Doesn't Matter

In fact there were two Sylvies beside him, one for each eye. He clapped a hand over one eye and said, "Long time no see."

"Yah." She looked around at her companions, smiling, still shivering, but caught up in their excitement and glory.

"So where did you get to anyway?" Auberon said. "Where've you been? By the way." He knew he was drunk, and must speak carefully and mildly so that Sylvie wouldn't see and be ashamed of him.

"Around," she said.

"I don't suppose," he said, and would have gone on to say I don't suppose if you weren't really Sylvie here now that you'd tell me so, but this was drowned out by further toasts and comings and goings, and all he said was, "I mean if you were a figment."

"What?" Sylvie said.

"I mean how've you been!" He felt his head wobbling on his neck, and stopped it. "Can I buy you a drink?" She laughed at that: drinks for Eigenblick's people were not to be bought tonight. One of her companions caught her up and kissed her. "Fall of the City!" he cried hoarsely, been shouting all day no doubt. "Fall of the City!"

"Heeeey!" she answered, a kind of agreement with his enthusiasm rather than exactly with his sentiment. She turned back to Auberon then; she lowered her eyes, she moved her hand toward him, she was about to explain everything; but no, she only picked up his drink, sipped from it (raising her eyes to him over its rim) and put it down again with a grimace of disgust.

"Gin," he said.

"Tastes like alcolado," she said.

"Well, it's not supposed to be good," he said, "only good for you," and heard in his own voice a joking Auberon-and-Sylvie tone that had been so long absent from it that it was like hearing old music, or tasting a long-untasted food. Good for you, yes, for a further thought about her figmentary nature was trying to crack his consciousness like an oyster-knife, so he drank again, beaming at her as she beamed at the merry madness that boiled around them. "How's Mr. Rich?" he said.

"He's okay." Mum, not looking at him. He wasn't to pursue such subjects. But he was desperate to know her heart.

"You've been happy, though?"

She shrugged. "Busy." A small smile. "A busy little girl."

"Well, I mean . . ." He stopped. The last dim bulb of reason in his brain showed him Silence and Circumspection, and then went out. "It doesn't matter," he said. "I've been thinking about this a lot, lately, you know, well, you could've guessed, about us and all, I mean you and me; and what I figured out is that really it's basically okay, and all right, really." She had cupped her cheek in her hand, and was looking up at him rapt yet inattentive, as she had always been at his disquisitions. "You moved on, is all, right? I mean things change, life changes; how could I complain about that? I couldn't have any argument with that." It was suddenly sweetly clear: "It's as though I were with you like in one stage of your development—like a pupa stage, or a nymph stage. But you outgrew that. Became a different person. Like a butterfly does." Yes: she had broken from the transparent shell which was the girl he had known and touched; and (as he had the empty isinglass sculptures of locusts when he was a kid) he had preserved the shell, all he had of her, all the more precious for its terrible fragility and the perfect abandonment it embodied. She meanwhile (though out of his sight and ken, imaginable only by induction) had grown wings and flown: was not only elsewhere but something else as well.

She wrinkled her nose and opened her mouth in a huh? "What stage?" she said.

"Some early stage," he said.

"What was the word, though?"

"Nymph," he said. Thunder crashed; the eye of the storm had passed; rain wept again. And was this before him then nothing but the old transparency? Or her in the flesh? It was important to get these things straight right off the bat. And how anyway could it be that her flesh was what he was most intensely left with, and was it the flesh of her soul or the soul of her flesh? "It doesn't matter, doesn't matter," he said, his voice thick with happiness and his heart awash in the gin of human kindness; he forgave her everything, in exchange for this presence, whatever it was. "Dozen madder."

"Listen, it really doesn't," she said, and raised his own glass to him before sipping it gingerly again. "Go with the flow, y'know."

"Trooty is booth, booth trooty," he said "that is all ye know on earth, and all . . ."

"I need to go," she said. "To the john."

That was the last thing he clearly remembered, that she returned from the john, though he hadn't expected her to; when he saw her returning, his heart rose as it had when she had turned to face him on the stool next to him; he forgot that he had denied her thrice, had decided to decide she had never existed; that was absurd anyway, when here she was, when in the pelting rain outside (this glimpse only he had) he could kiss her: her rain-wet flesh was as cold as any ghost's, her nipples as hard as unripe fruit, but he imagined that she warmed.


Sylvie & Bruno Concluded

There are charms that last, keeping the world long suspended in their power, and charms that do not last, that drain quickly away and leave the world as it was. Liquor is well known for not lasting.

Auberon was wrenched awake just after dawn, after a few hour of deathlike unconsciousness. He knew instantly that he should be dead, that death was his only appropriate condition, and that he was not dead. He cried out softly and hoarsely,, "No, oh God no," but oblivion was far away and even sleep had fled utterly. No: he was alive and the wretched world was around him; his staring eyeballs showed him the Folding Bedroom's crazed map of a ceiling, so many Devil's Islands in plaster. He didn't need to investigate to find that Sylvie wasn't next to him.

There was, however, someone next to him, bound up in the damp sheet (it was hot as hell already, chill sweat circled Auberon's neck and brow). And someone else was speaking to him; speaking from a corner of the Folding Bedroom, soothingly, confidentially: "Oh for a draught of vintage, that hath been Cooled a long age in the deep delved earth, Tasting of Flora and the country green . . ."

The voice came from a small red plastic radio, an antique with the word Silvertone across it in bas-relief script. Auberon had never known it to work before. The voice was black, a silky DJ's voice, black but cultured. God, they're everywhere, Auberon thought, overwhelmed with horrid strangeness, as a traveler sometimes is to find so many foreigners in other lands. "Away! Away! For I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy . . ."

Auberon climed slowly like a cripple from the bed. Who the hell was this beside him anyway. A brown shoulder big with muscle could be seen; the sheet breathed softly. Snored. Christ what have I done. He was about to draw down the sheet when it moved of its own accord, snuffling, and a shapely leg, flat-shinned, with curly dark hair, came out like a further clue; yes it was a man, that was certain. He carefully opened the door of the toilet, and took out his overcoat. He put it on over his nakedness, feeling with loathing the clammy touch of its lining against his skin. In the kitchen he opened cupboards with trembling skeleton's hands. The dusty vacuity within the cupboards was for some reason ghastly. In the last he opened there was a bottle of Doña Mariposa rum with an inch or two of amber fluid in it. His stomach turned; but he took it out. He went to the door, with a glance at the bed—his new friend still slept— and then out.

He sat on the stairs in the hallway, staring into the stairwell, the bottle in both hands. He missed Sylvie and comfort so dreadfully, with such a parched thirst, that his mouth hung open and he leaned forward as though to scream or vomit. But his eyes wouldn't yield tears. The vivifying fluids had all been drawn from him; he was a husk; the world was a husk too. And this man in the bed. He unscrewed (it took some application) the cap of the rum bottle, and, turning its accusatory label away from him, he poured fire on his sands. Darkling I listen. Keats, in smoothie blackface, slid out under the door and insinuatingly into his ear. Now more than ever seems it rich to die. Rich: he drank the last of the rum and rose, gasping and swallowing bitter spittle. To thy high requiem become a sot.

He recapped the empty bottle and left it on the stair. In the mirror hung over the pretty table at the hall's end he caught a glimpse of someone forlorn. The very word is like a bell. He looked away. He went into the Folding Bedroom, a golem, his dry clay animated briefly by rum. He could speak now. He went to the bed. The person there had thrown off his sheet. It was Sylvie, only modeled in male flesh, and no charm: this goatish boy was real. Auberon shook his shoulder. Sylvie's head rolled on the pillow. Dark eyes opened momentarily, saw Auberon, and closed again.

Auberon bent over the bed and spoke into his ear. "Who are you?" He spoke carefully and slowly. Might not understand our lingo. "What is you name?" The boy rolled over, woke, brushed his hand over his face from forehead to chin as though to magic away the resemblance to Sylvie (but it stayed) and said in a morningroughened voice, "Hey. What's happening?"

"What is your name?"

"Hey, hi. Jesus Christ." He lay back on the pillow, smacking his lips. He rubbed his knuckles in his eyes like a child. He scratched and stroked himself shamelessly, as though pleased to find himself to hand. He smiled at Auberon and said, "Bruno."

"Oh."

"You membah."

"Oh."

"We got frone outta dap bah."

"Oh. Oh."

"Boy you was drunk."

"Oh."

"Membah? You coont even . . ."

"Oh. No. No." Bruno was looking at him with easy affection, still stroking himself.

"You said Jus wait," Bruno said, and laughed. "That was you lass words, man."

"Oh yes?" He didn't remember; but he felt a weird regret, and almost laughed, and almost wept, that he had failed Sylvie when she was Sylvie. "Sorry," he said.

"Hey listen," Bruno said generously.

He wanted to move away, he knew he ought; he wanted to close his coat, which hung open. But he couldn't. If he did so, if he let this cup pass away from him, then the last dry dregs of last night's charm within it would not be licked up, and they might be all he had forever. He stared at Bruno's open face, simpler and sweeter than Sylvie's, unmarked by his passions, strong though Sylvie had always said they were. Friendly: tears, double-distilled because there was so little water within to draw on, burned the orbits of his eyes: friendly was the word to describe Bruno. "Do you," he said, "have a sister?"

"Shichess."

"You wouldn't happen to know," Auberon said, "where she is?"

"Nah." He dismissed her with an easy gesture, her own gesture translated. "Ain't seen her in munce. She gets around."

"Yes." If he could just put his hands in Bruno's hair. Just for a moment; that would be enough. And close his burning eyes. The thought made him faint, and he leaned against the headboard.

"A real mof," Bruno said. With an unself-conscious languor he disposed himself on the bed so that there would be room there for Auberon.

"A what?"

"A mof. Sylvie." Laughing, he linked his thumbs together, and with his hands made a winged creature. He made it fly a little, smiling at Auberon; and then made it, wings fluttering, summon Auberon to follow it.


How Far You Have Gone

Fled is that music.

Sure that Burno slept as his sister did, dead to the world, Auberon took no precautions to be quiet; he hauled out his belongings from chest and closet and flung them around. He unfolded his crushed green knapsack and into it put his poems and the rest of the contents of his study, his razor and his soap, and as many of his clothes as would go wadded in; he stuffed what money he could find into the pockets of it.

Gone, gone, he thought; dead, dead; empty, empty. But by no incantation could he exorcise even the palest, most illusory ghost of her from this place; and so there was only one thing to do, and that was flee. Flee. He strode from side to side of the room, looking hastily into drawers and shelves. His abused sex swung as he walked; at last he drew shorts and pants over it, but it glowed reproachfully even hidden. The deed had proved more operose than he'd expected. Oh well, oh well. Forcing a pair of socks into the knapsack's pocket he found something he had left there: something wrapped in paper. He dug it out.

It was the present he had had from Lily the day that he had left Edgewood to come to the City and seek his fortune; a small present, wrapped in white paper. Open it when you think of it, she'd said.

He looked around the Folding Bedroom. Empty. Or as empty as it would ever be. Bruno weighted the dishonored bed, and his coat of many colors hung on the velvet chair. A mouse, or a brief hallucination of one (had it already come to that? He felt that it had) sped across the floor of the kitchen and hid itself. He tore open Lily's little package.

It turned out to be a small machine of some sort. He stared at it uncomprehendingly for some time, turning it in his sticky and still-trembling fingers, before he realized what it was: it was a pedometer. The handy kind that attaches to your belt and tells you, whenever you look at it, how far you've gone.


Bottom of a Bottle

The little park was filling up.

Why had he not known that love could be like that? Why hadn't anyone told him? If he had known, he would never have embarked on it; or at least not so gladly.

Why did he, a young man of some intelligence after all, and of good family, know nothing about anything at all?

He had even been able to suppose, when he left Old Law Farm for the streets of the City foul with summer and decline, that he fled Sylvie rather than merely pursuing her farther and in even less warm directions. Drunkards, Great-aunt Cloud had used to say, drink to escape their troubles. If that was his case—and surely he had tried his best to become a drunkard—then how could it be that, not every time but often enough, he found Sylvie there, just there where Cloud said drinkers find surcease, at the bottom of a bottle?

Well: press on. Autumn was harvest, of course, the bound wheat-sheaf, the hale fruit. And faintly in the distance, cheeks puffed out and eyebrows fierce, Brother North-wind came on apace.

Was the girl who with a sickle cut the heavy-eared grain the same one who set out shoots in spring with a little trowel? And who was the oldster, huddled up on the earth piled with riches, brooding in profile? Thinking of winter . . .

In November the three of them—he, and she, and Fred Savage, his mentor in bumhood, who had begun appearing to him as often in that season as Sylvie did, though more solidly than she— rode a park bench, somewhat afloat in the darkening city, huddled up but not uncomfortable; the newspapers inside Fred Savage's overcoat crackled when he moved, though he moved only to lift brandy to his lips. They had done singing, and reciting drinker's poetry—.

You know, my friends, with what a gay Carouse

I took a Second Mortgage on my house

—and sat quiet now contemplating that fearful hour before the City's lights are lit.

"Old Man Hawk's in town," Fred Savage said.

"Wazzat?"

"Winter," Sylvie said, thrusting her hands into her armpits.

"Gonna move these bones," Fred Savage said, crackling, sipping. "Gonna move these old cold bones to Florida."

"All right," Sylvie said, as though at last somebody had said something sensible.

"Old Man Hawk is not my friend," Fred Savage said. "Price of a Greyhound to outrun that boy. Philly, Baltimore, Charleston, Atlanta, J'ville, St. Pete. Miami. Ever see a pelican?"

He hadn't. Sylvie, from ancientest childhood, summoned them up, frigates of the Caribbean evening, absurd and beautiful. "Yas yas," Fred Savage said. "Beak holds more than his belican. Tears out the feathers of his bosom, and feeds they young ones on the blood of his heart. His heart's blood. Oh Fonda."

Fred had taken the autumn off, and perhaps the rest of his life as well. He had come to Auberon's aid, in his most need to be by his side, just as he had said he would on the day when he had first guided him through the City to the offices of Petty, Smilodon & Ruth. Auberon didn't question this providence, or any other the City gave. He had thrown himself on the City's mercy, and found that, like a strict mistress, she was kind to those who submitted utterly, held nothing back. By degrees he learned to do that; he who had always been fastidious, and more fastidious than that for Sylvie's sake, grew filthy, City dirt worked itself into his fabric ineradicably, and though when drunk he would walk for blocks to find public facilities, damn few of them and dangerous too, between these spurts of scrupulosity he mocked himself for them. By autumn his knapsack was a useless rag, a cerement, and anyway had ceased to be large enough to hold a life lived on the streets; so like the rest of the secret City's epopts he carried paper shopping bags, one inside the other for strength, advertising in his degraded person many great establishments in turn.

And so he went on, hooded in gin, sleeping in streets sometimes full of riot, sometimes quiet as a necropolis, always as far as he was concerned empty. He learned from Fred and from ancients who had instructed Fred that the great days of the secret commonwealth of bums were over, the days when there were kings and wise men on Lower Broadway, the days when the City was marked with their glyphs whose code only the initiate could read, when the drunk, the gypsy, the madman and the philosopher had their ranks, as firm as deacon, sexton, priest and bishop. Of course, over. Join any enterprise, Auberon thought, and you'll find its great days are over.

He didn't need to beg. The money he extracted from Petty, Smilodon & Ruth was given him as much to rid their offices of his noisome figure as for any right he had to it—he knew that, and took to appearing there only at his most hideous, often with Fred Savage in tow—but it was enough for a drunk's few dietary needs, and the odd flop when he feared freezing to death pillowed in booze as some of his buddies' buddies had reportedly done, and for gin. He never sank to fulsome wine, he gave himself credit for that, he resisted that final degradation even though it was apparently only in the transparent fire of gin that Sylvie (like a Salamander) could sometimes appear.

His topside knee was growing cold. Why his knee should grow cold first he didn't know; neither his toes nor his nose had felt it yet. "Greyhound, huh," he said. He recrossed his legs and said, "I can raise the price." He asked Sylvie: "You want to go?"

"Sure I do," Sylvie said.

"Sure I do," said Fred.

"I was speaking to, I wasn't speaking to you just then," Auberon said.

Fred put his arm gently around Auberon's shoulder. What ghosts plagued his friends he was always careful to be kind to. "Well, sure she do," he said, his yellow eyes opening enough to gaze on Auberon in a way Auberon had never decided was predatory or kindly. "And bes' of all," he said, smiling, "she don't need a ticket."


Door into Nowhere

Of all the lapses and losses of his sodden memory, the one that troubled Auberon most later on was that he couldn't remember whether or not he had gone to Florida. The Art of Memory showed him a few ragged palms, some stucco or concrete-block buildings painted pink or turquoise, the smell of eucalyptus; but if that was all, solid and unremovable though it seemed, it might well be imagination only, or only remembered pictures. Just as vivid were his memories of Old Man Hawk on avenues as wide as wind, perched on the gloved wrists of doormen along the Park, his beard of feathers rimy and his talons sharp to grip the entrails. But he had, Somehow, not frozen to death; and surely even more than palms and jalousies, a City winter survived on the street would, he thought, stick in the memory. Well: he hadn't been paying close attention: the only thing that really engaged him were those islands where red neon signs beckoned to the wanderer (they were always red, he learned) and the endless replication of those flat bottles clear as water, in some of which, as in a box of children's cereal, there would be a prize. And the only thing he vividly recalled was how, at the end of winter, there were no more prizes. His drunkenness was empty. There were only the lees left to drink; and he drank them.

Why had he been in the bowels of the old Terminus? Had he just returned by train from the Sunshine State? Or was it chance? Seeing three of most things, a damp leg where he had pissed himself some time before, in the small hours he strode purposefully (though going nowhere; if he didn't stride purposefully he would take a header; this walking business was more complicated than most people supposed) down ramps and through catacombs. A fake nun, wimple filthy and eyes alert (Auberon had long ago realized this figure was a man) shook a begging cup at him, more in irony than expectation. He passed on. The Terminus, never silent, was as silent now as it ever was; the few travelers and the lost gave him a wide berth, though he glowered at them only to make them singular, three of each was too many. One of the virtues of drink was how it reduced life to these simple matters, which engaged all the attention; seeing, walking, raising a bottle accurately to the hole in your face. As though you were two years old again. No thoughts but simple ones. And an imaginary friend to talk to. He stopped walking; he had come up against a more-or-less solid wall; he rested and thought Lost.

A simple thought. One simple singular thought, and the rest of life and time a great flat featureless gray plain extending in all directions; consciousness a vast ball of dirty fuzz filling it to its limits, with only the hooded fire of that one thought alive within it.

"What?" he said, starting away from the wall, but no one had spoken to him. He looked around at the place where he stood: a vaulted intersection where four corridors met in a cross. He stood in a corner. The ribbed vaulting, where it joined in descending to the floor, made what seemed to be a slot or narrow opening, but which was only joined bricks; a sort of slot, which, it seemed, if you faced into it you might peer through.

"Hello?" he whispered to the darkness.

"Hello?" Nothing.

"Hello." Louder this time.

"Softer," she said.

"What?"

"Speak real soft," Sylvie said. "Don't turn around now."

"Hello. Hello."

"Hi there. Isn't this great?"

"Sylvie," he whispered.

"Just like you were right next to me."

"Yes," he said; "yes," he whispered. He pressed his consciousness forward into the darkness. It folded up closed for a moment, then opened again. "What?" he said.

"Well," she said, in a small voice, and after a darkling pause, "I think I'm going."

No, he said. No, I bet not, I bet not; why?

"Well, I lost my job, see," she whispered.

"Job?"

"With a ferry. A real old guy. He was nice. But bo-ring. Back and forth all day . . ." He felt her withdraw somewhat. "So I guess I'll go. Destiny calls," she said; she said it self-mockingly, making light of it to cheer him.

"Why?" he said.

"Whisper," she whispered.

"Why do you want to do this to me?"

"Do what, baby?"

"Well why don't you just God damn go then? Why don't you just go and leave me alone? Go go go." He stopped, and listened. Silence and vacuity. A deep horror flew over him. "Sylvie?" he said. "Can you hear me?"

"Yes."

"Where? Where are you going?"

"Well, further in," she said.

"Further in where?"

"Here."

He gripped the cold bricks to steady himself. His knees were falling back and forth from locked to loose. "Here?"

"The further in you go," she said, "the bigger it gets."

"God damn it," he said. "God damn it, Sylvie."

"It's weird here," she said. "Not what I expected. I've learned a lot, though. I guess I'll get used to it." She paused, and the silence filled the darkness. "I miss you, though."

"Oh god," he said.

"So I'll go," she said, her whisper already fainter.

"No," he said, "no no no."

"But you just said . . ."

"Oh god Sylvie," he said, and his knees gave way; he knelt heavily, still facing into the darkness. "Oh god," and he thrust his face into the nonexistent place he spoke into, and said other things, apologizing, begging abjectly, though for what he no longer knew.

"No, listen," she whispered, embarrassed. "I think you're great, really, I always did. Don't say that stuff." He was weeping now, uncomprehending, incomprehensible. "Anyway I have to," she said. Her voice was already faint and distant, and her attention turning elsewhere. "Okay. Hey, you should see all the stuff they gave me. . . . Listen, papo. Bendicion. Be good. G'bye."

Early train-takers and men come to open tawdry shops passed him later, still there, long unconscious, on his knees in the corner like a bad boy, face wedged into the door into nowhere. With the ancient courtesy or indifference of the City, no one disturbed him, though some shook their heads sadly or in disgust at him as they passed: an object-lesson.


Ahead and Behind

Tears were on his cheeks too in the little park where he sat, having salvaged this, the last of Sylvie, the living end. When he had at last awakened in the Terminus still in that position, he didn't know how or why he had come to be there; but he remembered now. The Art of Memory had given it all back to him, all, to do with what he could.

What you didn't know; what you didn't know arising, spontaneously, surprisingly, out of the proper arrangement of what you did: or rather what you knew all along but didn't know you knew. Every day here he had come closer to it; every night, lying awake at the Lost Sheep Mission, amid the hawkings and nightmares of his fellows, as he walked these paths in memory, he approached what he didn't know: the simple single lost fact. Well, he had it now. Now he saw the puzzle complete.

He was cursed: that's all.

Long ago, and he knew when though not why, a curse had been laid on him, a charm, a disfigurement that made him for good a searcher, and his searches at the same time futile. For reasons of their own (who could say what, malevolence only, possibly, probably, or for a recalcitrance in him they wanted to punish, a recalcitrance they had however not punished out of him, he would never give in) they had cursed him: they had attached his feet on backwards, without his noticing it, and then sent him out that way to search.

That had been (he knew it now) in the dark of the woods, when Lilac had gone away, and he had called after her as though his heart would break. From that moment he had been a searcher, and his searching feet pointed Somehow in the wrong direction.

He'd sought Lilac in the dark of the woods, but of course he'd lost her; he was eight years old and only growing older, though against his will; what could he expect?

He'd become a secret agent to plumb the secrets withheld from him, and for as long as he sought them, for just so long were they withheld from him.

He'd sought Sylvie, but the pathways he found, seeming always to lead to her heart, led always away. Reach toward the girl in the mirror, who looks out at you smiling, and your hand meets itself at the cold frontier of the glass.

Well: all done now. The search begun so long ago ended here. The little park his great-great-grandfather made he had remade into an emblem as complete, as fully-charged, as any trump in Great-aunt Cloud's deck or any cluttered hall in Ariel Hawksquill's memory mansions. Like those old paintings where a face is made up of a cornucopia of fruit, every wrinkle, eyelash, and throat-fold made of fruits and grains and victuals realistic enough to pluck up and eat, this park was Sylvie's face, her heart, her body. He had dismissed from his soul all the fancies, laid here all the ghosts, deposited the demons of his drunkenness and the madness he'd been born with. Somewhere, Sylvie lived, chasing her Destiny, gone for reasons of her own; he hoped she was happy. He had lifted the curse from himself, by main strength and the Art of Memory, and was free to go.

He sat.

Some sort of tree (his grandfather would have known what kind, but he didn't) was just in that week casting off its leaflike blooms or seeds, small silver-green circles that descended all over the park like a million dollars in dimes. Fortunes of them were rolled toward him by wastrel breezes, piled against his unmoving feet, filled his hat-brim and his lap, as though he were only another fixture of the park to be littered, like the bench he sat on and the pavilion he looked at.

When he did rise, heavily and feeling Somehow still inhabited, it was only to move around from Winter, which he was done with, back to Spring, where he had begun; where he now was. A year's circuit. Winter was old Father Time with sickle and hourglass, his ragged domino and beard blown by chappy winds, and a disgusted expression on his face. A lean, slavering dog or wolf was at his phthisical feet. Green coins fell across them, catching in the relief; green coins fell whispering from Auberon as he rose. He knew what Spring, just around the corner, would be; he'd been there before. There seemed suddenly little point in doing anything any more but making this circuit. Everything he needed was here.

Brother North-wind's Secret. Ten steps was all it took. If Winter comes, can Spring be far behind? He'd always thought that was put wrong. Shouldn't it be, If Winter comes can Spring be far ahead? Ahead: as you advance through the seasons, first winter comes, and then spring is not far ahead. "Right?" he said aloud to no one. Ahead, behind. It was probably he who had it wrong, who saw it from some peculiar useless personal point of view no one else shared, no one. If winter comes . . . He turned the corner of the pavilion. Can spring be far ahead, behind . . . Someone was just then turning the other corner, from Spring into Summer.

"Lilac," he said.

She glanced back at him, half gone around the corner; glanced back at him with a look he knew so well yet had for so long not seen that it made him feel faint. It was a look which said, Oh I was just going away somewhere, but you caught me, and yet it didn't mean that, was just pretty coquetry mixed with some shyness, he'd always known that. The park around him grew unreal, as though in the act of silently blowing away. Lilac turned toward him, her clasped hands swinging before her, her bare feet taking small steps. She had (of course) grown no older; she wore (of course) her blue dress. "Hi," she said, and brushed her hair away from her face with a quick motion.

"Lilac," he said.

She cleared her throat (long time since she'd spoken) and said, "Auberon. Don't you think it's time for you to go home?"

"Home," he said.

She took a step toward him, or he one toward her; he held out his hands to her, or she hers toward him. "Lilac," he said. "How do you come to be here?"

"Here?"

"Where did you go," he said, "that time you went?"

"Go?"

"Please," he said. "Please."

"I've been here all the time," she said, smiling. "Silly. It's you who've been in motion."

A curse; only a curse. No fault of your own.

"All right," he said, "all right," and took Lilac's hands, and lifted her up, or tried to, but that wouldn't work; so he linked his hands like a stirrup, and bent down, and she put her small hare foot into his hands, and her hands on his shoulders, and so he hoisted her up.

"Kind of crowded in here," she said as she made her way within. "Who are all these people?"

"Doesn't matter, doesn't matter," he said.

"Now," she said, settled in, her voice already faint, more his than hers, as it had always been, after all, after all; "nowwhere do we go?

He drew out the key the old woman had given him. It was necessary to unlock the wrought-iron gate in order to leave, just as it was in order to enter. "Home, I guess," Auberon said. Little girls playing jacks and plucking dandelions along the path looked up to watch him talk to himself. "I guess, home."