Little, Big

III.

One thought, one grace, one wonder at the least

Which unto words no virtue can digest

—Marlowe, Tamburlaine

The house Auberon grew up in wasn't quite the same house his mother had grown up in. As Smoky and Daily Alice had come into possession, the natural directors of a household composed of their children and Alice's parents, the reins of an old orderliness were loosened. Daily Alice liked cats, as her mother hadn't, and as Auberon grew up the number of cats in the house grew by geometrical progression. They lay in heaps before the fireplaces, their airborne down coated the furniture and the rugs as though with a dry and permanent hoarfrost, their self-possessed small demon faces looked out at Auberon from the oddest places. There was a calico tiger whose striped pelt made fierce false eyebrows above her eyes, two blacks or three, a white with discrete and complex black patches, like a melting chessboard. On cold nights Auberon would awake oppressed, toss within his bedclothes, and displace two or three compact dense bodies out of a deep enjoyment.


Lilacs and Fireflies

Besides cats, there was the dog Spark. He was descended from a long line of dogs who all looked (so Smoky said) like natural sons of Buster Keaton: light patches above Spark's eyes gave him the same faintly reproachful, enormously alert, long-nosed face. Spark when fabulously aged impregnated a visiting cousin and fathered three anonymous dogs and another Spark; his lineage assured, he curled up in Doc's favorite chair before the fire for the rest of his life.

It wasn't only the animals (and Doc expressed himself clearly enough without ever speaking about his dislike for pets) that pushed Doc and Mom aside. Itwas as though, while losing no dignity or place, they were being silently sailed into the past on a quick and heaping tide of toys, cookie crumbs, birds' nests, diapers, Band-aids and bunk beds. Mom, since her daughter was a mom too, became Mom Drinkwater, then Mom D., then Momdy, which she couldn't help feeling was an uncomfortable kind of kicking-upstairs for one who had always served hard and well below. And Somehow over the years the many clocks in the house began to chime unsynchronized, though Doc, usually with one or two children around his knees, used to set them and wind them and peer at their mechanisms often.

The house itself aged, gracefully on the whole and still sound at heart, but sagging here and loosening there; its maintenance was a huge job and never done. At its perimeters, rooms had to be closed off: a tower, an extravagance, a glass orangery whose barley-sugar panes lay scattered amid the flower-pots, fallen square by diamond out of the icing of white wrought iron into which John Drinkwater had puttied them. Of the many gardens and flowerbeds around the place, the kitchen-garden's was the slowest downfall and the longest decadence. Though whitewash flaked from the pretty cutout porch and the grape-leaves strangled up the ogee arches, though the steps sagged and the flagstone path disappeared under dock and dandelion muscling up through its crevices, still for as long as she was able Great-aunt Cloud tended the flowerbeds and they brought forth blossoms. Three crabapple trees had grown up at the garden's end, grown old and hale and gnarled; every autumn they scattered their hard fruit on the ground to inebriate the wasps as it rotted. Momdy made jelly of a fraction of it. Later on, when he became a collector of words, the word "crabbed" would bring to Auberon's mind those puckered orange apples withering in their useless sourness amid the weeds.

Auberon grew up in the kitchen-garden. When at last the spring came when Cloud decided that trying to keep up the garden, her back and legs being as they were, and failing would be more painful than letting it go altogether, then Auberon liked it better: now the flower beds weren't forbidden him. And as it was abandoned, the garden and its buildings took on some of the attractions of a ruin: the tools in the earth-smelling potting shed were dusty and remote, and spiders spun webs across the openings of watering cans, giving them the fabulous antiquity of casques in a buried hoard. The pump house had always had for him this quality of the remote, the barbaric, with its useless tiny windows and peaked roof and miniature eaves and cornices. It was a heathen shrine, and the iron pump was the long-crested, great-tongued idol. He would stand on tiptoe to raise the pump-handle, raise it and lower it with all his strength while the idol choked hoarsely, until there came a catch in its throat as the handle met some mysterious resistance, and he must pull himself almost off his feet to draw it down, and again, and then with a magical sudden ease and release the water would sluice down the pump's broad tongue and splash in a continuous smooth clear sheet onto the worn stones.

The garden was huge then to him. Seen from the vast, slightly undulating deck of the porch it went on great as a seascape to the crabapples and then broke in a high surf of overgrown flowers and indomitable weed against the stone wall and the X-gate forever shut in it which led into the Park. It was a sea and a jungle. He alone knew what had become of the flagstone path, because he could go on all fours beneath the overarching leaves where it ran secretly, its stones as cool and gray and smooth as water.

At evening there were fireflies. He was always surprised by them, how one moment there seemed to be none, and then, when evening turned blue and he looked up from some absorbing thing— the making inch by inch of a molehill maybe—they would be alight in the velvet darkness. There was an evening when he decided to sit on the porch as day turned to night, sit and watch only and nothing else, and catch the first one to light itself, and the next and the next: for the sake of some completeness he hankered after—would always hanker after.

The porch steps were that summer just throne height to him, and so he sat, sneakered feet planted firmly, not so rigidly attentive that he didn't look up at the phoebe's nest modeled neatly in the porch rafters, or at the silver pen-stroke of an unseen jet's smoke; he even sang, without a tune, the words a meaningless onomatopoeia of the fading twilight. All the while he kept watch; yet in the end it was Lilac who saw the first firefly.

"There," she said, in her little gravelly voice; and off amid the jungle of the ferns the light did go on, as though created by her pointing finger. When the next lit, she pointed with a toe.

Lilac wore no shoes, she never did, not even in winter, only a pale blue dress without sleeves or a belt that came midway down her satiny thighs. When he told his mother so, she asked didn't Lilac ever get cold, and he couldn't answer; apparently not, she never shivered, it was as though with the blue dress on she was complete, whole, needed no further protection; her dress, unlike his flannel shirts, was part of her, and not put on to cover or disguise.

The whole nation of the fireflies was coming into being. Whenever Lilac pointed and said "there" another one, or many, lit their pale candles, whitey-green like the phosphorescent tip of the light pull in his mother's closet. When they were all present, the only clarity in a garden grown vague and colorless and massy, Lilac circled her finger in the air and the fireflies began to gather, slowly, by jumps, as though reluctant, in the middle of the air whore Lilac pointed; and when they had gathered they began to wheel there, at the direction of Lilac's finger, a twinkling circle, a solemn pavane. He could almost hear the music.

"Lilac made the fireflies dance," he told his mother when at length he came in from the garden. He circled his finger in the air as Lilac had and made a hum.

"Dance?" His mother said. "Don't you think it's time for you to go to bed?"

"Lilac stays up," he said, not comparing himself to her— there were no rules for her—but only associating himself with her: even though he had to go to bed, wrongly, when blue light still suffused the sky and not all the birds were yet asleep, still he knew someone who did not; who would sit up in the garden deep into the night as he lay dreaming, or walk in the Park and see the bats, and never sleep at all if she so chose.

"Ask Sophie to turn on your bath," his mother said. "Tell her I'll be up in a minute."

He stood looking up at her a moment, considering whether to protest. Bathing was another thing Lilac never did, though often she sat on the edge of the tub, studying him, aloof and immaculate. His father rattled his paper and made a noise in his 'throat, and Auberon went out of the kitchen, a good little soldier.

Smoky put down his paper. Daily Alice had fallen silent at the sink, the dishclout in her hand, her eyes elsewhere.

"A lot of kids have imaginary friends," Smoky said. "Or brothers or sisters."

"Lilac," Alice said. She sighed and picked up a cup; she looked at the tea leaves in it as though to divine from them.


That's a Secret

Sophie allowed him a duck. It was often easier to earn such favors from her, not because she was necessarily more kindly but because she was less alert than his mother, and seemed not always to be paying much attention. When he was neck-deep in the Gothic bathtub (large enough almost for him to swim in) she unwrapped a duck from its tissue. He could see that there were five still left in the compartmented box.

The ducks were made of Castile soap, Cloud said who had bought them for him, and that's why they float. Castile soap, she said, is very pure, and doesn't sting your eyes. The ducks were neatly carved, of a pale lemon yellow which did seem very pure to him, and of a smoothness that inspired a nameless emotion in him, something between reverence and deep sensual pleasure.

"Time to start washing," Sophie said. He set the duck afloat, brooding on an unrealizable dream: to set all the pale yellow ducks afloat at once, without regard, flotilla of supernal smooth carven purity. "Lilac made the fireflies dance," he said.

"Oh? Wash behind your ears."

Why, he wondered or rather did not quite wonder, was he always told to do something or other whenever he mentioned Lilac? Once his mother had suggested to him that it might be better not to say too much about Lilac to Sophie, because it might make her feel bad; but he thought it enough if he was careful to make the distinction: "Not your Lilac."

"No."

"Your Lilac is gone."

"Yes."

"Before I was born."

"That's right."

Lilac, sitting on the episcopal toilet seat, only looked from one to the other, seemingly unmoved, as though none of this concerned her. There was a host of questions Auberon had about the two Lilacs—or was it three?—and every time Sophie's came to his mind a new question budded on the complex bush. But he knew there were secrets he would not be told: only as he grew older would he come to resent that.

"Betsy Bird's getting married," he said. "Again."

"How do you know that?"

"Tacey said so. Lily said she's going to marry Jerry Thome. Lucy said she's going to have a baby. Already." He mimicked the intrigued, faintly censorious tone his sisters took.

"Well. First I've heard of it," Sophie said. "Out you come."

With reluctance he abandoned the duck. Already its sharply-incised features had begun to soften; in future baths it would grow eyeless, then featureless; its broad beak would dwindle to a sparrow's, then gone; then headless (he would be careful not to break its increasingly skinny neck, not wanting to interfere in its dissolution); at last shapeless, not a duck any more, a duck's heart only, still pure, still floating.

She toweled him roughly, yawning. Her bedtime was often as not before his. Unlikehis mother, she usually left wet spots, on the backs of his arms, his ankles. "Why don't you ever get married?" he asked. This would solve one of the difficulties about one of the Lilacs.

"Nobody ever asked me."

This wasn't true. "Rudy Flood asked you. When his wife died."

"I wasn't in love with Rudy. Where did you hear that, anyway?"

"Tacey told me. Were you ever in love?"

"Once."

"With who?"

"That's a secret."


Books and a Battle

It wasn't until Auberon was past seven years old that his Lilac went away, though long before that he stopped mentioning her existence to anyone. When he was grown up he would sometimes wonder if most children who have imaginary friends have them for longer than they admit. After a child has stopped insisting that a place be set for his friend at dinner, that people not sit in chairs his friend is sitting in, does he usually go on having some intercourse with him? And does the usual imaginary friend fade only slowly, lingering on more and more spectrally as the real world becomes realer, or is it usually the case that on one specific day he disappears, never to be seen again—as Lilac did? The people he questioned said they remembered nothing about it at all. But Auberon thought they might still be harboring the old small ghosts, perhaps ashamed. Why after all should he alone remember so vividly?

That one specific day was a June day, as clear as water, summer fully clothed, the day of the picnic: the day Auberon grew up.

The morning he spent in the library, stretched out along the chesterfield, the leather cool against the backs of his legs. He was reading: or anyway holding a heavy book on his chest and looking at lines of dense print one by one. There had never been a time when Auberon hadn't loved reading; the passion had begun long before he could actually read, when he would sit with his father or his sister Tacey by the fire, feet up, turning when they turned the incomprehensible pages of a big picture-poor volume and feeling inexpressibly cozy and at peace. Learning to decipher words had only added to the pleasures of holding spines and turning pages, measuring the journey to the end with a thumb-riffle, poring over frontispieces. Books! Opening with a crackle of old glue, releasing perfume; closing with a solid thump. He liked them big; he liked them old; he liked them best in many volumes, like the thirteen on a low shelf, golden-brown, obscure, of Gregorovius's Medieval Rome. Those— the big ones, the old ones—held secrets by their very nature; because of his years, though the paragraphs and chapters passed each under his scrutiny (he was no skimmer), he couldn't quite get at those secrets, prove the book to be (as most books after all are) dull, dated, stupid. They kept their magic, mostly. And there were always more on the burdened shelves, the occult volumes John Drinkwater collected no less compelling to his great-great-grandson than the multivolume stuff he had bought by the yard to fill up the shelves. The one he held at the moment was the last edition of John Drinkwater's Architecture of Country Houses. Lilac, bored, flitted from corner to corner of the library, taking poses, as though playing Statue Tag with herself.

"Hey," Smoky said through the open double doors. "What are you doing frowsting in here?" The word was Cloud's. "Have you been outside? What a day." He got no response but a slowly turned page. From where he stood Smoky saw only the back of his son's cropped head (Smoky's own haircutting) with two pronounced tendons, a vulnerable hollow between them; and the top of the book; and two crossed big-sneakered feet. He didn't have to look to know Auberon wore a flannel shirt buttoned at the wrists—he never wore any other kind, or unbuttoned the wrists, no matter how hot the weather. He felt a kind of impatient pity for the boy. "Hey," he said again.

"Dad," Auberon said, "is this book true?"

"What book is that?"

Auberon held it up, waggling it to show the covers. Smoky felt a dense rush of feeling: it had been a day like this one— perhaps this very day of the year, yes—on which long ago he had opened that book. He hadn't looked at it since. But he knew its contents very much better now. "Well, 'true'," he said, " 'true', I don't know exactly what you mean by 'true'." Each time he said it the invisible doubt-quotes around the word became clearer. "Your great-great-grandfather wrote it, you know," he said, coming to sit on the end of the sofa. "With some help from your great-great-grandmother—and your great-great-great grandfather."

"Hm." This didn't intrigue Auberon. He read: "'There, is a realm by definition precisely as large as. this one, which should not be—'" he stumbled "'—reducible by any expansion, or enlargeable by any contraction, of this one, Here; and yet it must be that inroads have been made on that kingdome of late, that what are called by us Progress, and the growth of Commerce, and the enlargement of the bounds of Reason, have caused a flight further within their borders of that people; so that (though they have—by the nature of things must have—infinite room in which to retreat) their ancient holdings have been reduced by much. Are they angry at this? We cannot tell. Do they plan revenge? Or are they, like the Red Indian, like the African savage, now so debilitated, made so spiritless, so reduced in number, that they will at last be—'" another hard one "'—extirpated entirely; not because they have nowhere left to flee, but because the losses, both of place and sovereignity, which our rapacity has inflicted on them are griefs too great to be borne? We cannot tell; not yet . . .'"

"What a sentence," Smoky said. Three mystics talking at once made for a thickish prose.

Auberon lowered the book from before his face. "Is it so?" he said.

"Well," Smoky said, feeling the trapped embarrassment of a parent before a child demanding to be told the facts of sex or death, "I don't know, really. I don't know if I really understand it. Anyway, I'm not the one to ask about it . . . ."

"But is it made up," Auberon insisted. A simple question.

"No," Smoky said. "No, but there are things in the world that aren't made up but which aren't exactly true either, not true like the sky is up and the ground is down, and two and two make four, things like that . . . ." The boy's eyes regarding him took no comfort from this casuistry, Smoky could see that. "Listen, why don't you ask your mother or Aunt Cloud? They know a lot more about that stuff than I do." He grasped Auberon's ankle. "Hey. You know the big picnic's today."

"What's this?" Auberon said, having discovered the chart or map on onion-skin paper tipped into the back of the book. He began to unfold it—turning it wrongly at first so that an old fold tore—and just for a moment Smoky saw into his son's consciousness: saw the expectation of revelations which any chart or diagram promises, and this one more than any; saw the greed for clarity and knowledge; saw the apprehension (in all senses) of the strange, the heretofore-hidden, the about-to-be-seen.

Auberon at last had to climb off the couch and put the book down on the floor in order to open the chart fully out. It crackled like a fire. Time had punched tiny holes in it where folds crossed one another. To Smoky it looked far older and fainter than it had looked fifteen or sixteen years ago when he had first seen it, and burdened with figures and features he didn't remember, complex as it had then seemed to him. But it was (it must he) the same. As he came to kneel beside his son (who was already intently studying it, eyes alight and fingers tracing lines) he saw that he could understand it no better now, though in the intervening years he had learned (had he learned anything else? Oh, much) how best to go about not understanding it.

"I think I know what this is," Auberon said.

"Oh yes?" Smoky said.

"It's a battle."

"Hm."

In old history books Auberon had studied the maps: the oblong blocks labeled with little flags, disposed across a zebra landscape of topographical lines; gray blocks facing a roughly symmetrical disposition of black blocks (the bad guys). And on another page the same landscape hours later: some of the blocks bent aside, penetrated by the opposing blocks, pierced by the broad-arrow of their advance; others reversed entirely and following the broad-arrow of a retreat; and the diagonally-striped blocks of some belated ally appearing on one side. The great pale chart on the library floor was harder to figure out than those; it was as though the entire course of an immense battle (Positions at Dawn; Positions at 2:30 PM; Positions at Sunset) had been expressed here all at once, retreats superimposed on advances and orderly ranks on broken ones. And the topographical lines not squiggled and bent along the rises and declivities of any battleground but regular, and crossing: so many geometries, subtly altering each other as they interlaced, that the whole shimmered like moire silk and led the eye into mazes of false appraisal: Is this line straight? Is this one curved? Are these nested circles, or a continuous spiral?

"There's a legend," Smoky said, feeling weary.

There was. There were also, Auberon saw, blocks of minute type placed explanatorily here and there (lost allies' regiments), and the hieroglyphs of the planets, and a compass rose, though not of directions, and a scale, though not of miles. The legend said that the thick lines bounded Here, and the thin lines There. But there was no way to be sure which lines on the chart were truly thick, which thin. Below the legend, in italic type underscored to emphasize its importance, was this note: "Circumference = nowhere; center point = everywhere."

In deep difficulties, and in what suddenly seemed like danger as well, Auberon looked up at his father. He seemed to see in Smoky's face and downcast eyes (and it was this face of Smoky's that in after years Auberon would most often see when he dreamt of him) a sad resignation, a kind of disappointment, as though he would say, "Well, I tried to tell you; tried to keep you from going this far, tried to warn you; but you're free, and I don't object, only now you know, now you see, now the milk's spilt and the eggs broken, and it's partly my fault and mostly yours."

"What," Auberon said, feeling a thickness in his throat, "what . . . what is . . ." He had to swallow, and found himself then with nothing to say. The chart seemed to make a noise over which he couldn't hear his own thoughts. Smoky gripped his shoulder and rose.

"Well, listen," he said. Perhaps Auberon had mistaken his expression: as he stood and brushed rug lint from his trouserknees he looked only bored, perhaps, probably. "I really really don't think this is the day for this, you know? I mean come on. The picnic's on." He thrust his hands in his pockets and bent slightly over his son, taking a different air: "Now maybe you don't feel terrifically enthusiastic about that, but I think your mother would appreciate a little help, getting things ready. Do you want to go in the car, or bike?"

"Car," Auberon said, still looking down, not sure whether he was glad or the reverse that though for a moment, just a moment, his father and he had seemed to venture into strange lands together, they now resumed their distant relations. He waited for his father's eyes (which he could feel on the back of his head) to turn away, and for his father's footsteps to sound on the parquet outside the library, before he looked up from the chart (or map) which had grown less compelling though no less confusing, like an answerless riddle. He folded it up again, closed the book, and instead of replacing it in the glass-fronted case with its forebears and cousins, he secreted it beneath the chintz skirts of a plump armchair, where he could retrieve it later.

"But if it's a battle," he said, "which side is which?"

"If it's a battle," Lilac said, crosslegged in the armchair.


The Old Geography

Tacey had gone on ahead to the place that for some time had been decided on as this year's picnic grounds, flying down old roads and new paths on her well-kept bike, pursued by Tony Buck for whom she'd begged a guest's place. Lily and Lucy were coming from another direction, from a morning visit of some importance which Tacey had sent them on. So in the aged station wagon were Alice, at the wheel; Great-aunt Cloud, beside her, and Smoky at the door; in the back Doc and Momdy and Sophie; and yet further back, legs crossed, Auberon, and the dog Spark, who had the habit of pacing back and forth endlessly when the car was in motion (unable to accept, perhaps, scenery flying by his face while his legs did nothing). There was room also for Lilac, who took up none.

"Scarlet tanager," Auberon said to Doc.

"No, a redstart," Doc said.

"Black, with a red . . ."

"No," Doc said, raising a forefinger, "the tanager is all red, with a black wing. Redstart is mostly black, with red patches. . ." he patted his own breast pockets.

The station wagon jounced, squeaking protests from every joint, over the roundabout rutted road that led to their chosen site. Daily Alice claimed it was only Spark's back-and-forth that kept this antiquity in motion at all (as Spark himself also believed), and for certain it had done service in recent years that would have affronted most vehicles its age into silence and immobility. Its wooden sides were as gray as driftwood and its leather seats as wrinkled with fine wrinkles as Aunt Cloud's face, but its heart was still strong, and Alice had learned its little ways from her father, who knew them (despite what George Mouse thought) as well as he knew the habits of redstarts and red squirrels. She'd had to learn, in order to do the Brobignagian grocery-shoppings her growing family required. No more semi-monthly shopping lists. These had been the days of sixlegged chickens, of cases of this and dozens of that, of giant economy sizes, of ten-pound boxes of Drudge detergent and magnums of oil and jereboams of milk. The station wagon lugged it all, over and over, and bore it about as patiently as Alice herself did.

"Do you think, dear," Momdy said, "you ought to go much further? Will you be able to get out?"

"Oh, I think we can go a ways yet," Alice said. It was mostly for Momdy's arthritis and Cloud's old legs that they drove at all. In former days . . . They passed over a rut, and everyone but Spark was lifted somewhat off his seat; they entered a sea of leaf shadow; Alice slowed, almost able to feel the gentle strokings of the shadows over the hood and the top of the car; she forgot about former days in a sweet accession of summer happiness. The first cicada any of them had heard sang its semi-tune. Alice let the car drift to a halt. Spark stopped pacing.

"Can you walk from here, ma?" she asked.

"Oh, sure."

"Cloud?"

There was no answer. They were all silenced by the silence and the green.

"What? Oh, yes," Cloud said. "Auberon'll help me. I'll bring up the rear." Auberon chortled, and so did Cloud.

"Isn't this," Smoky said when they were on foot in twos and threes down the dirt road, "isn't this a road," he shifted his grip on the handle of the wicker basket he carried with Alice, "didn't we come along this road when . . ."

"Yes," Alice said. She glanced sidewise at him with a smile. "That's right." She squeezed her handle of the wicker basket as though it was his hand.

"I thought so," he said. The trees that stood up on the slopes above the gully of the road had grown perceptibly, had become even more noble and huge with arboreal wisdom, more thickly barked, more cloaked in serious garments of ivy; the road, long closed, had fallen into desuetude and was filling up with their offspring. "Around here somewhere," he said, "was a shortcut to the Woods'."

"Yup. We took it."

The Gladstone bag he shared with Alice drew down his left shoulder and made walking difficult. "That shortcut's gone now, I guess," he said. Gladstone bag? It was a wicker basket, the same that Momdy had once packed their wedding breakfast in.

"Nobody to keep it open," Alice said, glancing back at her father, and seeing him glance toward those same woods, "no need to." Both Amy Woods and her husband Chris were ten years dead in this summer.

"It's amazing to me," Smoky said, "how little of this geography I can keep straight."

"Mmm," said Alice.

"I had no idea this road ran here."

"Well," she said, "maybe it doesn't."

One hand around Auberon's shoulder, the other on a heavy cane, Cloud placed her feet carefully among the stones of the road. She had developed a habit of making a small constant chewing motion with her lips, which if she thought anyone noticed, would have embarrassed her greatly, and so she had convinced herself no one noticed it (since she couldn't help making it), though in fact everyone did. "Good of you to struggle with your old aunt," she said.

"Aunt Cloud," Auberon said, "that book your father and mother wrote—was that your father and mother who wrote it?"

"Which book is that, dear?"

"About architecture, only it's not, mostly."

"I thought," Cloud said, "that those books were locked up with a little key."

"Well," Auberon said, ignoring this, "is all that it says, true?"

"All what?"

It was impossible to say all what. "There's a plan in the back. Is it a plan of a battle?"

"Well! I never thought it was. A battle! Do you think so?"

Her surprise made him less sure. "What did you think it was?"

"I can't say."

He waited for at least an opinion, a stab, but she made none, only chewed and toiled along; he was left to interpret her remark to mean not that she was unable to say, but Somehow forbidden. "Is it a secret?"

"A secret! Hm." Again her surprise, as though she had never given these matters the least thought before. "A secret, you think? Well, well, perhaps that's just what it is. . . . My, they are getting on ahead, aren't they?"

Auberon gave it up. The old lady's hand was heavy on his shoulder. Beyond, where the road rose and then fell away, the towering trees framed a silver-green landscape; they seemed to bend toward it, exhibit it with leafy hands extended, offering it to the walkers. Auberon and Cloud watched the others top the rise and pass through the portals into that place, enter into sunlight, look around themselves, and, walking downwards, disappear.


Hills and Dales

"When I was a girl," Momdy said, "we used to go back and forth quite a bit."

The checkered tablecloth around which they were all disposed had been spread in the sun but was now in the shade of the great solitary maple by which they had camped. Great damage had been inflicted on the ham and the fried chicken and a chocolate cake; two bottles lay fallen, and a third canted over, nearly done for. A flying squadron of black ants had just reached the outskirts of the field, and were relaying the message back: great good luck.

"The Hills and the Dales," Momdy said, "always had connections with the City. Hill is my mother's name, you know," she said to Smoky, who did. "Oh, it was fun in the thirties, taking the train in; having lunch; going to see our Hill cousins. Now the Hills hadn't always lived in the City. . . ."

"Are these the Hills," Sophie asked from beneath the straw hat she had tilted over her face against the generous sun, "that are still up in Highland?"

"That's a branch," Momdy said. "My Hills never had much to do with the Highland Hills. The story is . . ."

"The story is long," Doc said. He lifted his wineglass to the sun (he always insisted on real glasses and silverware at picnics, the out-of-doors luxury of them made a picnic a feast) and watched the sun caught in it. "And the Highland Hills get the best of it."

"Not so," Momdy said. "How do you know what story the story is?"

"A little bird told me," Doc said, chuckling, indulging himself. He stretched out, back against the maple, and pulled his panama (as old almost as himself) into snooze position. Momdy's reminiscences had in recent years got longer, more rambling and repetitious, as her ears had got deafer; but she never minded being apprised of it. She went right on.

"The Hills in the City," she said to all of them, "were really very splendid. Of course back then it was nothing to have a servant or two, but they had flocks. Nice Irish girls. Marys and Bridgets and Kathleens. They had such stories. Well. The City Hills more or less died out. Some of them went out west, to the Rockies. Except one girl about Nora's age then who married a Mr. Townes, and they stayed. That was a wonderful wedding. The first where I cried. She wasn't beautiful, and she was no spring chicken; and she already had a daughter by a previous husband, what was his name, who hadn't lasted, so this Townes man—what was his first name— was quite a catch, oh dear you can't talk that way nowadays can you; and all those maids lined up in their starched outfits, congratulations, missus, congratulytions. Her family was so happy for her . . ."

"All the Hills," Smoky said, "danced for joy."

". . . and it was their daughter or rather her daughter, Phyllis, you see, who later on, about the time I got married, met Stanley Mouse, which is how that family and my family get connected in a roundabout way. Phyllis. Who was a Hill on her mother's side. George and Franz's mother."

"Parturient montes," Smoky quipped into the void, "et nascetur ridiculus mus."

Momdy nodded thoughtfully. "Ireland in those days was a dreadfully poor place, of course . . . ."

"Ireland?" Doc said, looking up. "How did we get to Ireland?"

"One of those girls, Bridget I think," Momdy said, turning to her husband, "was it Bridget, or Mary? later married Jack Hill when his wife died. Now his wife . . ."

Smoky quietly rolled away from her discourse. Neither Doc nor Great-aunt Cloud were truly listening either, but as long as they stayed in more or less attentive poses, Momdy wouldn't notice his defection. Auberon sat cross-legged apart from them, preoccupied (Smoky wondered if he had ever seen him otherwise occupied) and tossing an apple up and down in his hand. He was looking sharply at Smoky, and Smoky wondered if he meant to shy the apple at him. Smoky smiled, thought of a joke to make, but since Auberon's expression didn't change he decided against it, and, standing up, changed his place again. (In fact Auberon hadn't been looking at him at all; Lilac sat between him and his father, blocking his view of Smoky, and it was her face he looked at: she wore a peculiar expression, he would have called it sad since he had no better word, and he wondered what it meant.)

He sat down next to Daily Alice. She lay with her head pillowed on a hummock and her fingers interlaced over a full tummy. Smoky drew a sedge from its squeaking new casing and bit down on the pale sweetness. "Can I ask you something?" he said.

"What." She didn't quite open her sleepy eyes.

"When we got married," he said, "that day, you remember?"

"Mm-hm." She smiled.

"When we were going around, and meeting people. They gave us some presents."

"Mm-hm."

"And a lot of them, when they gave us things, said 'Thank you.'" The sedge's green ear bounced in rhythm to his speech; he could see it. "What I wondered was, why they said 'Thank you' to us, instead of us saying 'Thank you' to them."

"We said 'Thank you.'"

"But why did they? That's what I mean."

"Well," she said, and thought. He had asked so few things over the years that when he did ask something she thought hard how to answer him, so that he wouldn't brood. Not that he tended to brood. She often wondered why he didn't. "Because," she said, "the marriage had been promised, sort of."

"Yeah? So?"

"Well, they were glad that you'd come. And that the promise had come out like it had been promised."

"Oh."

"So that everything would go on like it was supposed to, You didn't have to, after all." She put a hand on his. "You didn't have to."

"I didn't see it that way," Smoky said. He thought. "Why would they care so much what was promised? If it was promised to you."

"Well, you know. A lot of them are relatives, sort of. Part of the family, really. Though you're not supposed to say it. I mean they're Daddy's half-brothers or sisters, or their kids. Or their kids' kids."

"Oh yes."

"August."

"Oh yes."

"So. They had an interest."

"Mm." It wasn't precisely the answer he'd been looking for; but Daily Alice said it as though it were.

"It gets very thick around here," she said.

"Blood's thicker than water," Smoky said, though that had always seemed to him among the dumber proverbs. Of course blood was thicker; so what? Who was ever connected by this water that blood was supposed to be thicker than?

"Tangled," Alice said, her eyes drifting closed. "Lilac, for instance." A lot of wine and sun, Smoky thought, or she wouldn't have let that name fall so casually. "A double dose; a double cousin, sort of. Cousin to herself."

"How do you mean?"

"Well, you know, cousins of cousins."

"I don't," Smoky said, puzzled. "You mean by marriage?"

"What?" She opened her eyes. "Oh! No. No, of course not. You're right. No." Her eyes closed again. "Forget it."

He looked down at her. He thought: follow one hare, and for sure you'll start another; and while you watch that one scamper out of sight, the first one gets away, too. Forget it. He could do that. He stretched himself beside her, propping his head on one arm; they were posed like lovers then, head to head nearly, he above looking down, she basking in his regard. They had married young; they were still young. Only old in love. There was a tune: he raised his eyes. On a rock not quite out of earshot, Tacey sat playing her recorder; now and then she stopped to remember notes, and to brush from her face a long curl of blond hair. At her feet Tony Buck sat, with the transfigured look of a convert to some just-revealed religion, unaware that Lily and Lucy a ways off whispered about him, unaware of anything but Tacey. Should girls as skinny as Tacey, Smoky wondered, and with legs as long, wear shorts that short and tight? Her bare toes, already sun-browned, kept the rhythm. Green grow the rushes-o. And all the hills around them danced.


A Getaway Look

Doc meanwhile had also drifted away from his wife's discourse, leaving her only Sophie (who was asleep) and Great-aunt Cloud (who was also asleep, though Momdy didn't know it). Doc went with Auberon following the toiling caravan of ants bearing goodies to their hill: a good big new one, when they found it.

"Stocks, supplies, inventory," Doc translated, a look of quiet absorption in his face and his ear cocked to the little city. "Watch your step, watch your back. Routes, work-loads, chain of command, upper echelons, front-office gossip; drop it, forget it, circular file, pass the buck, wander off, let George do it; back in line, the old salt mines, in harness, in and out, lost and found. Directives, guidelines, grapevine, schedules, check in, knock off, out sick. Much the same." He chuckled. "Much the same."

Auberon, hands on his knees, watched the miniature armored vehicles (driver and vehicle in one, and radio antenna too) tumble in and out. He imagined the congress within: endless busyness in the dark. Then he half-saw something, as though there were a darkness or a brightness in the corner of his vision, gathering until it was large enough for him to notice. He looked up and around.

What he had seen or noticed was not something, but something missing. Lilac was gone.

"Now up, or down, at the Queen's, that's very different," Doc said.

"Yeah, I see," Auberon said, looking around. Where? Where was she? Though there were often long periods when he didn't exactly notice her presence, he had always been aware of her, had always sensed she was there by him somewhere. Now she was gone.

"This is very interesting," Doc said.

Auberon caught sight of her, down the hill, just going around a group of trees antechamber to the woods. She looked back for a moment, and (seeing that he saw her) hurried out of sight. "Yes," Auberon said, sidling away.

"Up at the Queen's," Doc said. "What is it?"

"Yes," Auberon said, and ran, racing toward the place where Lilac had disappeared, apprehension in his heart.

He didn't see her when he entered that stand of trees. He had no idea which way to follow further, and a panic seized him: that look she had given him as she turned away into the woods had been a getaway look. He heard his grandfather's voice calling him. He stepped carefully. The beechwood he stood in, smooth-floored and regular as a pillared hall, showed him a dozen vistas down which she could have fled. . . .

He saw her. She stepped out from behind a tree, quite calmly, she even had what appeared to be a bunch of dog-tooth violets in her hand, and seemed to be looking around herself for more. She didn't look back at him, and he stood confused, knowing deeply that she had run away from him, though she didn't look now like she had, and then she was gone again, she'd tricked him with the bouquet into standing still one moment too long. He raced to the place she'd disappeared, knowing even as he ran that she was gone for goodnow, but calling: "Don't go, Lilac!"

The woods into which she had escaped were various, dense and briary, dark as a church, and showed him no prospects. He plunged in blindly, stumbling, torn at. Very quickly he found himself deeper in The Wood than he had ever been, as though he had shot through a door without noticing that it opened on a flight of cellar stairs to pitch him headlong down. "Don't," he called out, lost. "Don't go." An imperious voice, such as he had never used to her before, such as he had never had to, such as she could not conceivably have refused. But nothing answered him. "Don't go," he said again, not imperiously, afraid in the dark of the wood and more bereft more suddenly than his young soul could have conceived possible. "Don't go. Please, Lilac. Don't go, you're the only secret I ever had!"

Gigantic, aloof, not much disturbed but quite interested, old ones looked down like trees at the small one who had so suddenly and fiercely come in among them. Hands spread on their enormous knees, they considered him, insofar as they could consider someone or something so minute. One put his finger to his lips; silently they watched him stumble amid their toes; they cupped huge hands behind their ears, and with eavesdroppers' slight smiles they heard his cry and his grief, though Lilac could not.


Two Beautiful Sisters

"Dear Parents," Auberon in the Folding Bedroom wrote (typing featly with two fingers on an old, old machine he had discovered there), "Well! A winter here in the City is going to be quite an experience! I'm glad it won't last forever. Though today temp. is 25, and it snowed again yesterday. No doubt it's worse where you are, ha ha!" He paused, having made this gay exclamation carefully out of the single-quote mark and the period. "I've been twice now to see Mr. Petty at Petty, Smilodon & Ruth, Grandpa's lawyers as you know, and they've been kind enough to advance me a little more against the settlement, but not much, and they can't say when the darn thing will be straightened out at last. Well Im sure everything will turn out fine." He was not sure, he raged, he had shouted at Mr. Petty's automaton of a secretary and nearly balled up the paltry check and thrown it at her; but the persona whacking out this letter, tongue between teeth and searching fingers tense, didn't make admissions like that. Everything was fine at Edgewood; everything was fine here too, Everything was fine. He made a new paragraph. "I've already about worn out the shoes I came in. Hard City streets! As you know, things have got very expensive here and the quality is no good. I wonder if you could send the pair of tall lace-up ones in my closet. Theyre not very dressy but anyway I'll be spending most of my time working here at the Farm. Now that winters here theres a lot to do, cleaning up, stableing the animals and so on. George is pretty funny in his galoshes. But hes been very good to me and I appreciate it even if I do get blisters. And there are other nice people who live here." He stopped, as before a precipice he was about to tumble over, his finger hovering above the S. The machine's ribbon was old and brownish, the pale letters staggered drunkenly above and below the line they should be walking. But Auberon didn't want to display his school hand to Smoky; it had degenerated, he had lately taken up ball-points and other vices; what now about Sylvie? "Among them are:" He ran down in his mind the current occupancy of Old Law Farm. He wished he hadn't taken this route. "Two sisters, who are Puerto Rican and very beautiful." Now what the hell had he done that for? An old secret-agent obfuscation inhabiting his fingers. Tell them nothing. He sat back, unwilling to go on; and at that moment, there was a knock at the door of the Folding Bedroom, and he drew the page out, finish it later (though he never did) and went—two steps across the floor was all it took his long legs—to admit the two beautiful Puerto Rican sisters, wrapped into one and all his, all his.

But it was George Mouse who stood on the threshold. (Auberon would soon learn not to mistake anyone else at the door for Sylvie, because Sylvie instead of knocking always scratched or drummed at the door with her nails; it was the sound of a small animal wanting admission.) George had an old fur coat over his arm, an antique lady's peau-de-soi black hat on his head, and two shopping bags in his hands. "Sylvie not here?" he said.

"No, not just now." With all the practiced skills of a secretive nature Auberon had managed to avoid George Mouse for a week in his own farm, coming and going with a mouse's forethought and haste. But now here he was. Never had Auberon experienced such embarrassment, such a terrible caught-out feeling, such an awful sense that no common remark he could make would not carry a load of hurt and rejection for another, and that no pose, solemn, facetious, offhand, could mitigate that. And his host! His cousin! Old enough to be his father! Usually not at all intensely aware of the reality of others or of others' feelings, Auberon just then felt what his cousin must feel as though he inhabited him. "She went out. I don't know where."

"Yeah? Well, this stuff is hers." He put down the shopping bags and plucked the hat from his head. It left his gray hair standing upright. "There's some more. She can come get it. Well, a load off my mind." He tossed the fur coat over the velvet chair. "Hey. Take it easy. Don't hit me, man. Nothing to do with me."

Auberon realized he had taken a rigid stance in a corner of the room, face set, unable to find an expression to suit the circumstance. What he wanted to do was to tell George he was sorry; but he had just enough wit to see that nothing could be more insulting. And besides, he wasn't sorry, not really.

"Well, she's quite a girl," George said, looking around (Sylvie's panties were draped over the kitchen chair, her unguents and toothbrush were at the sink). "Quite a girl. I hope yiz are very happy." He punched Auberon's shoulder, and pinched his cheek, unpleasantly hard. "You son of a bitch." He was smiling, but there was a mad light in his eye.

"She thinks you're terrific," Auberon said.

"Izzat a fact."

"She said she doesn't know what she would have done without you. Without your letting her stay here."

"Yeah. She said that to me too."

"She thinks of you like a father. Only better."

"Like a father, huh?" George burned him with his coaly eyes, and without looking away began to laugh. "Like a father." He laughed louder, a wild staccato laugh.

"Why are you laughing?" Auberon asked, not certain he was meant to join, or whether it was he who was being laughed at.

"Why?" George laughed all the harder. "Why? What the hell do you want me to do? Cry?" He threw back his head, showing white teeth, and roared. Auberon couldn't help joining in then, though tentatively, and when George saw that, his own laugh diminished. It went on in chuckles, like small waves following a breaker. "Like a father, huh. That's rich." He went to the window and stared out at the iron day. A last chuckle escaped him; he clasped his hands behind his back and sighed. "Well, she's a hell of a girl. Too much for an old fart like me to keep up with." He glanced over his shoulder at Auberon. "You know she's got a Destiny?"

"That's what she said."

"Yeah." His hands opened and closed behind him. "Well, it looks like I ain't in it. Okay by me. Cause there's a brother in it, too, with a knife, and a grandmother and a crazy mother . . . And some babies." He was silent awhile. Auberon almost wept for him. "Old George," George said. "Always left with the babies. Here, George, do something with this. Blow it up, give it away." He laughed again. "And do I get credit? Damn right I do. You son of a bitch, George, you blew up my baby."

What was he talking about? Had he slipped into madness under the pressure of grief? Would losing Sylvie be like that, would it be so awful? A week ago he wouldn't have thought so. With a sudden chill he remembered that the last time Great-aunt Cloud had read the cards for him, she had predicted a dark girl for him; a dark girl, who would love him for no virtue he had, and leave him through no fault of his own. He had dismissed it then, as he was in the process of dismissing all of Edgewood and its prophecies and secrets. He dismissed it now again, with horror.

"Well, you know how it is," George said. He pulled a tiny spiral notebook from his pocket and peered in it. "You're on for the milking this week. Right?"

"Right."

"Right." He put away the book. "Hey listen. You want some advice?"

He didn't, any more than he wanted prophecy. He stood to receive it. George looked at him closely, and then around the room. "Fix the place up," he said. He winked at Auberon. "She likes it nice. You know? Nice." He began to be caught by a fit of laughing again, which burbled at the back of his throat as he took a handful of jewelry from one pocket and gave it to Auberon, and a handful of change from another and gave him that too. "And keep clean," he said. "She thinks us white people are a little on the foul side most of the time." He headed for the door. "A word to the wise," he said, and chuckling, left. Auberon stood with jewels in one hand and money in the other, hearing, down the hall, Sylvie pass George on her way up; he heard them greet each other in a volley of wisecracks and kisses.