Forever

chapter FIFTY

• COLE •

When I started everything, and by everything, I mean life, suicide was a joke. If I have to ride in that car with you, I’ll slash my wrists with a butter knife. It was as real as a unicorn. No, less real than that. It was as real as the explosion around an animated coyote. A hundred thousand people threaten to kill themselves every day and make a hundred thousand other people laugh, because like a cartoon, it’s funny and meaningless. Gone even before you turn off the TV.

Then it was a disease. Something other people got, if they lived someplace dirty enough to get the infection under their nails. It was not a pleasant dinner table conversation, Cole, and like the flu, it only killed the weak. If you’d been exposed, you didn’t talk about it. Wouldn’t want to put other people off their feed.

It wasn’t until high school that it became a possibility. Not an immediate one, not like It is a possibility I will download this album because the guitar is so sick it makes me want to dance, but possibility in the way that some people said when they grew up, they might be a fireman or an astronaut or a CPA who works late every single weekend while his wife has an affair with the guy who drives the DHL truck. It became a possibility like Maybe when I grow up, I will be dead.

Life was a cake that looked good on the bakery shelf but turned to sawdust and salt when I ate it.

I looked good when I sang the end.

It took NARKOTIKA to make suicide a goal. A reward for services rendered. By the time they knew how to say NARKOTIKA in Russia, Japan, and Iowa, everything mattered and nothing did, and I was tired of trying to find out how both of those things were true. I was an itch that I’d scratched so hard I was bleeding. I had set out to do the impossible, whatever the impossible might be, only to find out that it was living with myself. Suicide became an expiration date, the day after which I no longer had to try.

I had thought I had come to Minnesota to die.

At two fifteen in the afternoon, Rick Vilkas had just finished his first commercial break. He was a music god who’d had us play live on his show and then asked me to sign a poster for his wife, who he said would only make love to our song “Sinking Ship (Going Down).” I’d written Rock the boat under my picture and signed my name. Rick Vilkas’s on-air persona was confidant, best friend over beer, passing along a secret in a low voice with an elbow in your side.

His voice now, coming through speakers in Beck’s living room, was intimate. “Everyone who listens to this show knows — hell, everyone who listens to the radio knows — Cole St. Clair, front man of NARKOTIKA and damned fine songwriter, has been missing for what — almost a year? ten months? somewhere in there. Oh, I know, I know — my producer, he’s rolling his eyes. Say what you like, Buddy, he might have been a number one screwup, but he could write a song.”

There it was, my name on the radio. I was sure it had been on the radio plenty of times in the past year, but this was the first time I’d been there for it. I waited to feel something — a sting of regret, guilt, agony — but there was nothing. NARKOTIKA was an ex-girlfriend whose photo no longer had the power to evoke emotion.

Vilkas continued, “Well, it looks like we have some news, and we’re the first to break it. Cole St. Clair’s not dead, folks. He’s not being held captive by a pack of fangirls or my wife, either. We’ve got a statement from his agent right now that says that St. Clair had a medical complication related to drug abuse — fancy that, did you people imagine that the lead singer of NARKOTIKA might have a substance abuse problem? — and that he went with his bandmate for some under-the-radar treatment and rehab out of the country. Says here he’s back in the States but is asking to be left alone while he ‘figures out what to do next.’ There you have it, folks. Cole St. Clair. He’s alive. No, no, don’t thank me now. Thank me later. Let’s hope for a reunion tour, right? Make my wife happy. Take all the time you need, Cole, if you’re listening. Rock’ll wait.”

Vilkas played one of our songs. I turned the radio off and rubbed my hand over my mouth. My legs were cramped from crouching in front of the stereo.

Six months ago, there would have been nothing worse in this world. There had been nothing I wanted more than to be thought missing or dead, unless it was to actually be missing or dead.

On the couch behind me, Isabel said, “So now you’re officially reborn.”

I turned the radio back on so I could catch the end of the song. One of my hands lay open on my knee and it felt like the whole world lay on my palm. The day felt like a prison break.

“Yes,” I said. “Looks that way.”





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