Crimson Shore (Agent Pendergast, #15)

Constance walked calmly and slowly along the rear wall of the room. The two were so fixated on their struggle that they had forgotten about her completely. Whatever was going to happen to Gavin, it wasn’t good, and she did not particularly wish to see it. The creature was as swollen as a toad with incandescent hatred.

“Please,” Gavin said, his voice breaking. “We respect you, you’re very important to us… I’m so, so sorry about what happened. It’ll all be different now, with me in control.” He held out his good hand in a gesture of supplication.

Morax, enraged by this speech, roared incoherently and seized the other wrist, twisting it hard; this time Gavin broke down, issuing a shrill scream and sinking to his knees; and that was the last Constance saw of him as she slipped around the corner into the darkness of the central corridor and the deeper tunnels beyond.





53



Pendergast paused at the lip of a low sand dune and gazed down into the ruins of Oldham, which lay in a scrubby hollow scattered with deformed pine trees. The storm was abating, with the rain having temporarily ceased and the wind dying. But the sea continued to pound the shingle beach with ferocity. A full moon appeared fitfully, casting a feeble gloom through the ruins, the walls half buried, the scattered cellar holes, the bits of crockery and sea glass gleaming dully in the wet sand.

The creature’s tracks had been almost obliterated, but there were still indentations in the sand and shingle that Pendergast was able to follow—some of which were the creature’s, along with smaller ones that he felt certain belonged to Constance.

From the position of the cellar holes, Pendergast was able to determine where the main street had once passed through town. At the far end he saw a broken brick wall on a larger foundation of granite blocks: undoubtedly the ruins of Oldham’s church. He walked to the edge of the church’s cellar hole, a deep basement area faced with cleaved blocks, scattered with loose bricks, wood planks, trash, and—at the rear—a rotten canvas sailcloth.

He climbed down into the ruined cellar and shone his light around, quickly focusing his attention on an uncovered iron plate at one end, near the sailcloth. Going over to it, he knelt and examined the hinges. A close examination revealed it had been used—and often. He lifted it carefully, making no noise, and shone his penlight in. A narrow stone staircase led down to a damp tunnel, which in turn snaked off into darkness.

Hooding his light, he slipped inside, easing the plate shut behind him. Switching off the light, he crouched on the stairs, listening intently; the sounds of the surf were now muffled, but no noise appeared to issue from underground: only the rising stench of death and decay, overlaid with a faint scent of burning wax.

He drew his Les Baer and listened once again. Still nothing.

Switching the penlight back on, he examined the stairs and saw clear signs of recent passage, including sand, moisture from the storm, and a partial—but clear—bare print. Once again, he felt a deep disturbance at this; it was an incontrovertible sign of how he had overlooked crucial evidence. But even as he sorted through that evidence in his mind, he could not arrive at an explanation for the sudden appearance of a monstrous, barefoot mass murderer in Exmouth, or why it had chosen this moment to unleash its ferocity on the town.

Deep anxiety for Constance’s safety warred with caution inside him as he descended the stairs and crept forward, moving cat-like along the tunnel. Scratchings, both ancient and fresh—pictographs, demonic figures, symbols, odd Latin phrases—all mingled together on the walls.

And then he heard it: an animalistic murmur, a sibilant, quasi-human utterance. He froze, listening. The sound was distorted by the web of tunnels. Now came a voice, pleading and indistinct, again too unclear to make out the words or even the sex of the speaker.

A beast-like roar echoed through the tunnels. Another roar came rolling down, and then in response, a reasonable-sounding voice, pleading, first quietly and then louder and louder, ending at last in a high-pitched, horribly distorted scream.

Pendergast broke into a run; the tunnel divided and he took the right fork, heading in the direction the sound seemed to have issued from. But there was another fork in the tunnel, which he again took, only to be halted by a cul-de-sac. He turned and retraced his steps even as a second hideous scream reverberated; it was a male voice, he could tell that now, but its terror was so profound that its owner could never have been recognized.

But where was Constance?