Crimson Shore (Agent Pendergast, #15)

“The bones speak to me, Mr. Pendergast. They tell me their stories.”


The pale man rose. “Thank you. You have been most helpful. And now, if you don’t mind, I’d like to retrieve the sample.”

Ganesh smiled. “I wish I could oblige. But you see, every question I ask consumes a tiny bit of bone. As the bone tells its story, it dies just a little. I’m afraid the bone gave up its existence along with its story.” She spread her hands.

As she did so, the man took one of her hands in his, which felt cool and smooth. “I bow before your ability to speak to the dead, Dr. Ganesh.” And he kissed her hand.

Ganesh found herself flushed and warm long after the man had departed.





9



Constance stepped through the door, then stopped and frowned in instinctual disapproval. The place looked more like a rag-and-bone shop than a historical society. A lot of stuff was randomly hung on the wall—faded maps, old nets, buoys, harpoons, gaff hooks, narwhal horns, sail needles, a gigantic lobster shell on a plaque, another wooden plaque covered with sailing knots, and pictures of Exmouth in the old days. The center of the “museum” sported an old dory, about twenty feet long, with several sets of oars between wooden dowels.

She had jingled a door-opening upon entering and was soon confronted by an eager, gray-haired man with fat-lobed ears stuck onto a narrow, bony face. A badge identified him as a volunteer named Ken Worley.

“Greetings,” said the volunteer, looming into her field of view and proffering a pamphlet. “Welcome to the Exmouth Historical Society and Museum!”

Trying to be polite, Constance took the pamphlet with a murmured “Thank you.” She began an assiduous examination of the dory, hoping he would vanish.

“Nice dory, don’t you think? Disregarded age in corners thrown. That’s the motto of our little museum.”

Parsing this inaccurate spouting of Shakespeare, and without thinking, Constance corrected him: “Unregarded age.”

A sudden silence. “Are you sure? I’ll have to double-check that.”

“No need to double-check anything,” Constance said. “You’re wrong.”

Temporarily set back, the man retreated to his pile of pamphlets and busied himself with a large register book, opening it and flipping through the pages. Constance, who was studying some old framed maps of Exmouth and its environs, could tell that he was down but not vanquished.

“Would you care to put down your name for special mailings and events?” he asked, pointing at the register book.

“No, thank you. I was wondering—where do you keep your archives?”

The man blinked. “We don’t have any archives.”

“No town papers? Property maps? Old marriage registers?”

“I’m afraid the town records were lost in the Great Hurricane of ’38. They called it the Yankee Clipper. It swept away the old Exmouth docks and wrecked half the town. You can still see the ruins on Exmouth Bay. Picturesque, in its own way.”

“So this is it? This is all you have?”

“It may not look like much, but every item here has a story. For example, that Newburyport dory you were admiring was used to hunt great blue whales. When whales were sighted going around Crow Island, the men would rush down to the beach and launch those dories into the surf, chase a whale, harpoon it, and drag it back to the beach, carve it up right there on the shore. Imagine the courage, the pluck, it took—Disdaining fortune, with his burnished steel, which smoked with bloody execution!”

“Brandish’d steel.”

A silence. “I’m quite sure it’s burnished,” said Worley in a stiff voice. “I was a thespian in my youth—and theater director for twenty years at the old Exmouth Playhouse.”

Feeling a rising impatience with this tiresome man, Constance ignored him and continued poking around the museum, glancing over the framed pictures of ships, articles about storms and wrecks and legends of buried pirate treasure. Out of the corner of her eye she saw Worley retire to his chair behind the register book and busy himself with addressing envelopes laboriously by hand. She hoped that would keep him quiet at least until she had finished going through the museum.

She was struck with a sudden thought: How would Pendergast respond to this situation? Would he be able to glean anything from these shabby artifacts and old newspaper stories? Was there something she, perhaps, was overlooking? As she looked around, it dawned on her how Pendergast would, in fact, profit from this situation. The realization caused her to flush with chagrin. She glanced at Worley, still addressing envelopes.

“Mr. Worley?”

He raised his eyes. “Yes?”

And yet Pendergast’s method was difficult. It did not come naturally to her. “On second thought, I think you are right,” she managed. “It is burnished.”

At this his face brightened. “I’ve played Macbeth many times.”

“At the Exmouth Playhouse?”