“Personages of the Minor Arcana,” she said, lifting the second partial deck. “The Court Cards. Cut.” He cut the second partial deck and the third, which was larger, containing what looked like nearly half of the total number of cards. Loriann shuffled each stack, made him cut the decks again, then laid the cards out in the same three-row pattern as before. This time some cards were taken from the top of one pile, some from another. “Gramma liked gypsy readings, but she did them the way her mother taught her, with the three rows of seven, each column from a specific stack, and to the side, a cross of the Major Arcana. Her cards were specially painted just for her,” Loriann said, “and her deck is different. It has different . . .” Her voice trailed away, as if she had just realized she was speaking aloud. She pressed her lips together and bent her head, her hair sliding forward so that he couldn’t see her face.
When Loriann finished laying out the cards, at the four corners and down the center column were the Court Cards. To the left top was Queen of Pentacles, upside down, a wolf asleep at her feet. At the top right was the King of Swords, an African lion at his feet and his sword made of gold. The left bottom corner was the Page of Pentacles. He was a vampire with a scroll under his arm. The right bottom corner was the King of Wands, and he was a witch with red hair, and with fire exploding from his wand, which was clearly a weapon. A huge owl flew overhead. “No cup cards,” she murmured. But she didn’t explain.
The center column was also composed of Loriann’s Court of the Minor Arcana. The top card was the Queen of Swords—a woman in black, a wildcat with a bobbed tail and yellow eyes on her lap, claws drawing blood on her right thigh. The queen held a sword with a silver blade dripping with blood. The Knight of Wands was the center card: He sat on a rearing black horse, holding a bloodied stake and silver sword, with vampire heads beneath the horse’s hooves. A wolf howled in the background, head angled up toward a full moon. The Knight of Swords was at the bottom but was upside down, the first time a knight had appeared that way. His bloodied sword was silver and black, and a huge cat—a black leopard with yellow-gold eyes—sat on the horse’s rump.
The cards were so old that paint flecked off them as Loriann worked. The edges were rounded and worn from long use. Despite himself, Rick was intrigued. It was almost as if he could sense meaning in the cards, but it seemed to be just out of reach or around the next corner. As if all he had to do was reach out or take a single step, and he would understand. But the significance was elusive, fragmentary.
On the layout of cards in a cross pattern to the side were the Major Arcana. The Wheel of Fortune was in the middle, with animals racing on the wheel—a wolf, a big black cat, a flying owl, an alligator, a spotted dog, and a bear. Around it in a cross pattern was the Devil—a horned, wolf-headed beast with owl’s wings, a horse’s legs, and cloven feet. The Devil had bloody fangs, and claws hidden in the wing feathers. The Hanged Man was an American Indian chief in full feathered headdress. He had been tortured before the hanging, and a black leopard was curled up on the hanging branch above him, sleeping. At his feet were a small wolf, or a coyote, watching him and salivating, and a grouping of turkey buzzards staring at his head. A card called Strength was painted with an angry mountain lion, screaming, clawing the air, sitting on a dead vampire both with fangs bared. The last card was the Tower. It was on fire, and people and animals were falling out of it.
Loriann studied the tarot placement for a while, while Rick tried to read something—anything—in the cards. “Animals,” Loriann muttered. “Vampires. Change everywhere.” And then, “Ahhh. I see.”
“Well, I don’t.”
She gathered up the cards and put them away, then brought her needles and tattooing equipment closer. “Your future is both set and undecided. There are two moments when you will be allowed to choose, and both moments will change the course of your future. One is now, with the tattoo and the blood I’ll use to bind you to Isleen. You may choose canines, equines, or felines. Which do you desire?”
He almost said horses, but the word that came from his mouth was, “Cats.” He stopped, surprised, because he detested his sisters’ cats, and preferred dogs and horses. He shook that away and asked, “But why me? Isleen said something about revenge on Katarina Fonteneau. Is that Katie of Katie’s Ladies?”
Loriann nodded. “Katie did something bad to Isleen a long time ago. I’m not sure what. But she can use this spell to get back at her through your bloodline.”
“How?”
Loriann looked at him in true surprise. “Because Katie is your mother’s great-great-something-or-other-grandma.”
“N—” Rick started to disagree and stopped.
The memories of some weird things returned. Money for his education, deposited into his account, a gift from a distant cousin. His sister’s medical bills for leukemia, the huge ones not covered by insurance. They had amounted to nearly four hundred thousand dollars. Paid in full by that same distant cousin. His mother disappearing on Christmas Eve every year for an entire night. The strange French-accented voice on the phone several times, calling for his mother. At night. Always and only at night.
Son of a bitch. He was related to one of the city’s most powerful vampires. And the cops had sent him in undercover to find out about her—
“I can tell you don’t have tats,” Loriann said, drawing him back from his past. He turned his face to hers, trying to hide his shock. She shoved her hair behind an ear and almost smiled. Her eyes flickered down his body and back up, lingering at the V of his legs before she returned to her work. “This may hurt.”