CITY OF BONES

Her heart had begun to beat with a rapid, steady sharpness. If a rune could bring a painting to life, then maybe—


Not taking her eyes off the drawing, she fumbled for her pencils. Breathless, she flipped to a new, clean page and hastily began to draw the first thing that came to mind. It was the coffee mug sitting on the nightstand next to her bed. Drawing on her memories of still life class, she drew it in every detail: the smudged rim, the crack in the handle. When she was done, it was as exact as she could make it. Driven by some instinct she didn’t quite understand, she reached for the cup and set it down on top of the paper. Then, very carefully, she began to sketch the runes beside it.





18

THE MORTAL CUP


JACE WAS LYING ON HIS BED PRETENDING TO BE ASLEEP—FOR his own benefit, not anyone else’s—when the banging on the door finally got to be too much for him. He hauled himself off the bed, wincing. Much as he’d pretended to be fine up in the greenhouse, his whole body still ached from the beating it had taken last night.

He knew who it was going to be before he opened the door. Maybe Simon had managed to get himself turned into a rat again. This time Simon could stay a goddamned rat forever, for all he, Jace Wayland, was prepared to do about it.

She was clutching her sketchpad, her bright hair escaping out of its braids. He leaned against the door frame, ignoring the kick of adrenaline the sight of her produced. He wondered why, not for the first time. Isabelle used her beauty like she used her whip, but Clary didn’t know she was beautiful at all. Maybe that was why.

He could think of only one reason for her to be there, though it made no sense after what he’d said to her. Words were weapons, his father had taught him that, and he’d wanted to hurt Clary more than he’d ever wanted to hurt any girl. In fact, he wasn’t sure he had ever wanted to hurt a girl before. Usually he just wanted them, and then wanted them to leave him alone.

“Don’t tell me,” he said, drawing his words out in that way he knew she hated. “Simon’s turned himself into an ocelot and you want me to do something about it before Isabelle makes him into a stole. Well, you’ll have to wait till tomorrow. I’m out of commission.” He pointed at himself—he was wearing blue pajamas with a hole in the sleeve. “Look. Jammies.”

Clary seemed barely to have heard him. He realized she was clutching something in her hands—her sketchpad. “Jace,” she said. “This is important.”

“Don’t tell me,” he said. “You’ve got a drawing emergency. You need a nude model. Well, I’m not in the mood. You could ask Hodge,” he added, as an afterthought. “I hear he’ll do anything for a—”

“JACE!” she interrupted him, her voice rising to a scream. “JUST SHUT UP FOR A SECOND AND LISTEN, WILL YOU?”

He blinked.

She took a deep breath and looked up at him. Her eyes were full of uncertainty. An unfamiliar urge rose inside him: the urge to put his arms around her and tell her it was all right. He didn’t. In his experience, things were rarely all right. “Jace,” she said, so softly that he had to lean forward to catch her words, “I think I know where my mother hid the Mortal Cup. It’s inside a painting.”


“What?” Jace was still staring at her as if she’d told him she’d found one of the Silent Brothers doing nude cartwheels in the hallway. “You mean she hid it behind a painting? All the paintings in your apartment were torn out of the frames.”

“I know.” Clary glanced past him into his bedroom. It didn’t look like there was anyone else in there, to her relief. “Look, can I come in? I want to show you something.”

He slouched back from the door. “If you must.”

She sat down on the bed, balancing her sketchpad on her knees. The clothes he’d been wearing earlier were flung across the covers, but the rest of the room was neat as a monk’s chamber. There were no pictures on the walls, no posters or photos of friends or family. The blankets were white and pulled tight and flat across the bed. Not exactly a typical teenage boy’s bedroom. “Here,” she said, flipping the pages until she found the coffee cup drawing. “Look at this.”

Jace sat down next to her, shoving his discarded T-shirt out of the way. “It’s a coffee cup.”

She could hear the irritation in her own voice. “I know it’s a coffee cup.”

“I can’t wait till you draw something really complicated, like the Brooklyn Bridge or a lobster. You’ll probably send me a singing telegram.”

She ignored him. “Look. This is what I wanted you to see.” She passed her hand over the drawing; then, with a quick darting motion, reached into the paper. When she drew her hand back a moment later, there was the coffee cup, dangling from her fingers.

She had imagined Jace leaping from the bed in astonishment and gasping something like “Egad!” This didn’t happen—largely, she suspected, because Jace had seen much stranger things in his life, and also because nobody used the word “Egad!” anymore. His eyes widened, though. “You did that?”