“Abysmal,” he says, though his eyes lighten. “But Heron’s fingers are surprisingly nimble for such a big fellow. Part giant, isn’t that right, Heron?”
“I’m big enough to crush you,” Heron shoots back from behind his wall, but there’s only good humor in his voice.
“Could you sew a dagger into the hem of my cloak?” I ask him.
“Easily,” he says.
“Thank you,” I say to both of them before smoothing my hands over my skirt. “How do I look?” I ask Blaise.
“Lower that neckline half an inch and he doesn’t stand a chance,” he tells me with a smirk.
I give him an annoyed shove toward the door, but when he’s gone, I do it anyway.
* * *
—
Before seeking out S?ren, I stop by Crescentia’s rooms. I rarely visit her quarters for fear of having to see her father, but the Theyn is still inspecting the Water Mine, making sure everyone there remembers their place. He’ll bring back a few new gems for Cress, as he usually does. It’s no accident that her collection of Spiritgems rivals even that of the Kaiserin.
Which is why I’m hoping she won’t miss a few now. If our plan has even a sliver of a chance of succeeding, my Shadows need gems.
Elpis answers the door and gives me a shy smile before leading me through the gilded maze of rooms that make up the Theyn’s suite. These were Blaise’s family’s rooms once, but I doubt even he would recognize them now. The entire suite is a living crypt of all the countries the Theyn has brought to ruins.
Most of it comes from Astrea—the burnished brass chandelier hanging from the ceiling that once hung in my mother’s study, the gold-framed mirror crowned with the face of Belsimia, the goddess of love and beauty, that watched over the city’s bathhouse—but there are other pieces that Crescentia had to explain to me. Candlesticks from Yoxi, painted bowls from Kota, a crystal vase from Goraki. The Theyn isn’t a sentimental sort by anyone’s definition, but he does like his souvenirs.
I once asked Cress how long it’s been since the court was in Kalovaxia, because no one ever talks about it, but she didn’t know. She said it must have been a few centuries and that, effectively, there was no Kalovaxia anymore. The winters had grown colder and longer until there were no other seasons, until nothing could grow there, until the livestock perished, until the Kalovaxians loaded up their boats and left for a better country. It didn’t matter that it belonged to someone else; they took it by force and they reaped everything it had to offer—slaves, food, resources—and when they’d driven the country into the ground and there was nothing left, they found somewhere new and started the whole process again. And again, and again, and again.
Astrea was the first country they found with magic. Maybe that’s why they’ve been here the longest, though I’d imagine even this country is starting to run low, both on gems and the people to mine them.
Elpis leads me down the hall to Crescentia’s room, neither of us daring to speak. In the small space of the hallway, I feel confident enough of our privacy to reach out and give her arm a reassuring squeeze.
“You did well,” I whisper.
Even in the dim lighting, I can see her face flush with pleasure.
“Is there anything else I can do, my lady?” she replies.
Elpis is the perfect asset—a girl no one would look twice at stationed in the house of the Theyn. My mind spins with the sort of things she could overhear, the things she could do. But the Theyn did not get to be the Theyn by being a fool.
Blaise’s voice echoes in my mind. “She’s your responsibility, Theo.”
“Nothing just now,” I tell her.
Disappointment flickers in her eyes, but she nods her head and knocks timidly on the door.
“Lady Thora here to see you, my lady,” she says, her voice barely loud enough to be heard on the other side of the thick wooden door.
“Thora?” I can hear the excitement in Crescentia’s voice from here. “Come in!” she calls.
I give Elpis a smile of thanks before pushing the door open and slipping inside.
Crescentia’s room is large enough to house an entire family, and the space is dominated by a canopy bed hung in diaphanous white silk. The coverlet, I know, is embroidered with golden thread, but just now it’s littered with so many pastel dresses that it’s impossible to tell. She’s sitting at her vanity, pots of cosmetics open and brushes scattered haphazardly. Her painted jewelry box—another artifact from some fallen land, I’m sure—is open and its contents are in disarray.
Cress herself is wild-eyed and flushed, though as far as I can tell she hasn’t left her room yet today. There’s a tray of half-eaten breakfast abandoned on her bed, and she’s still wearing her nightgown. Her blond hair is down in a mess of frizzy waves that haven’t yet been tamed and braided by her maids.
“Busy morning?” I ask, moving a discarded dress from a chaise lounge by her window and sitting down.
A grin breaks over her face. “I finally heard from the Prinz! He sent a letter this morning inviting me…well, inviting us to have lunch with him. He’s smart to avoid the impropriety of us being seen alone together, I suppose. Isn’t it exciting?”
“It is,” I say, trying to match her enthusiasm. S?ren, it seems, isn’t to be dissuaded, and I have to admit, this is a smart move on his part. Having Crescentia there as a buffer might not stop other courtiers from gossiping, but most of them won’t be gossiping about me at least. Still, it seems cruel to use Cress as a shield, especially when she’s imagining herself half in love with S?ren already. But with my new plan buzzing loudly through my mind, I can’t spare Cress’s feelings more than a cursory thought. After all, she’s more enamored with the idea of him than anything else, and if the plan goes right, he’ll be dead before she realizes that. Cress will get to feel like one of the tragic heroines she likes to read about, and I think she’ll enjoy that almost as much as a crown.
“I suppose you’re trying to decide what you should wear?” I ask.
“I have nothing,” she tells me with a dramatic sigh, gesturing widely to the rest of her room, where dozens of dresses lie in an array of colors and styles. Some of them are loosely draped Astrean gowns with delicate embroidery and jewel-encrusted fibulae. Others are traditionally Kalovaxian, with tailored waists and bell-shaped skirts that require steel cages and layers of petticoats, done in a heavier fabric like velvet or wool. There are so many dresses that counting them feels like trying to count all the stars in the sky, though I’m sure I’ve only ever seen her wear a fraction of them.
I pick up the dress I pushed aside and hold it up. It’s a lavender gown I’ve never seen her wear before, cut simply with a swath of sheer fabric that sweeps across the velvet bodice and drapes over one shoulder. The neckline and hem are covered with hundreds of tiny sapphires arranged to look like flowers.
“What about this?” I ask.
“Hideous,” she proclaims without really looking at it.
“I think the color would look lovely on you,” I insist. “At least try it.”
“There’s no point. It’s all hideous,” she says. “What does the Prinz like? Do you know? What’s his favorite color?”
“I don’t know anything more about him than you do,” I tell her with a laugh, hoping the lie isn’t obvious. I might not know S?ren’s favorite color or what kind of women’s fashions he likes, but I know he’s kind and that he must be closer to his mother than his father or he wouldn’t have gone to the Kaiserin to break off my engagement. I know that even though he’s a great warrior, he doesn’t enjoy the act of killing, the way most Kalovaxians do. He remembered the Astreans’ names, after all, nine years after his father forced him to kill them.
I push those thoughts aside. I told Art and the others that I would be able to kill him when the time came, and I can’t do that if I see him as a nice person.