By day ten, I miss your face so much that the pictures of the pictures don’t do it anymore. We talk every day, but you are different now that you pretty much live at Peach’s. I miss you and me at Bemelmans Bar and I go there one night alone and feel sorry for myself and get a nasty waiter who keeps asking me if I have a friend coming. It’s a dark lonely time and I really can’t go on like this, Beck.
On day eleven, I look like a real runner in my new sweats and kicks. I even have a freaking sweatband wrapped around my head. Peach gets a late start because you girls did some drinking last night, as I saw on your Twitter:
Vodka or Gin? Vodka and Gin is more like it. #girlsnightin
She’s slow and off and definitely hungover. She bends over like she’s gonna vomit and most people avoid high-impact exercise. It is cold and my legs are humming and I am sick of running through the woods every day. But one thing about running that I will agree to: It is fucking addictive. Less than two weeks into my life as a runner, and I don’t need to set an alarm clock.
She always starts out slow before sunrise with Elton John singing it’s four o’clock in the morning damn it, listen to me good and I know the song so well by now—someone saved my life tonight, tonight—and it’s not the kind of music that makes you want to work up a sweat. The reason I can hear her Elton John is that she has no regard for shared public space. Dignified respectful citizens of the world use earbuds or headphones to privatize their music. But not Peach. She tucks her iPhone into a band that she wraps around her upper arm. She has a special speaker attached and the music blasts. When people sneer at her or object to this, which has happened (I fucking love New Yorkers), she doesn’t apologize. She tells them to deal with it. And the music! The Elton John is slow and thus contrary and the exercise is a punishment to her body. She is joyless and ugly when she huffs and puffs and most girls run on well-lit paths, but Peach runs where she doesn’t belong, alone, save Elton John (you’re a butterfly and butterflies are free to fly, fly away, high away, bye-bye), and I follow her each day because you are not a butterfly as long as she exists. You are not free to fly, fly away because she is a dangerous fucking pervert, photographing you, coveting you. Is there anything sicker than photographing someone while she’s sleeping?
I have to stop her and I have to save you and I run faster and I am gaining on her, I can smell her now, sweaty, and Elton is louder now (someone saved my life tonight, toniiiiiight), and I am your someone and I will save your life. This is it. I summon all my strength and I charge at her and slam her bony body into the ground. She screams but the sound cuts off as her head thuds against a rock. She’s out, cold. Elton is sleeping with myself tonight, saved in time, thank God my music’s still alive. If only Peach could have been more like him: honest, grateful, true.
The music is still going and I’m breathing so heavily and shaking and I want to make the music stop but fingerprints are dangerous. But now that her defenses are gone I understand her music. It’s a security system. She was preparing for a moment like this. And while it’s annoying, shoving your music on other people, there is something intelligent and bold about it too. It’s a shame that Peach’s parents are such motherfuckers because there was potential for her to be a good person, an innovator. I let her music play on as a tribute, the irony, of course, being that the music did not save her life. But hey, she tried.
Nobody will be that surprised to hear about a dead girl in Central Park. Women who run alone in the dark deprive themselves of their senses. It’s a dangerous thing to do, running alone, and as the reality of her body in the woods sinks in, I quicken my pace. I have never run this fast, never known the depth of my lungs and I make it onto the street and disappear into the subway and now I might throw up and I heave and I smile.
Those Germans were right after all. There really is such a thing as a runner’s high.
And it’s a good thing that I’m a bit high on life because a little while later, I get a rather upsetting text from you:
Can’t get together tonight. Am at NY Presbyterian. Peach
She is supposed to be in a morgue, not a hospital. Because I have no idea what happened, because I am not a stalker I respond surprised and inquire about details. You tell me that she got attacked in the park. But there’s good news too, according to you:
She’s lucky. A girl found her right after it happened. Otherwise she might be, you know . . .
I write back:
But she’s gonna be okay?
You write back:
Well, physically yes. But emotionally, this is hard. She’ll be in the hospital for a while.
You’d never be talking to me if Peach got a glimpse of me, so at least I can be grateful for that. I offer to help and you insist that you don’t need me but I will show you that I am a good boyfriend and I will look beyond the injustice of her getting a bed in a hospital. She only gets to stay because her dad is on the board of the hospital. And it’s not fair to think of all the genuinely sick people turned away. But nothing is fair.
21
I’M not mad. Really. I’m not mad. You’re a good friend. I know that Peach’s parents have already gone back to San Francisco. And I know that you have to be there for her. I am not going to challenge you like Lynn and Chana who throw around words like codependent and refuse to visit Peach in the hospital. I’m not mad. I’m not! I prove that I’m not mad by sending flowers to her in the hospital. I even pay extra for a big yellow balloon with a smiley face.
Does a guy who’s mad buy the balloon? No, he doesn’t.
And I’m not being a dick to customers, either. You can tell I’m not mad because I’m more patient than ever. I don’t lay into Curtis about being late and I don’t bitch him out when he forgets to order more Doctor Sleep (the only book we’re moving, aside from the prequel, of course) and watching that book settle in at the top of the Times bestseller list makes me more and more aware of the fact that we’re not progressing. Our first real date was the day that book came out and now that book’s breaking records and having its third fucking month on the bestseller list and I’m reading about the inevitable movie adaptation on the Internet for no reason at all—and I am not mad at you or at King or at the customers or Peach or anything. I am not mad she’s a liar. I feel for the poor girl. She’s obviously a product of her family’s sociopathic tendencies and she’s tragically obsessed with you and honestly, if anything, I’m just worried for you.
And I can wait. Some good shit happens fast (a bestselling book), and some good shit happens slow (love). I get it. You are busy. You got class—I get it—and you got Peach—I get it—and you’re not avoiding me—I get it—and you have pages due—I get it—and Peach just can’t deal with being around guys—I get it—and you can’t e-mail as much with all that’s going on—I get it—and you think of me when you get into your bed that I made for you—I get it. You see, Beck, I am not a narcissistic asshole who expects his needs to come first at all times. I wake up and run to the water and back and my legs are firmer all the time—you’ll see, eventually—and I sell King and I read King and I eat lunch, alone, and dinner, alone, and not once do I bitch at you about blowing me off. Not once.
The balloon, Beck, it was almost ten more dollars with the tax and when I asked you if it got there, I could hear the Peach in you.
“Yeah,” you said. “It did.”
“Is something wrong?”
“Well, Joe, forget it. I mean for her everything is wrong right now, you know?”
“Beck, what the fuck?”
And I didn’t say that in an asshole way. I just wanted you to be straight with me.
“Joe, never mind. It’s fine.”
“Obviously, it’s not.”
You let out a sigh and you’re the one who’s mad and you sound different, like you’ve been drinking the green juice delivered to Peach’s each morning, like you’re starting to like this way of life, sleeping uptown, waking up without a single piece of IKEA in the room.
“Don’t get mad.”
“I’m not mad, Beck.”
“We both just felt like the balloon was a little insensitive.”
“Insensitive.”
“I mean . . . it’s a smiley face.”