I throw myself out of the radio booth and take off across the main cavern, not caring anymore who sees. I can hear Martha’s voice calling after me, wailing, “She’s a trodaire, Flynn! She deserves to die!”
I sprint past Sean—he doesn’t know what’s going on, but he can see my panic and after another heartbeat he starts shouting for backup. I hear him break into a run, along with Mike and Turlough Doyle farther back; Turlough is cursing, Mike stumbling behind his husband, hampered by his perpetual limp. I ricochet off the stone wall of the tunnel, throwing myself around the corner toward the unused caves. The air grows thick and wet as I stumble down the corridors into the oldest part of the cave system, but I know where the steps are slippery, and I can’t afford to waste a second.
If Jubilee’s dead it’ll be my fault.
When I round the corner, I can hear the thick sounds of fists and feet on flesh; not a sound from Jubilee, only inarticulate sounds of effort and rage from McBride. My heart stops, but my feet keep going—I burst into the cavern to find McBride slamming his boot into her ribs over and over. Using sheer momentum I slam him against the wall a few meters behind her. The air goes out of him with a grunt, and I twist to look back at Jubilee—that’s my mistake. With a heft of one arm, McBride sends me flying. I crash down beside Jubilee, the world spinning as my head cracks against the floor. She doesn’t move.
Then the others are there, and as Sean, Mike, and Turlough put themselves between McBride and me, Jubilee cracks open one eye to take a look at me. Her throat moves like she’s trying to swallow, and her cracked lips part, trying to make the shape of a word.
Romeo.
My breath comes out in a rush, hot relief flashing through my veins. She’s alive.
McBride gasps for air, and with Sean on one arm, Mike on the other, and Turlough pushing against his chest, he tries to surge forward. His gaze doesn’t waver—I don’t even think he’s realized we’re here, except as obstacles to what he wants. I hear Mike shout in pain as his bad knee gives, and I scramble to my feet, my back burning and my vision blurring for one dangerous moment. Before I can reach McBride, he’s grabbing for the stolen military Gleidel he carries, yanking it from its holster and spinning toward Jubilee. I leap for him again, shoving him back against the wall, so when his finger jerks at the trigger, the bolt dissipates harmlessly off the stone.
Sean wrestles the gun from his hand; the soldier crumpled at our feet didn’t so much as flinch in response to the sound of gunfire. McBride shoves me away, though he stays sagging against the wall, sucking in great lungfuls of air, grief etched all over his face. “You thought you could bring that—that thing here, to our home, and no one would find out?” McBride wipes a hand across his reddened eyes, all signs of the orator gone. If only the others could see him like this. See the insanity, the violence, lurking behind his calls for action. “Good thing Martha’s more loyal than you, you goddamn coward.”
“Get out.” My voice low with anger, I sound nothing like myself.
He shakes Sean’s grip off his arm, then lets Mike and Turlough guide him toward the tunnel. “Make sure McBride stays out there,” I tell them, my voice shaking with adrenaline. Sean stays to help me with Jubilee. We can’t leave her here, now that McBride knows where to find her. Sean wouldn’t condemn even a trodaire to that fate.
Jubilee is barely conscious as I untie her hands, and she’s murmuring incoherently—maybe in Chinese again, I can’t tell. There’s a storage room up closer to the harbor that’s been a cell for a long time now, for use if anyone got too trigger-happy and needed to cool their heels overnight. It was too exposed, too easy for someone to wander by and discover her, but now I wish I’d locked her there and left her unbound. No matter who she is or what she’s done, she doesn’t deserve to be tied down, unable to defend herself against a man half mad with grief and anger.