The Stolen Child

There was no way I could remember, but I nodded my head as I swallowed the last slug of orange juice.

“I put the girls to bed and came back down, but you were gone.” Her eyes welled up as she recounted the experience. “We looked over hill and yon but couldn’t find you. As the day wore on, I called your father to come home, and then we telephoned the police and the firemen, and we were all looking for you for hours, calling out your name into the night.” She looked past me, as if reliving the experience in her mind’s eye.

“Any more eggs, Mom?”

She waved her spoon toward the stove, and I helped myself. “When it grew dark, I grew afraid for you. Who knows what lives out in that forest? I knew a woman once in Donegal whose baby was stolen from her. She’d gone out to pick blackberries and left her child sleeping on a blanket on a bright summer day, and when she came back, the baby was gone, and they never did find it, poor thing, not a trace. All that remained was an impression left on the grass.”

I peppered my eggs and dug in.

“I thought of you lost and wanting your mother, and I couldn’t get to you, and I prayed to God that you’d come home. When they found you, it was like a second chance. Quitting would be throwing away your second chance, your God-given gift. It’s a blessing and you should use your talent.”

“Late for school.” I mopped the plate clean with a heel of bread, kissed the top of her head, and exited. Before I made it down the front steps, I regretted not being more forceful. Most of my life has been ruled by indecision, and I am grateful when fate intercedes, relieving me from choice and responsibility for my actions.

By the time of the winter recital that year, just the sight and sound of the piano made my stomach churn. I could not disappoint my parents by quitting Mr. Martin altogether, so I pretended that all was well. We arrived early at the concert hall, and I left my family at the door to find their seats while I moped about backstage. The folderol surrounding the recitals remained unchanged. In the wings of the theater, students milled about, mentally preparing for their turns, practicing their fingering on any flat surface. Mr. Martin paced among us, counting heads, reassuring the stage-frightened, the incompetent, and the reluctant. “You are my prize pupil,” he said. “The best I’ve ever taught. The only real piano player in the whole bunch. Make them cry, Henry.” And with that, he pinned a carnation on my lapel. He swirled and parted the curtains to the brightness of the footlights to welcome the assemblage. My performance was the grand finale, so I had time to duck out the back and smoke a Camel pinched from my father’s pack. A winter’s night had fallen, clear and cold. A rat, startled by my presence in the alley, stopped and stared at me. I showed the vermin my teeth, hissed and glowered, but I could not scare it. Once upon a time, such creatures were terrified of me.

That frozen night, I felt entirely human and heartened at the thought of the warm theater. If this was to be my farewell performance, I resolved to give them something to remember me by. I moved like a whip, cracking the keys, thundering, floating, the right pressure on all the partial notes. Members of the audience began rising from their seats to lead the applause before the strings stopped humming. Enchanted, they showered their huzzahs, so much so that I almost forgot how much I hated the whole business. Backstage, Mr. Martin greeted me first, tears of joy in his eyes, squealing “Bravo,” and then the other students, half of them barely masking their resentment, the other half consumed with jealousy, acknowledging with grudging graciousness that I had outshone their performances. In came the parents, siblings, friends, neighbors, and assorted music lovers. They clumped around the players, but I drew the largest crowd, and I did not notice the woman in the red coat until most of the well-wishers had vanished.

My mother was wiping lipstick from my cheek with a wet handkerchief when the woman meandered into my peripheral vision. She appeared normal and pleasant, about forty years old. Her deep brown hair framed an intelligent face, but I was perplexed at the way her pale green eyes had fixed upon me. She stared, scrutinized, studied, and pondered, as if dredging up an inner mystery. She was an utter stranger to me.

“Excuse me,” she said. “But you’re Andrew Day?”

“Henry Day,” I corrected her.

“Right, Henry. You play wonderfully.”

“Thank you.” I turned back to my parents, who intimated that they were ready to go.

Maybe she saw my profile, or perhaps the simple act of turning away set off something in her brain, but she gasped and drew her fingers to her mouth. “You’re him,” she said. “You’re the little boy.”

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