And the sailing vessel Satori, alone at the mouth of the Great South Channel, is starting to lose the battle to stay afloat. Karen Stimpson crouches miserably by the navigation table and listens to the Tuesday morning NOAA forecast: ONE OF THE WORST STORMS SINCE THE BLIZZARD OF '78, ALREADY THREE DOZEN BOATS BEACHED OR SUNK AT NAUSET BEACH. SHIP REPORTS OF 63 FOOT SEAS, WHICH IS PROBABLY HIGH BUT A SIGN OF PROBLEMS UPCOMING. HEAVY SURF ADVISORY BEING ISSUED DESPITE TEMPORARY LULL IN THE WIND FIELD.
Instead of abating, as Leonard insisted, the storm just keeps getting worse; the seas are thirty feet and the winds are approaching hurricane force. The boat rolls helplessly on her beam-ends every time a wave catches her on the side. "We were taking such a hammering—real neck-snapping violence," says Stimpson. "Things were flying, every wave was knocking us across the cabin. It was only a matter of time before the boat started to break up." Bylander refuses to go on deck, and Leonard curls up on his bunk, sullen and silent, sneaking gulps off a whiskey bottle. Stimpson puts on every piece of clothing she has, climbs the narrow companionway, and clips herself onto the lifeline.
No matter what she does—lashing the tiller, running downwind, showing less jib—she can't control the boat. Several times she's snapped to the end of her tether by boarding seas. Stimpson knows that if they don't keep their bow to the weather they'll roll, so she decides they have no choice but to run the engine. She goes belowdeck to ask Leonard how much fuel they have, but he gives a different answer each time she asks. That's a bad sign for both the fuel level and Leonard's state of mind. But fuel isn't their only problem, Leonard points out; there's also the propeller itself. In such chaotic seas the prop keeps lifting out of the water and revving too high; eventually the bearings will burn out.
While Leonard is explaining the subtleties of prop cavitation, the first knockdown occurs. A wave catches the Satori broadsides and puts her mast in the water; the entire crew crashes against the far wall. Canned food rockets across the galley and water starts pouring into the cabin. At first Stimpson thinks the hull has opened up—a death sentence—but the water has just burst through the main hatch. Debris and splintered glass litter the cabin, and the nav table is drenched. The single sideband is dead, and the VHF looks doubtful.
Most of Stimpson's experience is with wooden boats; in rough weather they tend to spring their caulking and sink. Fiberglass is a lot stronger but it, too, has limits. Stimpson just doesn't know what those limits are. There seems to be no way to keep the boat pointed into the seas, no way to minimize the beating they're taking. Even if the VHF can transmit a mayday—and it's impossible to know that for sure—it only has a range of several miles. They're fifty miles out at sea. Between waves, between slammings, Stimpson shouts, I think we should prepare a survival bag! In case we have to abandon ship!
Bylander, grateful for something to do, sorts through the wreckage on the floor and stuffs tins of food, bottled water, clothes, and a wire cheese sheer into a sea bag. Sue, we don't need the sheer, we can bite the cheese! Stimpson says, but Bylander just shakes her head. I've read about this and it's the little niceties that make the difference! Ray, where are the boat cushions? While preparing their emergency bag, they get knocked over a second time. This one is even more violent than the first, and the boat is a long time in coming back up. Stimpson and Leonard pick themselves off the floor, bruised and dazed, and Bylander sticks her head out the hatch to check for damage on deck. My God, Karen! she screams. The life raft's gone!
"I was in a corner and I covered myself with soft things," says Stimpson, "and with a flashlight I took about ten minutes and wrote some goodbyes and stuck it in a Ziplock bag and put it in my clothing. That was the lowest point. We had no contact with anyone, it was the dark of the night—which brings its own kind of terror—and I had a sense that things were going to get worse. But it's a strange thing. There was no sentiment there, no time for fear. To me, fear is two AM, walking down a city street and someone's following me—that to me is a terror beyond words. What was happening was not a terror beyond words. It was a grim sense of reality, a scrambling to figure out what to do next, a determination to stay alive and keep other people alive, and an awareness of the dark noisy slamming of the boat. But it wasn't a terror beyond words. I just had an overwhelming sense of knowing we weren't going to make it."